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C:\Arc\Akeela & the Bee\Akeelah and the Bee Cover.wpd

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"Akeelah & <strong>the</strong> <strong>Bee</strong>" Reel 2 Page 127<br />

Combined Continuity <strong>and</strong> Title Spotting List Footages <strong>and</strong> Titles<br />

Dialogue No. Start Stop Total Title<br />

(EXT. - STREET - CONT)<br />

671. (1290+08) CHEST SHOT<br />

Akeelah.<br />

AKEELAH:(TO WANDA)(OS)<br />

Made <strong>the</strong> cut. I'm<br />

going to <strong>the</strong><br />

regional...<br />

672. (1293+09) MCS W<strong>and</strong>a<br />

L., Terrence R.<br />

AKEELAH:(OS)(CONT)<br />

...bee.<br />

WANDA:(TO AKEELAH)(OS)<br />

Yeah. While you doin'<br />

that, I'm gonna be<br />

identifying...<br />

673. (1299+10) CHEST SHOT<br />

Akeelah FG. Welch BG.<br />

OUT OF FOCUS.<br />

WANDA:(OS)(CONT)<br />

...your bro<strong>the</strong>r here<br />

in <strong>the</strong> morgue.<br />

TERRENCE:(OS)(TO WANDA)<br />

No you're not. Ma!<br />

674. (1302+10) CHEST SHOT<br />

Welch at <strong>the</strong> driver's<br />

side of <strong>the</strong> van. He<br />

underst<strong>and</strong>s Akeelah's<br />

feelings at this<br />

moment.<br />

WANDA:(OS)(CONT)<br />

Yes I am, get inside.<br />

Before I really...<br />

489. 1290.11 1294.08 3.13<br />

(over scene end) AKEELAH:(TO WANDA)(OS)<br />

Made <strong>the</strong> cut. I'm<br />

going to <strong>the</strong> regional<br />

bee.<br />

490. 1295.08 1301.15 6.07<br />

(over scene end) WANDA:(TO AKEELAH)(OS)<br />

Yeah. While you doing<br />

that, I'm going to be<br />

identifying your<br />

bro<strong>the</strong>r here in <strong>the</strong><br />

morgue.<br />

491. 1302.05 1304.05 2.00<br />

TERRENCE:(OS)(TO WANDA)<br />

(THEN WANDA)<br />

- No you are not. Ma!<br />

- Yes I am. Get<br />

inside!<br />

492. 1304.11 1307.08 2.13<br />

(over scene end) WANDA:(OS)(CONT)<br />

Before I really<br />

embarrass our behind.<br />

(Behind: Substitution for <strong>the</strong> vulgar "your<br />

ass" meaning, "you.")

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