Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com
Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com
CHAPTER 11. DRAUPADI: A RARE WOMAN and loss, right and wrong, are essential. Life is made of these opposites; the opposites are like two sides of a coin. The real question is not whether Krishna wins a battle or loses it; the real question is whether the totality of one’s life results in victory or defeat. And it applies to everyone’s life. It is immaterial whether one wins a battle here and loses a battle there. It is possible that a defeat becomes a stepping stone to victory. It is also possible that a victory may serve as a jumping board to fall into abysmal defeat. The warp and woof of life are so vast and complex, every defeat does not mean defeat and every victory does not mean victory. It is okay if one loses a battle or two and wins the war. The ultimate judgment on one’s life depends not on a count of wins and losses, but on the final summation of one’s whole life story. It is natural that Krishna had moments of defeat in his life. It is inevitable with life. If God has to live in the world he will have to live as humans do; he will have to accept everything that life brings with it. Success and failure, happiness and pain, light and shade, will walk hand-in-hand together. In fact, one who is not ready to face defeats in life should give up all thought of victory. Krishna’s life contains both victory and defeat; that is why it is so human. But this humanness does not detract from the grandeur and glory of his life, really it adds much to it. It means that Krishna is so unique that he can take defeat too. He is not set on winning, not an egoist who is sworn to win and who is not going to accept a defeat. Krishna is prepared for everything that life brings with it. He is prepared to lose a war, even to run away from it, to escape it from any point. He accepts the ups and downs of life unconditionally; he is really choiceless. He does not say that he will go this far and no further. This is what makes Krishna tremendously human, and at times because of his humanness he looks small in comparison to the divinity of Buddha and Mahavira. Both Buddha and Mahavira look absolutely divine; they do not look human at all. But remember, too much divinity is likely to turn harsh and inhuman; it loses that beautiful quality called human tenderness. Krishna is not going to be harsh, so he accepts all that we call human weakness. A proverb says, ”To err is human,” but there is no corresponding proverb that says, ”Not to err is inhuman.” There should be one; it is utterly inhuman if one does not ever err. And Krishna does not take a mistake as mistake; he takes it in stride, as something coming with life. And it is true that Krishna had to leave Mathura. A man like Krishna might have to leave many places; he might prove to be troublesome at many places. Any number of places may find it increasingly difficult to bear him; they can ask to be excused for their inability to go with him. To under stand him and to go with him is really arduous. So Krishna moves away without difficulty; he is not set on staying in a particular place. He moves from one place to another with the ease you move from one room of your house to another. And he leaves a place so utterly that he does not once turn his head to look back at it again. While his lovers feel disturbed about it, and implore him again and again to come back, they want to know if he still remembers them or not, on his part he has left them completely and finally. Now he is mindful of the other place to which he has moved; he forgets Mathura altogether. Wherever Krishna is, he is there totally. And because of it he sometimes seems to be harsh and hard-hearted. Krishna’s life is a flux; he moves with the winds. He goes eastward with the east wind; he goes westward with the westerly. He has no choice of his own to be here or there or anywhere; he goes Krishna: The Man and His Philosophy 212 Osho
CHAPTER 11. DRAUPADI: A RARE WOMAN with life totally. There is a saying of Lao Tzu: Be like the winds; move with the winds; go wherever they take you. And don’t choose. I am reminded of a small Zen parable: There is a river which is flooded. It is rushing toward the ocean with tremendous speed and force, and two small stalks of some plant are also flowing with its currents. One of the stalks has placed itself crosswise against the currents; it is tense and anxious, tries to fight against them... it makes no difference for the currents which are too powerful to be resisted. The currents are not even aware that a little straw is in their way, trying to resist their triumphant advance. But as far as the little stalk is concerned, it is fighting for its life and wasting all its energy for nothing. The other stalk has left itself lengthwise in the currents, which are taking it with them effortlessly. This stalk is relaxed and joyous and festive. It is dancing with the ripples of the river; it has a feeling of sharing and celebrating with the great river. The ways of the stalks make not the least difference to the river, but make all the difference to themselves. Like the two straws there are two kinds of people in the world. One is demanding, aggressive and resistant like the first stalk which places itself against the river and fights with it and suffers at every step. And there are people – the other kind of people – who say ”Yes” to life, who cooperate with it like the other stalk, which places itself in the currents lengthwise and moves effortlessly and happily with them. These people have a sense of deep kinship with existence; they move with it, with a song in their hearts. There is a flute in Krishna’s hands because he has left himself completely in the hands of existence; he flows effortlessly with its currents. He does not come in the way of life, he does not fight with it. That is how he sings and dances and plays the flute and goes blissfully through life. You cannot put a flute in the hands of Mahavira; he cannot play it. It is unthinkable. Only Krishna can afford a flute, because he is totally with life, not against it. He is ready to go wherever the river of life takes him. He is as happy in Dwarka as he was in Mathura or anywhere else. And wherever he is, he is dancing and celebrating. That is the way of a choiceless person. And choicelessness is the door to bliss, ecstasy. Question 8 QUESTIONER: A LEGEND SAYS THAT KALAYAVAN BELIEVES THAT KRISHNA IS RUNNING AWAY, WHILE IN FACT KRISHNA IS DRIVING KALAYAVAN INTO A CAVE WHERE MUCHKUND IS ASLEEP. THE LEGEND ALSO SAYS THAT AS MUCHKUND WAKES UP HE LOOKS AT KALAYAVAN AND KILLS HIM WITH HIS LOOK. PLEASE EXPLAIN THE SIGNIFICANCE OF THE LEGEND. These names are symbolic and they are parts of Krishna’s story. They are part metaphor, part events and part metaphysics. That Krishna is driving someone into a cave is how it seems to us. Even the person concerned can think so, but I understand it differently. A person like Krishna does not drive anyone, although someone can be driven to a point on his own. And it is possible that Krishna follows him. The situation is rather complex. Krishna: The Man and His Philosophy 213 Osho
- Page 161 and 162: CHAPTER 8. HE ALONE WINS WHO DOES N
- Page 163 and 164: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 165 and 166: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 167 and 168: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 169 and 170: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 171 and 172: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 173 and 174: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 175 and 176: CHAPTER 9. THE COSMOS IS A DANCE OF
- Page 177 and 178: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 179 and 180: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 181 and 182: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 183 and 184: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 185 and 186: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 187 and 188: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 189 and 190: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 191 and 192: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 193 and 194: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 195 and 196: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 197 and 198: CHAPTER 10. SPIRITUALISM, RELIGION
- Page 199 and 200: 30 September 1970 pm in Question 1
- Page 201 and 202: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 203 and 204: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 205 and 206: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 207 and 208: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 209 and 210: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 211: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 215 and 216: CHAPTER 11. DRAUPADI: A RARE WOMAN
- Page 217 and 218: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 219 and 220: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 221 and 222: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 223 and 224: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 225 and 226: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 227 and 228: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 229 and 230: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 231 and 232: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 233 and 234: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 235 and 236: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 237 and 238: CHAPTER 12. DISCIPLINE, DEVOTION AN
- Page 239 and 240: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 241 and 242: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 243 and 244: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 245 and 246: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 247 and 248: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 249 and 250: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 251 and 252: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 253 and 254: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 255 and 256: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 257 and 258: CHAPTER 13. KRISHNA GOES TO THE WES
- Page 259 and 260: 2 October 1970 am in Question 1 CHA
- Page 261 and 262: CHAPTER 14. ACTION, INACTION AND NO
CHAPTER 11. DRAUPADI: A RARE WOMAN<br />
with life totally. <strong>The</strong>re is a saying of Lao Tzu: Be like the winds; move with the winds; go wherever<br />
they take you. And don’t choose.<br />
I am reminded of a small Zen parable:<br />
<strong>The</strong>re is a river which is flooded. It is rushing toward the ocean with tremendous speed <strong>and</strong> force,<br />
<strong>and</strong> two small stalks of some plant are also flowing with its currents. One of the stalks has placed<br />
itself crosswise against the currents; it is tense <strong>and</strong> anxious, tries to fight against them... it makes no<br />
difference for the currents which are too powerful to be resisted. <strong>The</strong> currents are not even aware<br />
that a little straw is in their way, trying to resist their triumphant advance. But as far as the little stalk<br />
is concerned, it is fighting for its life <strong>and</strong> wasting all its energy for nothing.<br />
<strong>The</strong> other stalk has left itself lengthwise in the currents, which are taking it with them effortlessly.<br />
This stalk is relaxed <strong>and</strong> joyous <strong>and</strong> festive. It is dancing with the ripples of the river; it has a feeling<br />
of sharing <strong>and</strong> celebrating with the great river. <strong>The</strong> ways of the stalks make not the least difference<br />
to the river, but make all the difference to themselves.<br />
Like the two straws there are two kinds of people in the world. One is dem<strong>and</strong>ing, aggressive <strong>and</strong><br />
resistant like the first stalk which places itself against the river <strong>and</strong> fights with it <strong>and</strong> suffers at every<br />
step. And there are people – the other kind of people – who say ”Yes” to life, who cooperate with it<br />
like the other stalk, which places itself in the currents lengthwise <strong>and</strong> moves effortlessly <strong>and</strong> happily<br />
with them. <strong>The</strong>se people have a sense of deep kinship with existence; they move with it, with a song<br />
in their hearts.<br />
<strong>The</strong>re is a flute in <strong>Krishna</strong>’s h<strong>and</strong>s because he has left himself <strong>com</strong>pletely in the h<strong>and</strong>s of existence;<br />
he flows effortlessly with its currents. He does not <strong>com</strong>e in the way of life, he does not fight with it.<br />
That is how he sings <strong>and</strong> dances <strong>and</strong> plays the flute <strong>and</strong> goes blissfully through life. You cannot put<br />
a flute in the h<strong>and</strong>s of Mahavira; he cannot play it. It is unthinkable.<br />
Only <strong>Krishna</strong> can afford a flute, because he is totally with life, not against it. He is ready to go<br />
wherever the river of life takes him. He is as happy in Dwarka as he was in Mathura or anywhere<br />
else. And wherever he is, he is dancing <strong>and</strong> celebrating. That is the way of a choiceless person.<br />
And choicelessness is the door to bliss, ecstasy.<br />
Question 8<br />
QUESTIONER: A LEGEND SAYS THAT KALAYAVAN BELIEVES THAT KRISHNA IS RUNNING<br />
AWAY, WHILE IN FACT KRISHNA IS DRIVING KALAYAVAN INTO A CAVE WHERE MUCHKUND<br />
IS ASLEEP. THE LEGEND ALSO SAYS THAT AS MUCHKUND WAKES UP HE LOOKS AT<br />
KALAYAVAN AND KILLS HIM WITH HIS LOOK. PLEASE EXPLAIN THE SIGNIFICANCE OF THE<br />
LEGEND.<br />
<strong>The</strong>se names are symbolic <strong>and</strong> they are parts of <strong>Krishna</strong>’s story. <strong>The</strong>y are part metaphor, part<br />
events <strong>and</strong> part metaphysics. That <strong>Krishna</strong> is driving someone into a cave is how it seems to us.<br />
Even the person concerned can think so, but I underst<strong>and</strong> it differently. A person like <strong>Krishna</strong> does<br />
not drive anyone, although someone can be driven to a point on his own. And it is possible that<br />
<strong>Krishna</strong> follows him. <strong>The</strong> situation is rather <strong>com</strong>plex.<br />
<strong>Krishna</strong>: <strong>The</strong> <strong>Man</strong> <strong>and</strong> <strong>His</strong> <strong>Philosophy</strong> 213 <strong>Osho</strong>