Download the Book - Islam and Science Fiction
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oots on <strong>the</strong> plateau's marble floor. While his arms <strong>and</strong> upper body<br />
move with economy <strong>and</strong> grace, his dazzling legwork <strong>and</strong> intricate<br />
steps, accompanied by <strong>the</strong> clicking foot music set <strong>the</strong> crowd on fire:<br />
"Lo Flam<strong>and</strong>o todo-loco."<br />
*"Viva el zapateador!"*<br />
Now one of <strong>the</strong> Moorish belly dancers hurtles herself forward<br />
through <strong>the</strong> crowd <strong>and</strong> completes <strong>the</strong> spectacle. She joins Watt in his<br />
feverish tap dance, matching her belly dance with Watt's performance<br />
in a weird yet elegant way. Circling each o<strong>the</strong>r, each seemingly in a<br />
gracious orbit of <strong>the</strong>ir own. Her hips <strong>and</strong> abdomen swing in a<br />
pulsating, quintessential Arabic cadence that is complemental at <strong>the</strong><br />
same time, while her h<strong>and</strong>s wave enchanting patterns hypnotizing<br />
everyone. Her dark eyes radiate passion <strong>and</strong> fire, of which not <strong>the</strong><br />
least part is aimed at her strange, flamboyant dance partner. His feet<br />
keep up <strong>the</strong>ir blurring movements while his torso remains almost still.<br />
He acts cool <strong>and</strong> controlled; but his longing glances her way betray<br />
something else. The crowd, if not already <strong>the</strong>re, goes completely<br />
apeshit:<br />
*"Viva el bailarín!"*<br />
Music <strong>and</strong> dance at <strong>the</strong> fringes of cultures, a spontaneous<br />
combustion of just <strong>the</strong> right ingredients: of passion <strong>and</strong> fire, wonder<br />
<strong>and</strong> desire; of poetry <strong>and</strong> madness, party <strong>and</strong> sadness; of dancing on<br />
strings, flying without wings. The lighting of a new flame, started by<br />
Spanish effusiveness, catalyzed by Flemish absurdity, harmonizing<br />
with Moorish élan.<br />
"AyeAyeAye," as some astute Spaniard would put it, "flamma,<br />
flam<strong>and</strong>o, *flamenco!*"<br />
So everybody is completely crazy, but what do you expect: it is<br />
Carnival!<br />
Reasons to be Gleeful, part three<br />
Just as Muhamad al-Ghalib thought he had seen it all, ano<strong>the</strong>r<br />
unexpected visitor announces himself at his court. As if things<br />
weren't spinning out of his control already. First those queer English<br />
barons proposing--of all things--arms in <strong>the</strong> form of trade, <strong>the</strong>n <strong>the</strong><br />
sudden arrival of <strong>the</strong> great master of <strong>the</strong> Sufi Path, Ibn al'Arabi with a<br />
strange, sly apprentice. Enter Peter Nolasco, <strong>the</strong> Christian ransomer.<br />
Do <strong>the</strong>se people not realise he's trying to build <strong>the</strong> Alhambra, here?<br />
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