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Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

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CHAPTER 1. THE FUTURE BELONGS TO KRISHNA<br />

<strong>The</strong>re is perhaps no one like <strong>Krishna</strong>, no one who can accept <strong>and</strong> absorb in himself all the<br />

contradictions of life, all the seemingly great contradictions of life. Day <strong>and</strong> night, summer <strong>and</strong><br />

winter, peace <strong>and</strong> war, love <strong>and</strong> violence, life <strong>and</strong> death – all walk h<strong>and</strong> in h<strong>and</strong> with him. That is<br />

why everyone who loves him has chosen a particular aspect of <strong>Krishna</strong>’s life that appealed to him<br />

<strong>and</strong> quietly dropped the rest.<br />

G<strong>and</strong>hi calls the GEETA his mother, <strong>and</strong> yet he cannot absorb it, because his creed of non-violence<br />

conflicts with the grim inevitability of war as seen in the GEETA. So G<strong>and</strong>hi finds ways to rationalize<br />

the violence of the GEETA: he says the war of Mahabharat is only a metaphor, that it did not actually<br />

happen. This war, G<strong>and</strong>hi says over <strong>and</strong> over again, represents the inner war between good <strong>and</strong><br />

evil that goes on inside a man. <strong>The</strong> Kurushetra of the GEETA, according to G<strong>and</strong>hi, is not a real<br />

battlefield located somewhere on this earth, nor is the Mahabharat an actual war. It is not that<br />

<strong>Krishna</strong> incites Arjuna to fight a real Mahabharat, Mahabharat only symbolizes the inner conflict <strong>and</strong><br />

war of man, <strong>and</strong> so it is just a parable.<br />

G<strong>and</strong>hi has his own difficulty. <strong>The</strong> way G<strong>and</strong>hi’s mind is, Arjuna will be much more in accord with him<br />

than <strong>Krishna</strong>. A great upsurge of non-violence has arisen in the mind of Arjuna, <strong>and</strong> he seems to be<br />

strongly protesting against war. He is prepared to run away from the battlefield <strong>and</strong> his arguments<br />

seem to be <strong>com</strong>pelling <strong>and</strong> logical. He says it is no use fighting <strong>and</strong> killing one’s own family <strong>and</strong><br />

relatives. For him, wealth, power <strong>and</strong> fame, won through so much violence <strong>and</strong> bloodshed, have no<br />

value what soever. He would rather be a beggar than a king, if kingship costs so much blood <strong>and</strong><br />

tears. He calls war an evil <strong>and</strong> violence a sin <strong>and</strong> wants to shun it at all costs. Naturally Arjuna has<br />

a great appeal for G<strong>and</strong>hi. How can he then underst<strong>and</strong> <strong>Krishna</strong>?<br />

<strong>Krishna</strong> very strongly urges Arjuna to drop his cowardice <strong>and</strong> fight like a true warrior. And his<br />

arguments in support of war are beautiful, rare <strong>and</strong> unique. Never before in history have such<br />

unique <strong>and</strong> superb arguments been advanced in favor of fighting, in support of war. Only a man of<br />

supreme non-violence could give such support to war.<br />

<strong>Krishna</strong> tells Arjuna, ”So long as you believe you can kill someone, you are not a man with a soul,<br />

you are not a religious man. So long as you think that one dies, you don’t know that which is within<br />

us, that which has never died <strong>and</strong> will never die. If you think you can kill someone you are under<br />

a great illusion, you are betraying your ignorance. <strong>The</strong> concept of killing <strong>and</strong> dying is materialistic;<br />

only a materialist can believe so. <strong>The</strong>re is no dying, no death for one who really knows.” So <strong>Krishna</strong><br />

exhorts Arjuna over <strong>and</strong> over again in the GEETA, ”This is all play-acting; killing or dying is only a<br />

drama.”<br />

In this context it is necessary to underst<strong>and</strong> why we call the life of Rama a characterization, a story,<br />

a biography, <strong>and</strong> not a play, a leela. It is because Rama is very serious. But we describe the life of<br />

<strong>Krishna</strong> as his leela, his play-acting, because <strong>Krishna</strong> is not serious at all. Rama is bounded, he is<br />

limited. He is bound, limited by his ideals <strong>and</strong> principles. Scriptures call him the greatest idealist: he<br />

is circumscribed by the rules of conduct <strong>and</strong> character. He will never step out of his limits; he will<br />

sacrifice everything for his principles, for his character.<br />

<strong>Krishna</strong>’s life, on the other h<strong>and</strong>, accepts no limitations. It is not bound by any rules of conduct, it<br />

is unlimited <strong>and</strong> vast. <strong>Krishna</strong> is free, limitlessly free. <strong>The</strong>re is no ground he cannot tread; no point<br />

where his steps can fear <strong>and</strong> falter, no limits he cannot transcend. And this freedom, this vastness<br />

of <strong>Krishna</strong>, stems from his experience of self-knowledge. It is the ultimate fruit of his enlightenment.<br />

<strong>Krishna</strong>: <strong>The</strong> <strong>Man</strong> <strong>and</strong> <strong>His</strong> <strong>Philosophy</strong> 6 <strong>Osho</strong>

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