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I EARLIEST ROME<br />

literal truth of this claim, it is certain (from archaeological and other evidence)<br />

that <strong>Rome</strong> fell under increasing Etruscan influence at the end of the regal period.<br />

It is during this period that we notice for the first time the presence or the socalled<br />

'Capitoline triad' of deities (Jupiter, Juno and Minerva), whose preeminence<br />

almost entirely effaced the pre-Capitoline triad of Jupiter, Mars and<br />

Quirinus (1.3).<br />

See further: Vol. 1,3, 15-16, 39; Dumézil (1970) 283-310; Cornell (1996)<br />

151-72*.<br />

1.9a The Roman triumph<br />

Pliny, Natural MistoryXXXUl.il 1-12<br />

Verrius 1<br />

The origin of the triumph celebrated by the victorious Roman general (5.8)<br />

goes back to this final period of regal <strong>Rome</strong> - probably replacing as a victory<br />

celebration the old dedication of spoils (1.3). In this passage Pliny refers to the<br />

custom of painting the body (probably just the lace) of the triumphing general<br />

with red paint, in the same way as the cult statue of Capitoline lupiter was<br />

painted. This suggests a connection, albeit temporary, between the triumphing<br />

general and the leading deity of the Capitoline triad.<br />

See further: Vol. 1, 44-5; Gjerstad (1967); Versnel (1970) 59-60 and<br />

78-84; Bonfante (1970)*; Scheie! (1986b) 221-30*.<br />

lists authorities whom we must believe when they tell us that on festive days the<br />

face of the statue of Jupiter himself was painted with red lead and likewise the body of<br />

the triumphing general; that was how Camillus 2<br />

had his triumph; according to this rule<br />

even in those days

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