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Design Guidelines - Senatobia, Mississippi

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3.1.10<br />

aDDiTions To<br />

exisTinG<br />

sTruCTures<br />

It is normal for buildings to evolve<br />

over time as additional space is<br />

needed or new uses are accommodated.<br />

Additions to existing structures<br />

within the overlay district are appropriate<br />

as long as they do not destroy<br />

traditional features, materials, and<br />

spatial relationships that are significant<br />

to the original building and site.<br />

They also must be distinguishable<br />

from, yet compatible with, the<br />

overall architectural character of the<br />

district.<br />

<strong>Guidelines</strong>:<br />

v New additions should be interpretations<br />

of the existing buildings<br />

whereby the architectural characteristics<br />

of the existing structure are<br />

incorporated using modern construction<br />

materials & methods. This may<br />

include: the extension of architectural<br />

lines from the existing structure<br />

to the addition; repetition of window<br />

patterns and entrance spacing; use<br />

of harmonizing colors and materials;<br />

and the inclusion of similar, yet<br />

distinct, architectural details (e.g., window/door<br />

trim, lighting fixtures, tile/brick<br />

decoration, etc.).<br />

v New additions should be designed<br />

so that if the addition were to<br />

be removed in the future, the essential<br />

form and integrity of the original<br />

structure would be unimpaired.<br />

v Decks, stairs and other minor<br />

additions should use similar materials,<br />

design, and colors to the original<br />

building. These additions should<br />

occur in areas not visible from the<br />

street.<br />

v The primary focus in reviewing<br />

additions will be on aspects of new<br />

construction that are visible from<br />

public streets.<br />

32<br />

guIdelIneS for exIStIng commercIal-type BuIldIngS<br />

Excellent example of a historic church that built a new addition. The new addition did not pretend to be historic,<br />

but rather interpreted the historic detailing of the building (e.g. brick patterns, water table, Gothic windows, spire) in<br />

contemporary ways and with modern materials.<br />

Negative example of a property satisfying the criteria to “be distinct” from the original<br />

structure, but failing miserably to “be compatible” with the original structure and it’s<br />

district surroundings.<br />

X

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