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Poliptih Sv. Lucije<br />

The polyptych of St. Lucy<br />

Gradom dominira veli~anstveni kompleks katedrale,<br />

iako nije na nekom povi{enom polo`aju. Kr~ka<br />

katedrala posve}ena Bla`enoj Djevici Mariji kultni je<br />

prostor pobo`nosti i ~uvar vjerske tradicije koji `ivo<br />

svjedo~i o preslojavanju kultura i prerastanju umjetni~kih<br />

nastojanja kroz petnaeststoljetni rast. Kroz<br />

brojne dogradnje i pregradnje katedrali je uve}an volumen<br />

da bi u kona~nici izrasla u kompleks od tri crkve<br />

sa zvonikom. Na predvorje stolnice oslonile su se dvije<br />

crkve s temeljima iz 11. ili 12. stolje}a {to je u nas<br />

najstariji crkveni objekt izgra|en na dvije razine.<br />

Donja romani~ka crkva posve}ena je Sv. Margareti, a<br />

ponad nje se nalazi crkva Sv. Kvirina. Zvonik je<br />

podignut u 16. stolje}u, a na njegov je vrh u 18. stolje}u<br />

kao vjetrokaz postavljen an|eo s trubom, koji je u<br />

na{e dane zamijenjen plasti~nom kopijom. Drevna<br />

katedrala spomenik je ispunjen spomenicima. U kr~koj<br />

se stolnici na{oj pozornosti name}u razigrani reljefi<br />

kapitela na kojem se pauni hrane ribom. Riba je<br />

starokr{}anski simbol za Krista, a paun, za kojeg se<br />

od antike vjerovalo da mu meso nikada ne trune, simbol<br />

je besmrtnosti i Kristova uskrsnu}a. Svima koji se<br />

hrane Tijelom Kristovim i koji vjeruju u uskrsnu}e<br />

ovim drevnim starokr{}anskim simbolima<br />

nadahnuto je i zorno predo~en euharistijski<br />

misterij sakramenta svete pri~esti i nada<br />

u vje~ni `ivot. S oltara }e zasjati<br />

pozla}ena srebrna Frankopanska<br />

pala iz 1477., koja prikazuje<br />

Marijinu krunidbu s nizom<br />

svetaca, dar posljednjeg<br />

kr~kog kneza Ivana VII.<br />

Frankopana. Na pali je frankopanski<br />

grb naknadno zamijenjen<br />

grbom mleta~kog du`da<br />

Grimanija. U riznici Kr~ke biskupije<br />

~uva se poliptih Sv. Lucije,<br />

zavidni rad glasovita umjetnika<br />

Paola Venecijana iz prve polovice 14.<br />

stolje}a, koji je nekada krasio crkvicu<br />

Sv. Lucije u Jurandvoru u kojoj je<br />

prona|ena i ~uvena Ba{}anska plo~a.<br />

Ovaj poliptih pripada najdragocjenijim<br />

likovnim umjetninama otoka Krka.<br />

The town is dominated by the magnificent complex<br />

of the cathedral, although it is not placed on an elevation.<br />

The Krk cathedral, dedicated to Blessed Virgin<br />

Mary, is a prominent site of religiousness and a keeper<br />

of the tradition of faith which bears live witness to the<br />

rearrangement of cultures and the outgrowth of artistic<br />

aspirations in the course of the 15-century growth.<br />

Through numerous additions and reconstruction, the<br />

area of the cathedral was augmented which resulted<br />

in a complex consisting of three churches and a bell<br />

tower. Two churches whose foundations date from the<br />

11 th or the 12 th century lean against the vestibule of<br />

the cathedral, which represents the earliest sacral<br />

building built on two stories in this region. The lower<br />

Romanesque church is dedicated to St. Margaret and<br />

it is topped by the church of St. Quirinus. The bell<br />

tower was erected in the 16 th century, while in the 18 th<br />

an angel with a trumpet was placed on its top to serve<br />

as a weathercock. The latter has since been replaced by<br />

a plastic copy. The wooden cathedral is a monument<br />

filled with monuments. In the cathedral, the visitors’<br />

attention is captured by playful reliefs of the capitals<br />

displaying peacocks feeding on fish. The fish is the<br />

early Christian symbol for Christ, while the peacock,<br />

whose flesh since antiquity was believed never to rot,<br />

is the symbol of immortality and Christ’s resurrection.<br />

To all those who feed themselves on the Body of Christ<br />

and who believe in the resurrection, these ancient early<br />

Christian symbols inspiringly and vividly portray the<br />

eucharistic mystery of the sacrament of the holy communion<br />

and the hope in eternal life. The gilt silver<br />

Frankopan pall from 1477 shines from the altar<br />

depicting Mary’s crowning with a series of saints. It<br />

was the gift from the last duke of Krk, Ivan VII<br />

Frankopan. On the pall the Frankopan coat-of-arms<br />

was subsequently replaced by the coat-of-arms of the<br />

Venetian Doge Grimani. The treasury of the Krk Diocese<br />

safeguards the polyptych of St. Lucy, a remarkable<br />

work by famous artist Paolo Veneziano from the<br />

first half of the 14 th century which used to decorate the<br />

church of St. Lucy in Jurandvor where the<br />

famous Tablet of Ba{ka was found. This<br />

polyptych is among the most precious<br />

works of art on the island of Krk. In<br />

the majority of details, with the<br />

municipal core as a whole,<br />

the town of Krk is a monument<br />

of history and<br />

culture. Even today it is<br />

partly enclosed by walls<br />

which bear witness to the<br />

conflicts among the ruling<br />

houses and the imperialist<br />

empires over the domination<br />

of the town and the island of<br />

Krk. Municipal bulwarks have<br />

laid their foundations in the<br />

silence of the centuries even before<br />

the Common Era.<br />

Kapitel na kojem se pauni hrane ribom<br />

The capital on which peacocks feed on fish<br />

105

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