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Middle and Late Bronze Age Metal Tools from the Aegean, Eastern ...

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archaeological context. For instance, tools found within a workshop may be associated<br />

with <strong>the</strong> craft that took place <strong>the</strong>re, but workshops are difficult to recognize in<br />

archaeological remains. This is particularly true for carpentry <strong>and</strong> masonry work areas.<br />

Hypo<strong>the</strong>tically, if a set of appropriate tools were recovered near a partially worked<br />

architectural block, those items surely would have belonged to a mason, but such explicit<br />

evidence is usually absent. <strong>Metal</strong>lurgical workshops are easier to discern, but even <strong>the</strong>n,<br />

all tools found within that context may not have been employed in metalworking—take<br />

for instance <strong>the</strong> carpentry/masonry tools recovered in <strong>the</strong> metallurgical workshop at <strong>the</strong><br />

Unexplored Mansion at Knossos. The wood- <strong>and</strong> stone-working implements <strong>from</strong> this<br />

site have been interpreted as belonging to <strong>the</strong> tool kit of a smith, but this explanation is<br />

unsatisfactory <strong>and</strong> ignores <strong>the</strong> likelihood that <strong>the</strong>y were intended for carpentry <strong>and</strong>/or<br />

masonry tasks. 764<br />

The purpose of such tools in a metal workshop is unclear, <strong>and</strong> a<br />

metallurgical interpretation based solely on <strong>the</strong>ir appearance at <strong>the</strong> site is a bold claim.<br />

The identification of tool kits is ano<strong>the</strong>r method for relating implements to<br />

craftspersons. In this study, carpentry/masonry tool kits have been recognized within<br />

metal hoards <strong>and</strong> aboard <strong>the</strong> Uluburun <strong>and</strong> Cape Gelidonya shipwrecks. Tool variety <strong>and</strong><br />

repetitive implement choices <strong>from</strong> context to context indicate <strong>the</strong> deliberate compilation<br />

of specific tools. These preferences probably best reflect <strong>the</strong> choices made by<br />

craftspersons. Yet one cannot definitively say that hoarded tools, even those that appear<br />

to be kits, belonged to a craftsperson. A cache often includes material besides tools, <strong>and</strong><br />

implements, though a common hoard object, are only one factor behind an assemblage’s<br />

formation. Although a carpenter or mason may have been <strong>the</strong> owner of a hoard, it is also<br />

764 Catling <strong>and</strong> Catling 1984, 205-207.<br />

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