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Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

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CHAPTER 18. NON-ATTACHMENT IS NOT AVERSION<br />

Sannyas affirms that every one is inseparably involved in this vast world of action <strong>and</strong> we cannot run<br />

away from it. <strong>The</strong>refore it is good to know, <strong>and</strong> know on our own, that we do even when we don’t do<br />

anything, we are responsible even for our inaction.<br />

<strong>The</strong> other side of the coin, according to <strong>Krishna</strong>, is to know I am not doing even when I am doing<br />

something Ordinarily this side seems simple, but knowing the side of our total involvement in the<br />

whole pattern of action, you cannot say it is that simple. It is really difficult. Someone says glibly that<br />

he can do things as if he is acting, but it is easier said than done. <strong>The</strong> truth is that even professional<br />

actors often forget they are actors; they be<strong>com</strong>e doers. <strong>The</strong>y be<strong>com</strong>e so involved in acting that<br />

they think they are the very roles they are expected to play. <strong>The</strong>y be<strong>com</strong>e so conditioned by long<br />

acting that they forget altogether their reality, they begin to identify themselves with their roles. <strong>The</strong>y<br />

be<strong>com</strong>e what they are long accustomed to act.<br />

This identification of an actor with his role, which is a kind of delusion, needs to be understood<br />

carefully. When even an actor is deluded into believing that he is the person whose part he is<br />

playing, how can the very person whose role is being played by the actor believe that he is acting a<br />

role. When someone playing the role of Rama in Ramaleela – Rama’s play – sheds real tears when<br />

his wife Sita is stolen, it is difficult to think that the real Rama would not shed real tears. When even<br />

spectators in a drama begin to weep, it is quite possible the actor cries really. For the time being he<br />

forgets that he is only playing Rama’s role. So when actors be<strong>com</strong>e victims of deluded identification<br />

it is really difficult for us in real life to conduct ourselves as if we are actors on the stage.<br />

To take life as playacting is arduous, but not impossible. If we carefully watch the way we live, if we<br />

closely observe our daily life, it will not take long to know that we are really acting. You are passing<br />

on the street <strong>and</strong> someone asks, ”How are you?” <strong>and</strong> you promptly say, ”I am fine,” <strong>and</strong> you never<br />

think what you are saying. Next time when it happens <strong>and</strong> you say, ”I am fine,” pause for a moment<br />

<strong>and</strong> think carefully if you are really fine. And you will know that what you said was nothing more than<br />

acting, it was not your reality. Someone meets you in a club <strong>and</strong> you say to him, ”Good morning, I<br />

am so happy to see you.” Stop then <strong>and</strong> there <strong>and</strong> look back to see if you were really happy to see<br />

him. If you carefully watch your day-to-day life you will soon <strong>com</strong>e to know that it is all acting.<br />

Whenever you do something <strong>and</strong> think yourself to be a doer – <strong>and</strong> such moments are many – reflect<br />

inside if what you have done is real. You say to your loved one, ”I love you with all my being; I cannot<br />

live without you.” Look back <strong>and</strong> examine yourself: ”Is it true that I cannot live without my lover?”<br />

How many people have really died for the sake of love? And you will know clearly how you act in<br />

your day-to-day life. Watch every step of your life, every single thing that you do, every word that you<br />

say, <strong>and</strong> you will realize that it is different from playacting.<br />

I love to tell the stories of Mulla Nasruddin.<br />

He falls in love with a king’s wife. He spends a night with her <strong>and</strong> at the break of dawn he is preparing<br />

to take leave of his beloved. With great feeling he says to her, ”You are the most beautiful <strong>and</strong> loving<br />

woman I have ever met; I cannot live without you.” Hearing this the queen begins to shed tears of<br />

happiness. Nasruddin then turns back <strong>and</strong> says, ”But I have said the same thing to many women<br />

in the past. I say I cannot live without them <strong>and</strong> I go on living. And I am going to live so that I have<br />

occasions in life to say it to other women too. And I have also spoken the same cliche to many<br />

women; ’You are the most beautiful woman on this earth.”’<br />

<strong>Krishna</strong>: <strong>The</strong> <strong>Man</strong> <strong>and</strong> <strong>His</strong> <strong>Philosophy</strong> 347 <strong>Osho</strong>

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