Download the Book - Islam and Science Fiction
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wanted to test each o<strong>the</strong>r's strength, a friendly exchange throughout if<br />
only for <strong>the</strong> way this frenetic Flemish guy translated everything with<br />
mouth, h<strong>and</strong>s <strong>and</strong> feet. Krikksen interfered only minimally, injecting<br />
tiny slices of sanity in <strong>the</strong> exchange.<br />
Naturally, <strong>the</strong>y ended up as referees. They're from Fl<strong>and</strong>ers,<br />
neutral, objective <strong>and</strong> mad as two hatters, complete with white<br />
rabbits, cheesy smiles <strong>and</strong> looking glasses. How much closer to<br />
perfection can you get?<br />
So, on <strong>the</strong> last day of Carnival, <strong>the</strong>re is <strong>the</strong> big match of Yul<br />
versus Pedro. It is one in three different rounds.<br />
First round: weightlifting.<br />
Since both Yul <strong>and</strong> Pedro had no problem with lifting <strong>the</strong> city's<br />
special rock, <strong>the</strong> manhood stone of Cádiz, something had to be<br />
improvised. So <strong>the</strong>y took a strong, wooden box from Pedro's shop,<br />
put a thick rope under <strong>and</strong> around it, filled it with his heaviest tools<br />
<strong>and</strong> added horseshoes until both giants started having trouble lifting<br />
<strong>the</strong> box. Their faces become red, cheeks blow up as <strong>the</strong>y huff <strong>and</strong><br />
puff <strong>and</strong> muscles swell to bursting point.<br />
Although with increasing difficulty, both men can still lift <strong>the</strong> box<br />
<strong>and</strong> keep it up for <strong>the</strong> required three seconds. After every round, one<br />
more horseshoe is added. At a certain moment, Yul grabs <strong>the</strong> rope,<br />
lifts <strong>and</strong> lifts, <strong>the</strong>re is some extra strength left in his arms but<br />
somehow his legs can't keep up. Try as he might, <strong>the</strong> weight doesn't<br />
leave <strong>the</strong> ground.<br />
Then it's Pedro's turn. His technique is different: instead of<br />
bending over <strong>and</strong> keeping his legs straight, Pedro sags through his<br />
knees <strong>and</strong> keeps his back <strong>and</strong> arms straight. With him it's <strong>the</strong> o<strong>the</strong>r<br />
way around: his thick legs have some power to spare, it's his arms that<br />
are stretched to <strong>the</strong>ir limits. His arm muscles feel like snapping, but<br />
<strong>the</strong>y hold. Barely, <strong>and</strong> very shortly. But enough to lift <strong>the</strong> weight<br />
from <strong>the</strong> ground for <strong>the</strong> required three seconds. Then he drops <strong>the</strong><br />
load <strong>and</strong> jumps up in triumph. The first to congratulate him is Yul.<br />
Second round: arm wrestling.<br />
For this, <strong>the</strong> big conference table of <strong>the</strong> town hall is placed on <strong>the</strong><br />
staged elevation in <strong>the</strong> central plaza, ensuring all onlookers a good<br />
view. The big chairs from <strong>the</strong> same place are barely large enough to<br />
seat <strong>the</strong> two giants. In a confrontation like this, it is vitally important<br />
that <strong>the</strong> arms of both wrestlers are placed in so equal a position as is<br />
possible in order to prevent that one has an unfair advantage over <strong>the</strong><br />
o<strong>the</strong>r. Watt, flamboyant referee par excellence makes quite a show of<br />
positioning those two pillars of power. Jumping around both<br />
contestants like a living honey statue trying to evade a horde of<br />
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