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User Manual

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OTF<br />

Off The Film - the original literal description of the light measurement<br />

mechanics regarding flash exposure measurement that now<br />

applies to digital sensors too.<br />

Profile<br />

You can allow the H3D II to be set according to ‘profiles’. These<br />

profiles are combinations of modes, methods and settings (custom<br />

or default) that suit specific photographic situations. By using<br />

a personal profile - which you can create, name and save - the<br />

camera is immediately configured for a specific purpose without<br />

any need to check through the menus. This is a very rapid and<br />

secure way of working when repeatedly confronted with similar<br />

photographic situations.<br />

As an example you might regularly take outdoor portraits of<br />

wedding couples with a long lens. You want a specific aperture to<br />

restrict depth-of-field and a fairly fast shutter speed to freeze any<br />

movement. You are concerned about the couple blinking during the<br />

exposure and so want to take several shots in succession, possibly<br />

with slight variations in exposure settings for safety’s sake so you<br />

might choose the bracketing option too. All these parameters can<br />

be preset and stored as a profile that is rapidly accessible.<br />

Quick save<br />

When altering settings, a half-press of the shutter release button<br />

will cause a return to the main screen and save the new setting at<br />

the same time.<br />

Standard exposure<br />

A ‘standard exposure’ in the manual refers to the concept of<br />

technically correct in accordance with internationally accepted<br />

photographic measurement standards (see section on Mid-grey /<br />

18% grey). This does not imply, however, that it would automatically<br />

be the preferred choice or be ‘correct’ according to the desired<br />

result. See section on Bracketing.<br />

Main screen<br />

To simplify the descriptions, reference is often made to a ‘main’<br />

screen regarding the menu. Apart from default settings, there is no<br />

standard setting in the normal sense and therefore you create your<br />

own ‘standard’, which of course can be changed at any time.<br />

The ‘main’ screen is therefore the one you have currently created<br />

and is the one visible on the display when photographing (except<br />

where a particular mode is in actual operation, such as self-timer,<br />

for example).<br />

TTL<br />

Through The Lens - a literal description of the light measurement<br />

mechanics. The advantage is that only the essential parts of the<br />

subject in front of the camera are included. Accessories such as<br />

filters, bellows, close-up rings, converters, etc that could affect<br />

exposure are also taken into account automatically with exposure<br />

evaluation (for general purposes).<br />

119<br />

Tethered / Untethered<br />

When the H3D II saves digital files directly to a computer - it is<br />

described as tethered..<br />

When files are saved to an internal CF card or an ImageBank II,<br />

it is described as untethered.<br />

Time out<br />

This is the time interval that a temporary setting is maintained<br />

for before it automatically returns to the original setting (default<br />

or custom).<br />

Zone (system)<br />

The Zone System is a method of combined exposure calculation/<br />

film development providing a great deal of tonal control. It was<br />

originally devised by Ansel Adams - the classic landscape photographer<br />

and Hasselblad user - and now exists in various forms<br />

for both black & white and colour photography.<br />

Naturally in the case of the H3D II or any other digital camera,<br />

the film development part of the method can not apply. However,<br />

some photographers are used to its philosophy and are familiar<br />

with its terminology and might like to still refer to it.<br />

An integral part of the method includes the classification and<br />

grouping of any given scene into a range of nine (or ten) so-called<br />

zones, hence the name. Concerning the H3D II, the word zone<br />

refers to the grouping and classification of various tones, where<br />

Zone V is the equivalent (whether in black & white or colour) to<br />

18% mid-grey on a scale of Zone I (black) through Zone IX (white).<br />

See specific literature for a complete description of this method.<br />

3F / 3FR<br />

The H3D II produces Hasselblad 3FR files after capture. These<br />

RAW format files are automatically converted into 3F files when<br />

imported to a computer using Phocus or FlexColor.

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