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BRIBERY IN CLASSICAL ATHENS Kellam ... - Historia Antigua

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Conover Bribery in Classical Athens Chapter Two<br />

Instead of asking why the Athenians instituted public pay, therefore, if we ask<br />

why public pay took the specific form that it took, it seems clear that the Athenians were<br />

conceptualizing misthophoria through the lens of patronage politics: the collective<br />

dēmos, not an individual citizen, served as patron to the masses. We find indirect<br />

corroboration for this idea in a second set of descriptions of public pay, which frame it as<br />

a money used to negotiate patronage politics, albeit between an elitie citizen and the<br />

community. Aristotle, followed by Plutarch, is explicit on this point: in providing jury<br />

pay, 87 other kinds of public pay, 88 and theoric pay, 89 Pericles “demagogued” in<br />

opposition to Cimon’s patronage. 90 Alternatively, it is reported that Pericles instituted<br />

these public monies in order to compete against the political authority of Thucydides, son<br />

of Melesias (Plut. Per. 11.4). We do not know Plutarch’s source for that latter political<br />

rivalry; in any case, what is important here is that, when they were not associated with<br />

Athens’ empire, these measures were viewed as tokens in a political competition to<br />

secure support from the dēmos.<br />

Our sources paint a consistent picture of Pericles’ taking the initiative to create a<br />

new mode of politics, one in which he redistributed the dēmos’ own funds to itself, but<br />

87 Jury pay: AP 27.2-5, 62.2; Aristot. Pol. 2.1274a9. Cf. [Xen.] Ath. Pol. 1.16. We do not know the original<br />

amount of jury pay, but Cleon is said to have increased it from 2 obols to 3 obols per day: schol. ad Ar. V.<br />

88, 300.<br />

88 It is unclear what Plutarch means here by a1llaij misqoforai=j, or “other kinds of provision of misthos”<br />

(Plut. Per. 9.3), but elsewhere pay for the navy (Plut. Per. 11.4), pay for the navy (Plut. Per. 12.5), as well<br />

as pay for artisans and laborers working on the Acropolis building programme (Plut. Per. 12.5-6) are<br />

attributed to Pericles. Potentially pay for public officials is included here too, on which see Ar. Ach. 65-7,<br />

[Xen.] Ath. Pol. 1.3, IG i 3 82.17-21. See Stadter (1989: 117-18 ad Per. 9.3) for further discussion.<br />

89 It is difficult to determine what exactly is meant by qewrikoi=j, “theoric” payments (Plut. Per. 9.3).<br />

Probably these payments had nothing to do with the Theoric Fund which Eubulus managed in the midfourth<br />

century: Ruschenbusch (1979). What, then, would they have covered? Stadter (1989: 116 ad Per.<br />

9.3) makes a compelling case that Plutarch is following a tradition found in Ulpian (ad Dem. 1.1=Dindorff<br />

33) that Pericles designated that leftover public funds should be devoted to public festivals (theōroi), as a<br />

way of pleasing the dēmos. Ulpian’s note, however, might simply be a garbled misreading of Pericles’<br />

famed generosity in putting on festivals and theatrical performances: cf. Thuc. 2.38.1, [Xen.] Ath. Pol. 2.9.<br />

90 a)ntidhmagwgw=n pro\j th\n Ki/mwnoj eu)pori/an, AP 27.3; katadhmagwgou=menoj, Plut. Per. 9.3.<br />

116

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