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Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

Krishna: The Man and His Philosophy - Osho - Oshorajneesh.com

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CHAPTER 8. HE ALONE WINS WHO DOES NOT WANT TO WIN<br />

This is what I call a state of prayerfulness, a state of consciousness. And this is what I call prayer.<br />

No one ever sees Kabir praying. He never goes to a temple or a mosque, as others do to say their<br />

prayers. He says in one of his beautiful poems, ”O priest, is your God deaf that you shout your prayer<br />

to him? I don’t even say my prayer <strong>and</strong> he hears it; I don’t even utter a word <strong>and</strong> he underst<strong>and</strong>s<br />

it. So why do you make so much noise about it?” Here Kabir is kidding those who have turned<br />

prayer <strong>and</strong> worship into a ritual. And he can well joke at their expense because he is really prayerful;<br />

otherwise, he cannot poke fun at them.<br />

So I st<strong>and</strong> for prayerfulness, <strong>and</strong> not for prayer.<br />

Question 8<br />

QUESTIONER: A PART OF THE QUESTION STILL REMAINS UNANSWERED. IT IS ABOUT<br />

KRISHNA’S CONCH, PANCHJANYA, AND HIS WEAPON, CHAKRASUDARSHAN. AND WHAT<br />

ABOUT THE BHAGWAD’S DESCRIPTION OF MAHARAAS – THE GREAT DANCE – AS A<br />

CHILD’S PLAY WITH HIS SHADOWS?<br />

Everything associated with <strong>Krishna</strong> has a symbolic meaning. <strong>Man</strong> has five senses, five doors<br />

through which he expresses himself <strong>and</strong> relates with the rest of the world. <strong>The</strong>se are eyes, ears,<br />

nose, mouth <strong>and</strong> skin. We know <strong>and</strong> experience everything through them, <strong>and</strong> it is through them we<br />

go out into the world <strong>and</strong> relate with it.<br />

When the storyteller writes that <strong>Krishna</strong> blew his panchjanya on the battlefield of Mahabharat, it only<br />

means that he was totally present on the battlefield with all his five senses, nothing more. War is not<br />

an occupation for him; nothing is an occupation for him, so whatever he happens to be doing at the<br />

moment he does totally. As Kabir goes to the market with his total being to sell cloth, <strong>Krishna</strong> goes<br />

to the battlefield with his whole being. Through the panchjanya he announces his total presence on<br />

the battlefield. He is not there partially; in fact, he does nothing partially. Wherever he happens to<br />

be, he is there in his totality, with all his senses, with all his being.<br />

Everyone taking part In the war of Mahabharat has his own conch, with a special name <strong>and</strong> quality<br />

of its own. It has its own special sound too. And every conch has a corresponding unity with<br />

the personality of the warrior who wears it. But <strong>Krishna</strong>’s panchjanya is unique <strong>and</strong> in<strong>com</strong>parable.<br />

Except him, nobody is present there totally. And the irony is that he is the one person who is not<br />

going to take part in the fight. He is not <strong>com</strong>mitted to fight.<br />

<strong>The</strong> truth is that only he who has no <strong>com</strong>mitments can be total. If you are <strong>com</strong>mitted to anything, you<br />

are bound to be partial in your endeavor to fulfill it. You cannot st<strong>and</strong> totally behind your <strong>com</strong>mitment;<br />

at least ”you” will be left behind. Only the un<strong>com</strong>mitted can be total; he will be wholly in whatever he<br />

does. That is why <strong>Krishna</strong> alone is totally in the battlefield, although he is not going to take part in<br />

the fighting. And the panchjanya heralds his total presence there. He has really nothing to do with<br />

the war that is going to be fought on the Kurukshetrai he is neutral. He is not interested in victory or<br />

defeat he has no vested interest in either of the two sides of the war. And yet a moment <strong>com</strong>es <strong>and</strong><br />

he enters the war with his own weapon, the sudarshan.<br />

This sudarshan too has a great meaning symbolically. <strong>The</strong> people who wrote the epic of the<br />

Mahabharat worked very hard with words. Really, it is the words that constitute the heart of a<br />

<strong>Krishna</strong>: <strong>The</strong> <strong>Man</strong> <strong>and</strong> <strong>His</strong> <strong>Philosophy</strong> 153 <strong>Osho</strong>

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