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12. R E L I G I O U S G R O U P S<br />

Genesis refers to this world of becoming, apogenesis to the dissolution of the soul into the<br />

'real' life of the other world. Cf. also 11.6.<br />

8. This passage is notable for irs casual assumption that the figures on the Mithraic relief<br />

could be interpreted as having astronomical reference, and second for its use of astrolog­<br />

ical doctrines. This translation of a corrupt passage accepts Beck's (1976) emendation<br />

which inserts the crucial link between Taurus, which is not an equinoctial sign, and<br />

Libra, which is.<br />

9. Cautes and Cautopates, restored to the text by brilliant emendation, are the beings who<br />

presided over the soul's entry to and departure from creation. In the iconography,<br />

Cautes has a raised torch, Cautopates a lowered one. See Beck (I977-8a). Cf. 4.6a;<br />

12.5b n.5 and 12.5h(v),<br />

12.5h Mithraic graffiti from <strong>Rome</strong><br />

These texts were painted onto the walls of the Mithraic sanctuary below the<br />

church of Santa Prisca (Vol. 1, Map 3 no.37). They belong to two different<br />

periods. The lower layer (12.5h(i-xiv)) dates to c. A.D. 202; the upper layer<br />

(12.5h(xv-xvi)) to c. A.D. 220. 12.5h(iv-xiv) are ail in verse, but they ate not<br />

continuously placed nor, generally, do any two lines seem to go together. Many<br />

are desperately obscure, especially 12.5h(viii~x), which may indicate that the<br />

obscurities of Porphyry are to some extent true to the cult. They ate our only<br />

substantial body of texts from a Mithraic sanctuary and are very varied in character.<br />

The metrical texts may actually be the openings of Mithraic hymns or<br />

prayers. The others are acclamations either to all seven Mithraic grades or to<br />

the new initiates to the Lion grade. For the importance of initiation to this<br />

grade see 12.5d.<br />

See further: Vol. 1, 282, 303; Betz (1968) presents New Testament parallels;<br />

for colour photographs of the associated paintings, see Bianchi (1979)<br />

App.I, pis. 1-12, and for photographs of the texts, see Bianchi (1979)<br />

App.n,pls. 13-25-<br />

12.5h(i) Graffito on side wall of cult niche. It may be the horoscope of the<br />

dedication of the sanctuary (Guarducci (1979)), but it seems an odd way of<br />

referring to it.<br />

CIMRM49S; Vermaseren and van Essen (1965) 118<br />

Born at dawn in the consulship of the two Augusti, Severus and Antoninus, twelve days<br />

before the Kalends of December . On the day of Saturn, on the<br />

eighteenth day of the moon.<br />

316<br />

12.5h(ii) On left wall below fresco of Lions. The names are mainly of Latin<br />

formation, their owners of uncertain status. The upper layer of paintings has<br />

similar texts, though this time with names of Greek origin (which we have not<br />

included in our extracts).

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