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“I’m only going to say this once, Ruthie,” she said. “I<br />
have a very good reason for keeping you away from my<br />
sister. One day, I’ll tell you what it is. And I will decide<br />
when the timing is right. Not you. I don’t want to hear<br />
about Martha or Richard or New York or Fabrique. You are<br />
forbidden to call or write them. Do you understand me?”<br />
“But, Mom, I—”<br />
“Do you understand me?”<br />
I knew that stony look. Mount Mommore. There was<br />
no budging her.<br />
“I mean it, Ruthie. My sister is dead to me.”<br />
“Why does she have to be dead to me?”<br />
Mom started the car and pulled back onto the highway.<br />
“Because that’s the way it is,” she said. Then she refused to<br />
say anything more. For the rest of the way, my mother stared<br />
out the windshield, her fists tight on the steering wheel.<br />
I never mentioned my aunt Marty again. Not to my<br />
mother, anyway. But I read Fabrique every month in the<br />
Middletown Wawa near school. Mr. Shabala, the owner,<br />
keeps saying, “This isn’t a library!” but he doesn’t kick me<br />
out because he knows I’ll just go to the Pathmark down the<br />
street.<br />
Celeste, Frankie, and I also dream of turning eighteen<br />
and taking a train to New York and eating sushi on Aunt<br />
Marty’s balcony. We plan to stay up all night so we can see<br />
for ourselves what the city looks like when everyone really is<br />
asleep.<br />
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