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4- R E L I G I O U S P L A C E S<br />

110<br />

length of the north wall, divided into various sub-scenes. On the left, a representation<br />

of the Lord's instruction to Eztkiel that he should prophesy over dry bones and bring<br />

them to life. Note the various parts of dismembered bodies and the hand of the Lord<br />

coming from the sky.<br />

7. Single panel showing the discovery of Moses in the river and (on the right) Pharaoh<br />

giving instructions that all male children of the Hebrews should be killed (Exodus<br />

1.8-2.9). Note on the left Pharaoh's daughter naked in the river, holding Moses - who<br />

is then handed to his Hebrew mother (above left).<br />

8. Samuel anoints David, as first King of Israel (l Samuel 16.1-3).<br />

9. To rah shrine.<br />

10. The temple of Jerusalem; to the lelt a menorah; to the right Isaac on the pyre awaits<br />

sacrifice by Abraham — while below stands the ram which wdl be substituted tor Isaac<br />

(Genesis 22.1-191.<br />

] 1. Probably the Temple of Solomon in Jerusalem - a sale resting-place (or the Ark. (For<br />

the debate on the interpretation of this panel, see Kraeling (1956) 105-13.)<br />

12. Moses (or? Ezra; or? Joshua) reads the Law.<br />

13. Two panels overpainted several times between A.D. 245 and 265: probably showing<br />

David and Jacob.<br />

4.15 The architecture of Christianity<br />

In the century after the emperor Constantine (A.D. 307-37) the Christian<br />

church developed new forms of religious architecture - forms that have survived<br />

in the design of Christian churches to the present day. But in its earliest<br />

years, no doubt partly from fear of persecution, Christian worship and teaching<br />

seems to have taken place in inconspicuous settings. The so-called 'housechurches'<br />

of the early Christian era were simply converted private residences,<br />

perhaps sometimes just one part of a larger apartment block. It was only at the<br />

end of the third century, and particularly under the support of Constantine,<br />

that Christians sponsored conspicuous public places of worship; and they<br />

adopted for many of these the architectural form of the traditional civic basilica<br />

(commonly associated with the political, legal and commercial functions of<br />

the Roman city-see 4.7). What had been the audience chamber of judges and<br />

emperors, now became the audience chamber of Christ and his bishops.<br />

See further: Vol. 1, 368-9, 376-7; Age of Spirituality (1979) 640-99;<br />

Krautheimer (1979) 23-96*; Krautheimer (1980) 18-58; Mango (1986)<br />

35-56*; L. M. White (1990) 102-39; for house-churches, Pietri (1978); for<br />

the development of the Christian basilica, Ward-Perkins (1954); Krautheimer<br />

(1967).<br />

4.15a The house-church at Dura Europus (Syria) - ground plan<br />

This house, originally built in the early third century A.D., underwent minor<br />

alterations, probably in the 240s, to become a Christian centre. It was destroyed<br />

in the 250s, in the same operations that buried the synagogue (4.14b). From the<br />

outside, It remained indistinguishable from the neighbouring houses, which

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