the trouble with gender in othello - Auburn University Electronic ...
the trouble with gender in othello - Auburn University Electronic ... the trouble with gender in othello - Auburn University Electronic ...
is one that is familiar to even casual readers of Shakespeare. A further reason for this choice is that the text of Othello is particularly ripe for this type of Butlerian reading because so much of the action of the play is concerned with who is sleeping with whom, who is being transgressive with whom, and the perception of sexual subversion and both sexual and social transgression is at the very core of the pathos of the play itself. If, as Margaret Sonser Breen writes, “Gender Trouble provides a theoretical framework for understanding the punitive social consequences of gender and sexual transgression,” (Breen 147) then in Othello we see these punitive social consequences brought about coldly and calculatedly by Iago. Viewing the text through the lens of Butlerian theory allows us to not only see Desdemona as a strong, subversive woman who is willing to transgress her social roles as daughter, and even wife at times through her “incorrect” gender performance and disregard for status as “object” and her insistence of being perceived as an acting “subject,” but also to examine the ways in which it is the “punitive social consequences” of her actions that lead to her death. In addition, by broadening Butler’s scope slightly (for she is most concerned with the way society effects the gender performance of women) we may examine how the script of “an oppressive status quo” (Faulluga) also controls the actions and identities of the men in the text, specifically Othello and Iago. 3
Another benefit of this type of reading of Othello is that by looking at the reactions to Desdemona’s and Othello’s disruptions of patriarchal society gives us an exciting insight into two more of the ongoing debates in Othello criticism: What are Iago’s “true” motivations and why is Othello so easily convinced that his “fair warrior” is a “whore”? Both of these questions can be answered by taking into account the importance of gender performance to these characters. 4
- Page 1 and 2: THE TROUBLE WITH GENDER IN OTHELLO:
- Page 3 and 4: THE TROUBLE WITH GENDER IN OTHELLO:
- Page 5 and 6: Acknowledgments In Honor of Fred Fe
- Page 7 and 8: TABLE OF CONTENTS INTRODUCTION: THE
- Page 9: If, as Butler writes, there is no p
- Page 13 and 14: and Juliet show what happens after
- Page 15 and 16: legitimacy of the authority, […]
- Page 17 and 18: For Butler, the distinction between
- Page 19 and 20: further understand the subversion i
- Page 21 and 22: (i.e., fitting her gender, race, cu
- Page 23 and 24: Therefore, the fact of Desdemona’
- Page 25 and 26: her husband. However, there can be
- Page 27 and 28: Section Two: Othello in the Matrix
- Page 29 and 30: nearly verbatim, “look to your wi
- Page 31 and 32: Nor to comply with heat, the young
- Page 33 and 34: and leave her home in Venice for a
- Page 35 and 36: is the threat to his gender perform
- Page 37 and 38: fictive revenge schemes in the west
- Page 39 and 40: Desdemona’s exposure of “a limi
- Page 41 and 42: Conclusion The Matrix Restored By r
- Page 43 and 44: of a possible agenda of enforcement
- Page 45 and 46: Lenker, Lagretta Tallent. Fathers a
- Page 47: Notes 1 In this section of her book
Ano<strong>the</strong>r benefit of this type of read<strong>in</strong>g of O<strong>the</strong>llo is that by look<strong>in</strong>g at <strong>the</strong><br />
reactions to Desdemona’s and O<strong>the</strong>llo’s disruptions of patriarchal society gives<br />
us an excit<strong>in</strong>g <strong>in</strong>sight <strong>in</strong>to two more of <strong>the</strong> ongo<strong>in</strong>g debates <strong>in</strong> O<strong>the</strong>llo criticism:<br />
What are Iago’s “true” motivations and why is O<strong>the</strong>llo so easily conv<strong>in</strong>ced that<br />
his “fair warrior” is a “whore”? Both of <strong>the</strong>se questions can be answered by<br />
tak<strong>in</strong>g <strong>in</strong>to account <strong>the</strong> importance of <strong>gender</strong> performance to <strong>the</strong>se characters.<br />
4
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