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Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

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CHAPTER 16. ATHEISM, THEISM AND REALITY<br />

West. Science is the child of that honesty. In fact, science cannot <strong>com</strong>e out of dishonest thinking;<br />

it is impossible. India could not create science because we have been victims of a deep-rooted<br />

intellectual dishonesty; here it is difficult to decide who says what. Everybody is quoting scriptures,<br />

everybody is citing authorities; everybody is mimicking the voice of everybody else.<br />

Arvind’s excessive dependence on the VEDAS <strong>com</strong>es from his inferiority <strong>com</strong>plex. It does not reflect<br />

his profundity; it only says he is not certain if what he says is true, so he is seeking authoritative<br />

support for his shaky ideas.<br />

And the mind of India has been deeply influenced by the VEDAS, the UPANISHADS <strong>and</strong> the<br />

GEETA. India’s mind has been heavily conditioned by Mahavira <strong>and</strong> Buddha. <strong>The</strong> Indian mind<br />

is a prisoner of tradition; we accept anyone who says something on the authority of the VEDAS<br />

or the DHAMMAPADA. We don’t care about scrutinizing him independently <strong>and</strong> finding out if what<br />

he says is genuine. We blindly accept anything <strong>and</strong> everything that is said under the cover of the<br />

VEDAS.<br />

But the question is: Why take cover behind the VEDAS? Does truth need a cover? If I find some<br />

truth I will say it in plain words. And I will also say that if the VEDAS see it the same way as I see,<br />

they are right, <strong>and</strong> if they don’t, they are wrong. My perception of truth is self-evident; it is enough<br />

unto itself. I am not going to be right or wrong on the authority of the VEDAS. For me, the Vedas<br />

have to be right or wrong on my authority.<br />

If someone <strong>com</strong>es <strong>and</strong> tells me that what I say is different from what Mahavira says, I will tell him<br />

Mahavira is wrong. I cannot even be certain whether or not Mahavira really said it, but I am very<br />

certain about what I am saying. Even if the whole world says the way I see it is wrong, I will say that<br />

the whole world is wrong – just because I see it differently. I can be a witness to my own perception,<br />

I cannot be a witness to the perception of others.<br />

But it is a very simple <strong>and</strong> convenient way of putting oneself in the right place. If you encounter truth<br />

directly, on your own, <strong>and</strong> say it exactly as you see it, history will take thous<strong>and</strong>s of years to judge<br />

if you have found something real. But if you take cover behind the Vedas, you receive cheap <strong>and</strong><br />

immediate recognition. Because you say the same thing the Vedas say, you be<strong>com</strong>e right on the<br />

authority of the most ancient of scriptures. It is a very simple trick <strong>and</strong> a very dirty trick at that.<br />

I would like to explain it with the help of a story.<br />

A French countess was known for her dem<strong>and</strong>ing nature <strong>and</strong> extravagant lifestyle. Once she visited<br />

China, brought home an ashtray from there, <strong>and</strong> she decided to have her living room painted in the<br />

color of the ashtray. She invited the country’s greatest painters for this gr<strong>and</strong> job. But no one could<br />

match the paint for the walls exactly to the color of the ashtray, which contained a special Chinese<br />

pig ment available nowhere in France. So all her efforts failed. Any number of renowned painters<br />

came <strong>and</strong> went away defeated. <strong>The</strong>n came a painter who said he would do the job on the condition<br />

that no one should enter the room for the month during which he would be painting it. <strong>The</strong> countess<br />

agreed to his condition, <strong>and</strong> the man began his work in earnest.<br />

For a whole month the painter came every day in the morning, closed the living room &om inside<br />

<strong>and</strong> worked there till evening. After the month was over, he invited the countess to visit her living<br />

<strong>Krishna</strong>: <strong>The</strong> <strong>Man</strong> <strong>and</strong> <strong>His</strong> <strong>Philosophy</strong> 304 <strong>Osho</strong>

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