1 Earliest Rome
1 Earliest Rome 1 Earliest Rome
6.1 The stages of sacrifice (a) Small frieze from inner altar of the Augustan Ara Pacis (sce 4.3) (height, 0.30 m.; width, 2.15 m.). Note die distinction in dress here, and throughout these images, between the major officiants ofthe sacrifice, fully clad in togas, and the bare-chested slave attcndants (victitnarii aná popae) whose job it was to introduce and eventuaily kili the animals. See Vol. 1, fig. 7.1 Outside a military camp', for an Illustration (from Trajan's column) of a sacrificial procession in a military camp. (b) Panel from triumphal arch of Marcus Aurelius, Rome, A.D. 176 (height, 3.14 m.; width, 2.10 m.). Beside the emperor offering a libation at the altar stand an attendant {camitlus) with incense box and a musician (see 4.3b, n.l). (c) Panel from the 'Altar of Scipio Orfitus', Rome, A.D. 295 (height, 0.77 m.; width, 0.59 m.). The technical term for this part ofthe ritual (immolare) was also used for the act of animal sacrifice as a whole. But despite its importance as a stage in the process, this sculpture is almost unique in offering a visual representation ofthe scene. 149
6. SACRIFICES 150 Frieze from the arch of Septimius Severus, Lcpcis Magna (North Africa), A.D. 203 (height, 1.72 m.; width of whole panel, 7.50 m.). Note the distance between this act of killing and the main officiants — Julia Domna (wife of the emperor Septimius Severus, at the far left, stretehing out her hand), and the emperor himself (now lost, Standing opposite his wife to the left of this scene). See Vol. 1,350-1. (e) Part of a marble relief from Trajan's Forum, Rome, middle of the second century A.D. (reproduced on a larger scale at 7.4d). (Height of whole, originally c. 3 m.; of this section, 2.03 m.; width, 4.05 m.) (f) Fragment of a first-century A.D. marble relief from Rome (height, 0.49 m.; width, 0.50 m.) - probabiy showing the Vestal Virgins at the post-sacrificial meal (our only surviving visual image of a part oi the ritual commonly referred to in written documents-see, e.g., 4.5).
- Page 109 and 110: 4- R E L I G I O U S P L A C E S 98
- Page 111 and 112: 4- R E L I G I O U S P L A C E S 10
- Page 113 and 114: 4- R E L I G I O U S P L A C E S an
- Page 115 and 116: RELIGIOUS FLAGES 4.13 The house-tom
- Page 117 and 118: 4· RELIGIOUS PLACES 106 1. Richly
- Page 119 and 120: 4- R E L I G I O U S P L A C E S 10
- Page 121 and 122: 4- R E L I G I O U S P L A C E S 11
- Page 123 and 124: 4- R E L I G I O U S P L A C E S 4.
- Page 125 and 126: A C E S come to venerate the apostl
- Page 127 and 128: 5 Festivals and ceremonies 116 Ritu
- Page 129 and 130: 5- F E S T I V A L S A N D C E R E
- Page 131 and 132: 5- F E S T I V A L S A N D C E R E
- Page 133 and 134: S- F E S T I V A L S A N D C E R E
- Page 135 and 136: 5- F E S T I V A L S A N D C E R E
- Page 137 and 138: 5- F E S T I V A L S A N D C E R E
- Page 139 and 140: 5- F E S T I V A L S A N D C E R E
- Page 141 and 142: 5- FESTIVALS AND CEREMONIES Livy, H
- Page 143 and 144: 5- FESTIVALS AND CEREMONIES Servius
- Page 145 and 146: 5- F E S T I V A L S A N D C E R E
- Page 147 and 148: •). FESTIVALS AND CEREMONIES 136
- Page 149 and 150: 5- F E S T I V A L S A N D C E R E
- Page 151 and 152: 5- F E S T I V A L S A N D C E R E
- Page 153 and 154: 5. F E S T I V A L S A N D C E R E
- Page 155 and 156: 5. F E S T I V A L S A N D C E R E
- Page 157 and 158: 5- F E S T I V A L S A M D C E R E
- Page 159: 6 Sacrifices 148 Animal sacrifice,
- Page 163 and 164: 6. . S A C R I F I C E S 8. Addenda
- Page 165 and 166: 6. S A C R I F I C E S 6.3c The exp
- Page 167 and 168: 6. S A C R I F I C E S not be vowed
- Page 169 and 170: 6. S A C R I F I C E S than human,
- Page 171 and 172: 6. S A C R I F I C E S Augustan His
- Page 173 and 174: 6. S A C R I F I C E S lap in perso
- Page 175 and 176: 6. S A C R I F I C E S same number
- Page 177 and 178: 7 Divination and diviners 166 This
- Page 179 and 180: 7- D I V I N A T I O N A N D D I V
- Page 181 and 182: 7 D I V I N A T I O N A N D D I V I
- Page 183 and 184: J. D I V I N A T I O N A N D D I V
- Page 185 and 186: 7- D I V I N A T I O N A N D D I V
- Page 187 and 188: J. D I V I N A T I O N A N D D I V
- Page 189 and 190: J, D I V I N A T I O N A N D D I V
- Page 191 and 192: 7- D I V I N A T I O N A N D D I V
- Page 193 and 194: 7- D I V I N A T I O N A N D D I V
- Page 195 and 196: J. D I V I N A T I O N A N D D I V
- Page 197 and 198: D I V I N A T I O N A N D D I V I N
- Page 199 and 200: J. D I V I N A T I O N A N D D I V
- Page 201 and 202: 7- D I V I N A T I O N A N D D I V
- Page 203 and 204: 7- D I V I N A T I O N A N D D I V
- Page 205 and 206: 8 Priests and priestesses 194 There
- Page 207 and 208: 8. P R I E S T S A N D P R I E S T
- Page 209 and 210: 8. P R I E S T S A N D P R I E S T
6.1 The stages of sacrifice<br />
(a) Small frieze from inner altar of the Augustan Ara Pacis (sce 4.3) (height, 0.30 m.;<br />
width, 2.15 m.). Note die distinction in dress here, and throughout these images,<br />
between the major officiants ofthe sacrifice, fully clad in togas, and the bare-chested<br />
slave attcndants (victitnarii aná popae) whose job it was to introduce and eventuaily kili<br />
the animals. See Vol. 1, fig. 7.1 Outside a military camp', for an Illustration (from<br />
Trajan's column) of a sacrificial procession in a military camp.<br />
(b) Panel from triumphal arch of Marcus Aurelius, <strong>Rome</strong>, A.D. 176 (height, 3.14 m.;<br />
width, 2.10 m.). Beside the emperor offering a libation at the altar stand an attendant<br />
{camitlus) with incense box and a musician (see 4.3b, n.l).<br />
(c) Panel from the 'Altar of Scipio Orfitus', <strong>Rome</strong>, A.D. 295 (height, 0.77 m.; width, 0.59<br />
m.). The technical term for this part ofthe ritual (immolare) was also used for the act<br />
of animal sacrifice as a whole. But despite its importance as a stage in the process, this<br />
sculpture is almost unique in offering a visual representation ofthe scene.<br />
149