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4- R E L I G I O U S P L A C E S<br />

and hears voices of all kinds, as he holds converse with the gods and addresses Acheron in<br />

deepest Avernus.- 1<br />

Here then too the venerable Latinus himself came to seek counsel; and<br />

after duly sacrificing a hundred sheep laden with wool, he lay couched on their hides and<br />

outspread fleeces. 4<br />

Suddenly from deep in the grove a voice came: 'Seek not to join your<br />

daughter in marriage to a man of the Latin race, o my son, and trust not in the wedding<br />

that is to hand. Strangers will come to wed our daughters and carry their name into the<br />

stars by union with us. The descendants of this line shall behold the whole world turning<br />

obediently beneath their feet - wherever the sun looks down upon in its course.''<br />

102<br />

1. Larinus, king of the Latins. Many apparently conflicting myths surround his name. For<br />

Virgil, he was son of the god Faunus - a deity connected with woods and the divine<br />

sounds heard in them, often (though not here) identified with the god Pan.<br />

2. Oenotria was an ancient name for the 'toe' of Italy.<br />

3. Avernus is a name given to the underworld, and Acheron to one of its rivers (here stand­<br />

ing for the powers of that world). See 3.7 n. 5-<br />

4. The practice described is similar to the custom of incubation at Greek oracles: the<br />

enquirer went to sleep at the otacle, often wrapped in the skin of a sacrificed animal, and<br />

received the answer to their enquiry in a dream. This used to be thought to be a tradition<br />

unknown in early Italy and so introduced into the narrative by Virgil for particular liter­<br />

ary effect, in conscious imitation of Greek practice. Recent studies, however, have sug­<br />

gested a 'native' Italian practice of incubation; see Vol. 1,13 n.32.<br />

5. This amounts to a warning that Latinus should betroth his daughter to a foreigner (that<br />

is, Aeneas), not to the Italian prince Turnus who had been seeking her hand. For oracu­<br />

lar voices mysteriously coming from woods, see Cicero, On Divination 1.101.<br />

4.12 Religion of the home: the household shrine<br />

The Roman house itself was the centre of family and private religion. In richer<br />

# and middle-ranking houses a common feature was a shrine of the household<br />

gods - now conventionally known as a lararium (from the Lares, see 2.2a),<br />

although there is no evidence that this was the standard ancient term.<br />

Commonly found in rhe central court (atrium) of a house, or sometimes in the<br />

kitchen, these shrines contained paintings or statuettes of household gods and<br />

other deities; they might also include (in a wealthier house) commemorations<br />

of the family's ancestors. We assume - although there is little firm evidence for<br />

this - that these shrines would have formed the focus of family rituals and<br />

sacrifice conducted by the head of the household (paterfamilias).<br />

This lararium from the small atrium in the House of the Vettii (one of the<br />

richest houses of Pompeii) is one of the most elaborate, highly coloured (and,<br />

no doubt, expensive) shrines in the town. (Total height 3-70 m., height of<br />

niche 1.30 m., width 0.50 m.)<br />

See further: Vol. 1, 48-51; Orr (1978)*; for Pompeian material, Boyce<br />

(1937); Ward-Perkins and Claridge (1976) cat. nos. 210, 220, 222-6*; for<br />

material from the Italian colony on Delos, Bulard (1926); and, for commemoration<br />

of ancestors, Reynolds (1971) 142-4.

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