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“Since when do you wear bright red lipstick?”<br />
“Since now.” My voice is so Minnie Mouse I don’t even<br />
believe me.<br />
Celeste raises one eyebrow, examines me. “Is ‘Auntie<br />
Martine-on-Men’ behind this? And, by the way, when are<br />
you going to let us meet the diva herself?”<br />
“Behind what?” I ask, completely ignoring the second<br />
question. “Aren’t you going to be late for class?”<br />
“It’s lunch, Ruthie. What is wrong with you?”<br />
“Wrong? What could possibly be wrong with wanting<br />
to update my look?”<br />
Celeste snorts. “Since when do you have a look?”<br />
Frankie spots us across the quad and gallops over. She<br />
says, “Guess who I just saw talking to <strong>Perfect</strong> <strong>Girl</strong>?”<br />
“Who?” I ask, my heart sinking.<br />
“Your sympathy friend.”<br />
Celeste scoffs. “Yeah, like he could get her.”<br />
“Perry’s not my sympathy friend,” I say, stamping my<br />
foot. Then I ask Frankie, “What were they talking about?”<br />
She shrugs.<br />
Celeste asks, “If he’s not your sympathy friend, what is<br />
he?”<br />
I say, “Is that a poppy seed in your teeth?”<br />
Clearly, I can only change one relationship loop at a time.<br />
The next day, I decide not to brush my hair so I’ll have the<br />
“wild and tousled” style I saw on the last cover of Fabrique.<br />
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