24.04.2013 Views

Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

CHAPTER 2. KRISHNA IS COMPLETE AND WHOLE<br />

It means that if someone drops the viewpoint of the ego, he will cease to be a doer, <strong>and</strong> then he can<br />

only be a player, an actor. If I am Rama <strong>and</strong> my Seeta is kidnapped, I will cry for her. But the way<br />

I cry for her will be quite different if I am acting his part in a drama on his life. <strong>The</strong>n I will also cry,<br />

<strong>and</strong> maybe my crying is going to be more real than that of the actual Rama. Indeed, it is going to<br />

be a better performance, because the real Rama does not have the opportunity to rehearse his role.<br />

Seeta is lost to him only once <strong>and</strong> he <strong>com</strong>es to know of it only after she has been kidnapped. He is<br />

not prepared for it. And as a doer, he is lost in the act of crying. He cries, screams, <strong>and</strong> suffers for<br />

Seeta.<br />

That is why India does not accept Rama as a perfect incarnation of God. He cannot be a perfect<br />

actor; he is more a doer than an actor. He tries <strong>and</strong> fails again <strong>and</strong> again. He remains a doer. So<br />

we describe his life as that of an ideal character. He is not an actor, a player.<br />

An actor does not have a character, he has just a role to play. So we describe <strong>Krishna</strong>’s life as a real<br />

play, a performance. <strong>Krishna</strong>’s life is a leela; he just plays his part <strong>and</strong> plays it perfectly. Rama’s life<br />

has a character, it is idealistic; <strong>Krishna</strong>’s life is a free play, a leela.<br />

Character is a serious thing. A man of character has to approximate his conduct to a set of ideas,<br />

rules <strong>and</strong> regulations. He has to pick <strong>and</strong> choose; he has to choose between good <strong>and</strong> evil, between<br />

shoulds <strong>and</strong> should-nots. Arjuna is trying to be a man of character; <strong>Krishna</strong> is trying to make an<br />

actor of him. Arjuna wants to know what he should do <strong>and</strong> what he should not do. <strong>Krishna</strong> asks him<br />

to accept that which is, that which <strong>com</strong>es his way, <strong>and</strong> not to choose, not to bring his mind, his ego<br />

into it. This is absolute acceptance – where you have nothing to deny.<br />

But it is arduous, really arduous to accept the whole of existence without choosing. Total acceptance<br />

means there is no good <strong>and</strong> bad, no virtue <strong>and</strong> vice, no pain <strong>and</strong> pleasure. Total acceptance means<br />

one drops for good the old ways of dialectical thinking, of thinking by splitting everything into two,<br />

into its opposites. <strong>Krishna</strong> tells Arjuna there is really no birth <strong>and</strong> death, that no one is ever born<br />

<strong>and</strong> no one ever dies, that no one kills <strong>and</strong> no one gets killed, so Arjuna can plunge into war without<br />

fear <strong>and</strong> with ab<strong>and</strong>on, so he can play freely with war.<br />

Everything on this earth is divine; everything in existence is godly, so the question of right <strong>and</strong> wrong<br />

does not arise. Of course, it is really arduous to underst<strong>and</strong> it <strong>and</strong> live it.<br />

<strong>The</strong> vision of <strong>Krishna</strong> is extremely difficult for a moralistic mind to decipher. A moralist finds it easier<br />

to underst<strong>and</strong> an immoral person than <strong>Krishna</strong>. He can brush an immoral man aside by calling him<br />

a sinner. But in regard to <strong>Krishna</strong> he finds himself in a qu<strong>and</strong>ary. How to place him? He cannot<br />

say that <strong>Krishna</strong> is a bad man, because he does not seem to be so. And he also cannot gather the<br />

courage to say that <strong>Krishna</strong> is good, because he is goading Arjuna into things that are obviously<br />

bad, very bad.<br />

G<strong>and</strong>hi found himself in such a dilemma when he wanted to discuss <strong>Krishna</strong>. In fact, he was more<br />

in agreement with Arjuna than with <strong>Krishna</strong>, How can G<strong>and</strong>hi accept it when <strong>Krishna</strong> goads Arjuna<br />

into war? He could be rid of <strong>Krishna</strong> if he were clearly bad, but his badness is not that clear,<br />

because <strong>Krishna</strong> accepts both good <strong>and</strong> bad. He is good, utterly good, <strong>and</strong> he is also utterly bad<br />

– <strong>and</strong> paradoxically, he is both together, <strong>and</strong> simultaneously. <strong>His</strong> goodness is crystal-clear, but his<br />

badness is also there. And it is difficult for G<strong>and</strong>hi to accept him as bad.<br />

<strong>Krishna</strong>: <strong>The</strong> <strong>Man</strong> <strong>and</strong> <strong>His</strong> <strong>Philosophy</strong> 26 <strong>Osho</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!