1 Earliest Rome
1 Earliest Rome 1 Earliest Rome
4,11 The grove ofAlbunea building may have been (as it is often called) a 'shrine of the city Lares'. The links between the public Lares and the genius of the emperor (see Vol. 1, 184-6) could further suggest a connection with the imperial cult. None of this is certain. For the idea that the building was a library, see Richardson (1988) 273-5- 4. The decoration on the surviving altar (the civic crown, two laurel trees, the clipeus vir- tutis (honorific shield) - see Vol. 1, 186 and fig. 4.3) clearly links this temple with the imperial cult. Although often known as the 'Temple of Vespasian', the building dates to the Augustan period. 5. Votive material on this site suggests a cult building of Apollo from the sixth century B.C.; but the preserved form of the temple dates from the second century B.C. The cult of Apollo was the major pre- Roman cult of the town, with links with the Greek world. The cella, for example, contained an egg-shaped stone, an omphalos - a model of the ompha los at Delphi, the 'navel of the world'. 4.11 The grove of Albunea and its oracle Virgil, AeneidvuM-lQl The king, 1 The religion of Italy was not simply an urban phenomenon. The countryside also contained important cult-centres, often associated with natural springs, woods or woodland clearings {luci - see above 4.5). One such shrine is described by Virgil - an oracle of the god Fatinus at a place called Albunea, amidst sulphurous springs. Although a poetic account, it may be inspired by cults in the region of modern Solforata (near ancient Lavinitim, 1.5b) whose name clearly derives from the sulphurous exhalations that once distinguished the area. Inscriptions found there (commemorating the Fates) suggest that it may have been the site of an oracular shrine. Much the same procedure is described in a passage from Ovid's Fasti, IV 649-72, which is certainly influenced by Virgil's text, but also shows some differences. The King in question this time is Numa, who goes through the same rituals and receives a similar spoken response from Faunus in a dream; however, the result this time is not straight advice, like that offered to Latinus, but a ridding answer ('let one heifer give up rwo lives at the sacrifice') requiring interpretation by Numa's friend the nymph Egeria; the outcome is the setting up of one of the Roman festivals, the Fordicidia - the sacrifice of a heifer in calf. See further: Vol. 1, 13; Tilly (1947) 103-11*; Guarducci (1955); R. E. A. Palmer (1974) 79-171; Cazanove and Scheid (1993). For the inscriptions, ILLRP10-12; Guarducci (1946-8). troubled by the portents, goes to visit the oracle of Faunus, his prophet father, and consults the groves beneath lofty Albunea - greatest of forests, resounding with its holy cascade and exhaling its deadly vapour from the darkness. Here the Italian tribes and all the land of Oenotria 2 seek counsel in times of uncertainty. Here the priest brings offerings, lies beneath the silent night on the outspread fleeces of the sheep killed in sacrifice and woos slumber; he sees many visions flying about him in wondrous fashion 101
4- R E L I G I O U S P L A C E S and hears voices of all kinds, as he holds converse with the gods and addresses Acheron in deepest Avernus.- 1 Here then too the venerable Latinus himself came to seek counsel; and after duly sacrificing a hundred sheep laden with wool, he lay couched on their hides and outspread fleeces. 4 Suddenly from deep in the grove a voice came: 'Seek not to join your daughter in marriage to a man of the Latin race, o my son, and trust not in the wedding that is to hand. Strangers will come to wed our daughters and carry their name into the stars by union with us. The descendants of this line shall behold the whole world turning obediently beneath their feet - wherever the sun looks down upon in its course.'' 102 1. Larinus, king of the Latins. Many apparently conflicting myths surround his name. For Virgil, he was son of the god Faunus - a deity connected with woods and the divine sounds heard in them, often (though not here) identified with the god Pan. 2. Oenotria was an ancient name for the 'toe' of Italy. 3. Avernus is a name given to the underworld, and Acheron to one of its rivers (here stand ing for the powers of that world). See 3.7 n. 5- 4. The practice described is similar to the custom of incubation at Greek oracles: the enquirer went to sleep at the otacle, often wrapped in the skin of a sacrificed animal, and received the answer to their enquiry in a dream. This used to be thought to be a tradition unknown in early Italy and so introduced into the narrative by Virgil for particular liter ary effect, in conscious imitation of Greek practice. Recent studies, however, have sug gested a 'native' Italian practice of incubation; see Vol. 1,13 n.32. 5. This amounts to a warning that Latinus should betroth his daughter to a foreigner (that is, Aeneas), not to the Italian prince Turnus who had been seeking her hand. For oracu lar voices mysteriously coming from woods, see Cicero, On Divination 1.101. 4.12 Religion of the home: the household shrine The Roman house itself was the centre of family and private religion. In richer # and middle-ranking houses a common feature was a shrine of the household gods - now conventionally known as a lararium (from the Lares, see 2.2a), although there is no evidence that this was the standard ancient term. Commonly found in rhe central court (atrium) of a house, or sometimes in the kitchen, these shrines contained paintings or statuettes of household gods and other deities; they might also include (in a wealthier house) commemorations of the family's ancestors. We assume - although there is little firm evidence for this - that these shrines would have formed the focus of family rituals and sacrifice conducted by the head of the household (paterfamilias). This lararium from the small atrium in the House of the Vettii (one of the richest houses of Pompeii) is one of the most elaborate, highly coloured (and, no doubt, expensive) shrines in the town. (Total height 3-70 m., height of niche 1.30 m., width 0.50 m.) See further: Vol. 1, 48-51; Orr (1978)*; for Pompeian material, Boyce (1937); Ward-Perkins and Claridge (1976) cat. nos. 210, 220, 222-6*; for material from the Italian colony on Delos, Bulard (1926); and, for commemoration of ancestors, Reynolds (1971) 142-4.
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4,11 The grove ofAlbunea<br />
building may have been (as it is often called) a 'shrine of the city Lares'. The links<br />
between the public Lares and the genius of the emperor (see Vol. 1, 184-6) could<br />
further suggest a connection with the imperial cult. None of this is certain. For the<br />
idea that the building was a library, see Richardson (1988) 273-5-<br />
4. The decoration on the surviving altar (the civic crown, two laurel trees, the clipeus vir-<br />
tutis (honorific shield) - see Vol. 1, 186 and fig. 4.3) clearly links this temple with the<br />
imperial cult. Although often known as the 'Temple of Vespasian', the building dates to<br />
the Augustan period.<br />
5. Votive material on this site suggests a cult building of Apollo from the sixth century B.C.;<br />
but the preserved form of the temple dates from the second century B.C. The cult of<br />
Apollo was the major pre- Roman cult of the town, with links with the Greek world. The<br />
cella, for example, contained an egg-shaped stone, an omphalos - a model of the ompha<br />
los at Delphi, the 'navel of the world'.<br />
4.11 The grove of Albunea and its oracle<br />
Virgil, AeneidvuM-lQl<br />
The king, 1<br />
The religion of Italy was not simply an urban phenomenon. The countryside<br />
also contained important cult-centres, often associated with natural springs,<br />
woods or woodland clearings {luci - see above 4.5). One such shrine is<br />
described by Virgil - an oracle of the god Fatinus at a place called Albunea,<br />
amidst sulphurous springs. Although a poetic account, it may be inspired by<br />
cults in the region of modern Solforata (near ancient Lavinitim, 1.5b) whose<br />
name clearly derives from the sulphurous exhalations that once distinguished<br />
the area. Inscriptions found there (commemorating the Fates) suggest that it<br />
may have been the site of an oracular shrine.<br />
Much the same procedure is described in a passage from Ovid's Fasti, IV<br />
649-72, which is certainly influenced by Virgil's text, but also shows some differences.<br />
The King in question this time is Numa, who goes through the same<br />
rituals and receives a similar spoken response from Faunus in a dream; however,<br />
the result this time is not straight advice, like that offered to Latinus, but<br />
a ridding answer ('let one heifer give up rwo lives at the sacrifice') requiring<br />
interpretation by Numa's friend the nymph Egeria; the outcome is the setting<br />
up of one of the Roman festivals, the Fordicidia - the sacrifice of a heifer in calf.<br />
See further: Vol. 1, 13; Tilly (1947) 103-11*; Guarducci (1955); R. E. A.<br />
Palmer (1974) 79-171; Cazanove and Scheid (1993). For the inscriptions,<br />
ILLRP10-12; Guarducci (1946-8).<br />
troubled by the portents, goes to visit the oracle of Faunus, his prophet father,<br />
and consults the groves beneath lofty Albunea - greatest of forests, resounding with its<br />
holy cascade and exhaling its deadly vapour from the darkness. Here the Italian tribes and<br />
all the land of Oenotria 2<br />
seek counsel in times of uncertainty. Here the priest brings<br />
offerings, lies beneath the silent night on the outspread fleeces of the sheep killed in<br />
sacrifice and woos slumber; he sees many visions flying about him in wondrous fashion<br />
101