A collection of ancient and modern Scottish ballads, etc
A collection of ancient and modern Scottish ballads, etc A collection of ancient and modern Scottish ballads, etc
IV pathos, and descriptive beauty of their country's bards. Our language may fluctuate, and per- haps be lost in the English, but so long as there remains amongst us a taste for simplicity in writ- ing, and beauty in poetry, so long will our an- cient ballads and songs be admired. They are very numerous, and exhibit an astonishing fer- tility of genius in their authors, who relate the loves, depict the manners, and record the actions of a rude but gallant people, with a brevity of description, and a tenderness of feeling, that take a firm hold of the mind ; and may therefore be studied with much advantage by the lover of true poetry, and perused with no little mental profit by the politician and historian.—It was on these foundations that Burns raised that fame which immortalises him ; his enthusiastic admiration led him to imitate, and he surpassed them in feeling, and equalled them in humour ; his cri- tical taste improved many of our old songs, and his compositions have raised the lyric poetry of Scotland above that of every other country. To him have succeeded Macneill, Hogg, and Tannahill, who uphold the lustre of their pre- decessors by the lively images and natural feel- ing which pervade their pieces, and by that want of gaudy colouring which dazzles the eye but never readies the affections.
In some of our early poems, it must be ad- mitted, there is a broadness of humour, a freedom of thought and expression, which in mo- dern productions would be turned from with disgust, but which our virtuous but less polish- ed ancestors not only countenanced but ad- mired. The collector of Scottish poetry has therefore before him wide and extensive fields, abound- ing in beautiful and variegated flowers, with here and there a few rank weeds ; much conse- quently depends on his selection of the mate- rials, in his rejecting the baneful, retaining the useful, elegant, and beautiful, and in some measure on the manner in which he disposes the flowers he has culled, by placing in their proper light the dark shades, sprightly glow, and airy colours, so as to form a combination at once pleasing and instructive.—It has been the Editor's endeavour to form this Collection on these principles. He has rejected? every gross and indelicate poem or song which could raise a blush on the cheek of modesty, at the same time he has not been so fastidious as omit those delineations of nature which mark the pure morals and honost character of our forefathers, a3
- Page 1 and 2: 1 ^.. ->>> fe w ?^- * p^ .^'-l i^'
- Page 3: THE GLEN COLLECTION OF SCOTTISH MUS
- Page 7 and 8: A COLLECTION OF ANCIENT AND MODEUN
- Page 9: PREFACE. Our relations and intercou
- Page 13: Vll ought to be a main object in al
- Page 16 and 17: X CONTENTS* Romantic. Dialogue betw
- Page 19: POPULAR SCOTTISH BALLADS, TALES, AN
- Page 22 and 23: Our King has written a braid letter
- Page 24 and 25: 6 The ankers brak, and the top-mast
- Page 26 and 27: HARDYKNUTE. A FRAGMENT. [In 1263, E
- Page 28 and 29: 10 Full thirtein sons to him sclio
- Page 30 and 31: 12 '" Robin of Rothsay, bend thy bo
- Page 32 and 33: u : ; ; Syne he has gane far hynd a
- Page 34 and 35: 16 " Sair bleids my lelge } Sali% s
- Page 36 and 37: 18 Schort quhyle he in his sadill s
- Page 38 and 39: 20 GUDE WALLACE. VW*'V%'V*V».'V* [
- Page 40 and 41: 22 The dinner was na weel readie. N
- Page 42 and 43: ^4 earae night. The fiery and impet
- Page 44 and 45: 26 He took a lang spear in his hand
- Page 46 and 47: 28 When Percy wi' the Douglas met,
- Page 48 and 49: 30 This deed was done at Otterbourn
- Page 50 and 51: 39 I marvlit what the matter meint.
- Page 52 and 53: 34 And then throw fair Strathbogie
- Page 54 and 55: 36 The armies met, the trumpet soun
- Page 56 and 57: 38 Of the best men amang them was T
- Page 58 and 59: 40 JOHNIE ARMSTRANG. [The almost co
IV<br />
pathos, <strong>and</strong> descriptive beauty <strong>of</strong> their country's<br />
bards. Our language may fluctuate, <strong>and</strong> per-<br />
haps be lost in the English, but so long as there<br />
remains amongst us a taste for simplicity in writ-<br />
ing, <strong>and</strong> beauty in poetry, so long will our an-<br />
cient <strong>ballads</strong> <strong>and</strong> songs be admired. They are<br />
very numerous, <strong>and</strong> exhibit an astonishing fer-<br />
tility <strong>of</strong> genius in their authors, who relate the<br />
loves, depict the manners, <strong>and</strong> record the actions<br />
<strong>of</strong> a rude but gallant people, with a brevity <strong>of</strong><br />
description, <strong>and</strong> a tenderness <strong>of</strong> feeling, that take<br />
a firm hold <strong>of</strong> the mind ; <strong>and</strong> may therefore be<br />
studied with much advantage by the lover <strong>of</strong> true<br />
poetry, <strong>and</strong> perused with no little mental pr<strong>of</strong>it<br />
by the politician <strong>and</strong> historian.—It was on these<br />
foundations that Burns raised that fame which<br />
immortalises him ; his enthusiastic admiration<br />
led him to imitate, <strong>and</strong> he surpassed them in<br />
feeling, <strong>and</strong> equalled them in humour ; his cri-<br />
tical taste improved many <strong>of</strong> our old songs, <strong>and</strong><br />
his compositions have raised the lyric poetry <strong>of</strong><br />
Scotl<strong>and</strong> above that <strong>of</strong> every other country.<br />
To him have succeeded Macneill, Hogg, <strong>and</strong><br />
Tannahill, who uphold the lustre <strong>of</strong> their pre-<br />
decessors by the lively images <strong>and</strong> natural feel-<br />
ing which pervade their pieces, <strong>and</strong> by that<br />
want <strong>of</strong> gaudy colouring which dazzles the eye<br />
but never readies the affections.