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Poliptih Sv. Lucije<br />
The polyptych of St. Lucy<br />
Gradom dominira veli~anstveni kompleks katedrale,<br />
iako nije na nekom povi{enom polo`aju. Kr~ka<br />
katedrala posve}ena Bla`enoj Djevici Mariji kultni je<br />
prostor pobo`nosti i ~uvar vjerske tradicije koji `ivo<br />
svjedo~i o preslojavanju kultura i prerastanju umjetni~kih<br />
nastojanja kroz petnaeststoljetni rast. Kroz<br />
brojne dogradnje i pregradnje katedrali je uve}an volumen<br />
da bi u kona~nici izrasla u kompleks od tri crkve<br />
sa zvonikom. Na predvorje stolnice oslonile su se dvije<br />
crkve s temeljima iz 11. ili 12. stolje}a {to je u nas<br />
najstariji crkveni objekt izgra|en na dvije razine.<br />
Donja romani~ka crkva posve}ena je Sv. Margareti, a<br />
ponad nje se nalazi crkva Sv. Kvirina. Zvonik je<br />
podignut u 16. stolje}u, a na njegov je vrh u 18. stolje}u<br />
kao vjetrokaz postavljen an|eo s trubom, koji je u<br />
na{e dane zamijenjen plasti~nom kopijom. Drevna<br />
katedrala spomenik je ispunjen spomenicima. U kr~koj<br />
se stolnici na{oj pozornosti name}u razigrani reljefi<br />
kapitela na kojem se pauni hrane ribom. Riba je<br />
starokr{}anski simbol za Krista, a paun, za kojeg se<br />
od antike vjerovalo da mu meso nikada ne trune, simbol<br />
je besmrtnosti i Kristova uskrsnu}a. Svima koji se<br />
hrane Tijelom Kristovim i koji vjeruju u uskrsnu}e<br />
ovim drevnim starokr{}anskim simbolima<br />
nadahnuto je i zorno predo~en euharistijski<br />
misterij sakramenta svete pri~esti i nada<br />
u vje~ni `ivot. S oltara }e zasjati<br />
pozla}ena srebrna Frankopanska<br />
pala iz 1477., koja prikazuje<br />
Marijinu krunidbu s nizom<br />
svetaca, dar posljednjeg<br />
kr~kog kneza Ivana VII.<br />
Frankopana. Na pali je frankopanski<br />
grb naknadno zamijenjen<br />
grbom mleta~kog du`da<br />
Grimanija. U riznici Kr~ke biskupije<br />
~uva se poliptih Sv. Lucije,<br />
zavidni rad glasovita umjetnika<br />
Paola Venecijana iz prve polovice 14.<br />
stolje}a, koji je nekada krasio crkvicu<br />
Sv. Lucije u Jurandvoru u kojoj je<br />
prona|ena i ~uvena Ba{}anska plo~a.<br />
Ovaj poliptih pripada najdragocjenijim<br />
likovnim umjetninama otoka Krka.<br />
The town is dominated by the magnificent complex<br />
of the cathedral, although it is not placed on an elevation.<br />
The Krk cathedral, dedicated to Blessed Virgin<br />
Mary, is a prominent site of religiousness and a keeper<br />
of the tradition of faith which bears live witness to the<br />
rearrangement of cultures and the outgrowth of artistic<br />
aspirations in the course of the 15-century growth.<br />
Through numerous additions and reconstruction, the<br />
area of the cathedral was augmented which resulted<br />
in a complex consisting of three churches and a bell<br />
tower. Two churches whose foundations date from the<br />
11 th or the 12 th century lean against the vestibule of<br />
the cathedral, which represents the earliest sacral<br />
building built on two stories in this region. The lower<br />
Romanesque church is dedicated to St. Margaret and<br />
it is topped by the church of St. Quirinus. The bell<br />
tower was erected in the 16 th century, while in the 18 th<br />
an angel with a trumpet was placed on its top to serve<br />
as a weathercock. The latter has since been replaced by<br />
a plastic copy. The wooden cathedral is a monument<br />
filled with monuments. In the cathedral, the visitors’<br />
attention is captured by playful reliefs of the capitals<br />
displaying peacocks feeding on fish. The fish is the<br />
early Christian symbol for Christ, while the peacock,<br />
whose flesh since antiquity was believed never to rot,<br />
is the symbol of immortality and Christ’s resurrection.<br />
To all those who feed themselves on the Body of Christ<br />
and who believe in the resurrection, these ancient early<br />
Christian symbols inspiringly and vividly portray the<br />
eucharistic mystery of the sacrament of the holy communion<br />
and the hope in eternal life. The gilt silver<br />
Frankopan pall from 1477 shines from the altar<br />
depicting Mary’s crowning with a series of saints. It<br />
was the gift from the last duke of Krk, Ivan VII<br />
Frankopan. On the pall the Frankopan coat-of-arms<br />
was subsequently replaced by the coat-of-arms of the<br />
Venetian Doge Grimani. The treasury of the Krk Diocese<br />
safeguards the polyptych of St. Lucy, a remarkable<br />
work by famous artist Paolo Veneziano from the<br />
first half of the 14 th century which used to decorate the<br />
church of St. Lucy in Jurandvor where the<br />
famous Tablet of Ba{ka was found. This<br />
polyptych is among the most precious<br />
works of art on the island of Krk. In<br />
the majority of details, with the<br />
municipal core as a whole,<br />
the town of Krk is a monument<br />
of history and<br />
culture. Even today it is<br />
partly enclosed by walls<br />
which bear witness to the<br />
conflicts among the ruling<br />
houses and the imperialist<br />
empires over the domination<br />
of the town and the island of<br />
Krk. Municipal bulwarks have<br />
laid their foundations in the<br />
silence of the centuries even before<br />
the Common Era.<br />
Kapitel na kojem se pauni hrane ribom<br />
The capital on which peacocks feed on fish<br />
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