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Middle and Late Bronze Age Metal Tools from the Aegean, Eastern ...

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tool distribution patterns in hoards <strong>and</strong> shipwrecks demonstrate a correspondence<br />

between <strong>Aegean</strong> tool kits <strong>and</strong> <strong>the</strong> accumulated Uluburun <strong>and</strong> Gelidonya metals.<br />

The accumulation of metal objects at ei<strong>the</strong>r shipwreck was not concentrated in<br />

one spot, <strong>the</strong>reby casting doubt on whe<strong>the</strong>r <strong>the</strong> tools were conceptualized as a collective<br />

group. Bass notes that many complete Gelidonya bronzes came <strong>from</strong> <strong>the</strong> cabin space of<br />

Area G <strong>and</strong> M, perhaps indicating a difference between personal crew possessions <strong>and</strong><br />

cargo. 705 The Uluburun tools were “found on various parts of <strong>the</strong> wreck” with <strong>the</strong> highest<br />

concentration of objects <strong>from</strong> L-11, M-11, N-11 <strong>and</strong> K-14. 706 Pulak notes that <strong>the</strong><br />

majority of <strong>the</strong> wood- <strong>and</strong> stone-working tools came <strong>from</strong> <strong>the</strong> same general area in “what<br />

is believed to have been <strong>the</strong> after section of <strong>the</strong> ship,” but that <strong>the</strong>y were not all found<br />

toge<strong>the</strong>r as in a hoard. 707<br />

The dispersed tools <strong>from</strong> <strong>the</strong> wrecks could have been a distinct<br />

grouping before <strong>the</strong>y were separated underwater during <strong>the</strong> sinking of <strong>the</strong> ship.<br />

Rarely interpreted as commodities for exchange, shipwreck tools are traditionally<br />

considered as ei<strong>the</strong>r belonging to <strong>the</strong> ship’s owner for maintenance or as <strong>the</strong> personal<br />

possessions of <strong>the</strong> crew. The array of craft implements <strong>from</strong> Uluburun <strong>and</strong> Gelidonya<br />

indicates that <strong>the</strong>y constituted a typical kit of a craftsperson. It is not beyond <strong>the</strong> realm of<br />

possibility that itinerant craftspersons traveled with personal tools on <strong>the</strong> ship, while<br />

incorporating foreign implements into <strong>the</strong>ir repertoire. This possibility is substantiated by<br />

Bass’ basic interpretation of <strong>the</strong> Gelidonya metals: “All of <strong>the</strong> elements necessary for<br />

bronze-making were on board – pure copper, pure tin, <strong>and</strong> bronze scraps <strong>and</strong> ingots for<br />

being recast…All that was missing <strong>from</strong> a traveling smith’s complement of material were<br />

705 Bass 1967, 117.<br />

706 Pulak 1998, 208; Pulak 1988.<br />

707 Pulak 1998, 208.<br />

302

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