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Download the Book - Islam and Science Fiction

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long-st<strong>and</strong>ing thing he's had for her. He wonders how he can think of sex,<br />

even fleetingly, even with GRob, who's muscled up but looks like a woman,<br />

not a steroid queen like Perdue. Escape, he imagines. His hormones offering<br />

him an out. He still can't accept that Perdue is dead. She was a mad fucking<br />

soldier.<br />

"Punch yourself some downs," Baxter says to GRob. "Light level."<br />

GRob doesn't move to obey.<br />

"That's an order!" He looks to Wilson. "You, too."<br />

"That's not cool, man! We can't be doing downs we're in <strong>the</strong> shit!"<br />

"Hear what I said? That's an order!"<br />

"I already did up. When <strong>the</strong> wolves showed," Wilson says, not wanting<br />

to dull his edge. "I went way light, but I did up."<br />

Baxter eyes him with suspicion, <strong>the</strong>n says wearily, "They're shaitans,<br />

not wolves. I told you about 'em in <strong>the</strong> carrier."<br />

"I wasn't all <strong>the</strong> time listening."<br />

"Muslim hell got some devils resemble wolves. That's what we saw."<br />

"I thought this was supposed to be Paradise," Wilson says, <strong>and</strong> Baxter<br />

says, "Who <strong>the</strong> fuck knows? Maybe <strong>the</strong> ragheads back in <strong>the</strong> village weren't<br />

tellin' it straight. Maybe <strong>the</strong>y're chumpin' our ass. Wouldn't be <strong>the</strong> first<br />

time."<br />

GRob, keying up a drug mix, makes a disparaging noise. "We just<br />

gonna sit around <strong>and</strong> get high until <strong>the</strong> shit comes down? That <strong>the</strong> plan?"<br />

Baxter checks <strong>the</strong> mix on her computer, tells her to do up, <strong>and</strong> <strong>the</strong>n says<br />

to Wilson, "Read <strong>the</strong> pearl for her."<br />

The interior of <strong>the</strong> pearl consists of chamber after chamber, what seems<br />

an infinite progression of rooms of varying proportions. Wilson reports this<br />

<strong>and</strong> Baxter says, "You got that, GRob? Infinite. There's this room, <strong>the</strong>n<br />

ano<strong>the</strong>r <strong>and</strong> ano<strong>the</strong>r <strong>and</strong> ano<strong>the</strong>r … Get <strong>the</strong> picture?"<br />

GRob's leisurely tone reflects her new chemical constituency. "Naw,<br />

man. I don't got it. How's that possible?"<br />

"Right! I'm goin' explain this whole thing."<br />

She doesn't seem to notice <strong>the</strong> sarcasm in Baxter's voice <strong>and</strong> waits for<br />

him to deliver an explanation. Finally it appears to sink in. Her head droops<br />

to <strong>the</strong> side as if with <strong>the</strong> weight of acceptance that no explanation will be<br />

forthcoming. A smile touches <strong>the</strong> corners of her lips, <strong>the</strong> strain empties from<br />

her face. She might be seventeen, a sleepy girl waking after being with her<br />

lover, remembering <strong>the</strong> night <strong>the</strong>y had. "This is probably <strong>the</strong> way to go," she<br />

says.<br />

It's a vague statement, but Wilson, recognizing <strong>the</strong> hopelessness of <strong>the</strong>ir<br />

situation, trapped inside a giant pearl that has no end, devils like werewolves<br />

roaming everywhere, without <strong>the</strong> guidance of comm<strong>and</strong>, <strong>and</strong> maybe sixty-<br />

16

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