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Download the Book - Islam and Science Fiction

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oots on <strong>the</strong> plateau's marble floor. While his arms <strong>and</strong> upper body<br />

move with economy <strong>and</strong> grace, his dazzling legwork <strong>and</strong> intricate<br />

steps, accompanied by <strong>the</strong> clicking foot music set <strong>the</strong> crowd on fire:<br />

"Lo Flam<strong>and</strong>o todo-loco."<br />

*"Viva el zapateador!"*<br />

Now one of <strong>the</strong> Moorish belly dancers hurtles herself forward<br />

through <strong>the</strong> crowd <strong>and</strong> completes <strong>the</strong> spectacle. She joins Watt in his<br />

feverish tap dance, matching her belly dance with Watt's performance<br />

in a weird yet elegant way. Circling each o<strong>the</strong>r, each seemingly in a<br />

gracious orbit of <strong>the</strong>ir own. Her hips <strong>and</strong> abdomen swing in a<br />

pulsating, quintessential Arabic cadence that is complemental at <strong>the</strong><br />

same time, while her h<strong>and</strong>s wave enchanting patterns hypnotizing<br />

everyone. Her dark eyes radiate passion <strong>and</strong> fire, of which not <strong>the</strong><br />

least part is aimed at her strange, flamboyant dance partner. His feet<br />

keep up <strong>the</strong>ir blurring movements while his torso remains almost still.<br />

He acts cool <strong>and</strong> controlled; but his longing glances her way betray<br />

something else. The crowd, if not already <strong>the</strong>re, goes completely<br />

apeshit:<br />

*"Viva el bailarín!"*<br />

Music <strong>and</strong> dance at <strong>the</strong> fringes of cultures, a spontaneous<br />

combustion of just <strong>the</strong> right ingredients: of passion <strong>and</strong> fire, wonder<br />

<strong>and</strong> desire; of poetry <strong>and</strong> madness, party <strong>and</strong> sadness; of dancing on<br />

strings, flying without wings. The lighting of a new flame, started by<br />

Spanish effusiveness, catalyzed by Flemish absurdity, harmonizing<br />

with Moorish élan.<br />

"AyeAyeAye," as some astute Spaniard would put it, "flamma,<br />

flam<strong>and</strong>o, *flamenco!*"<br />

So everybody is completely crazy, but what do you expect: it is<br />

Carnival!<br />

Reasons to be Gleeful, part three<br />

Just as Muhamad al-Ghalib thought he had seen it all, ano<strong>the</strong>r<br />

unexpected visitor announces himself at his court. As if things<br />

weren't spinning out of his control already. First those queer English<br />

barons proposing--of all things--arms in <strong>the</strong> form of trade, <strong>the</strong>n <strong>the</strong><br />

sudden arrival of <strong>the</strong> great master of <strong>the</strong> Sufi Path, Ibn al'Arabi with a<br />

strange, sly apprentice. Enter Peter Nolasco, <strong>the</strong> Christian ransomer.<br />

Do <strong>the</strong>se people not realise he's trying to build <strong>the</strong> Alhambra, here?<br />

96

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