BRIBERY IN CLASSICAL ATHENS Kellam ... - Historia Antigua
BRIBERY IN CLASSICAL ATHENS Kellam ... - Historia Antigua
BRIBERY IN CLASSICAL ATHENS Kellam ... - Historia Antigua
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Conover Bribery in Classical Athens Chapter One<br />
character of something. 56 Given that the emergence of diaphtheirō (“bribe”) was<br />
contemporary with this shift towards the destruction of character, I suggest that this is the<br />
conceptual link between the two meanings of diaphtheirō as “to bribe” and “to<br />
destroy.” 57 What ‘corruption’ (diaphtheirō) does, therefore, is to change the character of<br />
an outcome so that it is bad; when a payment is the source of this corruption, we have<br />
bribery.<br />
So the Athenians used a relational vocabulary for bribery, couching descriptions<br />
of politics in the language of social relations. We can push this point even further,<br />
however, and this brings us to the second reason why a relational approach is particularly<br />
well-suited to the study of Athenian bribery. For the Athenians, describing politics in the<br />
vocabulary of gift exchange and persuasion belied a close conceptual affinity between<br />
56 I find this meaning of diaphtheirein more likely a product of late fifth-century nomos-physis debates.<br />
Just prior to this time, in Sophocles’ Antigone dated to around 440, Creon complains of the potential evil<br />
that money can cause: “by its teaching perverts men’s good minds so that they take to evil actions!” (to/d’<br />
e)kdida/skei kai\ paralla/ssei fre/naj/xrhsta\j pro\j ai)sxra\ pra/gmat’ i3stasqai brotw=n, Soph. An.<br />
298-9). The concern that something might change one’s nature or character emerges later in the play when<br />
erōs, too, smashes men’s wits unto ruin (Soph. An. 791-2). Euripides likewise talks of ‘corrupting’ the<br />
name or physis of something: Hec. 398, Or. 297, fr. 377.3, 411.1, 526.2; cf. Aesch. Ag. 932; Isoc. Paneg.<br />
151, Areo. 47, Panath. 32, 196. In the fourth century, we often find mention of ‘corrupting’ the nature of<br />
something, including archai (Lys. 30.28), the polis (Pl. Rep. 415c5), legal documents (Isoc. Trap. 23, 24,<br />
31, 33), and the laws (Isoc. In Call. 11, Pl. Crito 50b5, 53b7, Leg. 788b6, 864d2, 891b5, 913c6).<br />
Harvey (1985: 87n.44) rightly points out that ideas of ‘impurity’ may have something to do with<br />
the extension of the semantic field of diaptheirein to bribery: see Thuc. 7.84.5, Lys. 30.28; Aristotle’s<br />
explicit comparison of political corruption and the muddying of water at Pol.1286a31-5; and instances<br />
where the character of someone or something is so corrupted, e.g. Isoc. Antid. 30, Xen. Mem. 1.2.8, Pl. Ap.<br />
25d5, Men. 89b6, Rep. 421d1, Leg. 894a7. I would note, in addition, that in other vocabulary for bribery we<br />
find this same idea of ‘changing’ the status or outcome of something. The verb anapeithein, for instance,<br />
literally means to persuade someone to do ‘the reverse’ of what might be expected or intended: LSJ s.v.<br />
a)na/ F2 with Harvey (1985: 83n.32).<br />
57 Harvey (1985: 86-7), followed by Hashiba (2006: 70n.31), has claimed that the use of diaptheirein at<br />
Hdt. 5.51 implies that the meaning “corrupt by bribes” was current in the mid-fifth century, but I find this<br />
unlikely. The passage could simply intend that Aristagoras would “corrupt” or “change” Cleomenes’ mind<br />
or character; that money was the reason for this change was implicit and need not have been explicit in the<br />
verb diaphtheirein (as we would need for it to signify “corrupt by bribes”). The meaning “corrupt [by<br />
bribery]” is not again attested until the fourth century, and then frequently at that: Lys. 2.29, 28.9; Xen.<br />
Hell. 7.3.8; Isoc. 8.50, 17.12; Pl. Leg. 768b; Theopompus FGrH 115 F81; and twenty times in<br />
Demosthenes and Aeschines. Cf. Lys. 20.38. The absence from Old Comedy is striking, and Harvey<br />
unsatisfactorily suggests that the verb was originally slang of a sort, at first used only in spoken discourse;<br />
yet such an explanation would make its absence from comedy all the more unexpected.<br />
54