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CAUCASIAN HISTORY AND TKAVEL 75<br />

the castles and campaniles, that crown their brows ? How many<br />

of the lower valleys of the Northern Alps owe half their attractive-<br />

ness to the brown huts and quaint steeples that dot their slopes ?<br />

Again, how large a part is played by literary and historical<br />

associations for some, personal associations for all, in tlie pleasure<br />

we derive from distant !<br />

pi'ospects What a ditlerent sensation it is<br />

to look up at a line of nameless snows, and to hail the Jungfrau<br />

or Monte Rosa ; how much greater is the difterence when we<br />

know the meaning of every line and scar on the distant peak,<br />

when each recalls to us some incident in a hard-won victory ?<br />

I never felt this more forcibly than when, on my third visit to the<br />

Caucasus, I looked up from the Black Sea to a splendid spire,<br />

and recognised the peak I had twenty jes.YS before compared to<br />

the Grivola and the peak I had two years before planted my ice-<br />

axe on— Tetnidd— as one and the same.<br />

The Caucasus not only wants lakes ; it has very few mountain<br />

tarns, and a waterfall worth going out of the way to look at has<br />

still to be found. On the north' side there is a zone, between<br />

the glaciers and the forests of the limestone belt, which is curiously<br />

hideous, and it is this district that is traversed by the ordinary<br />

horse-tracks.<br />

For these reasons, I fancy that new-comers to the Caucasus are<br />

likel}' to take some time before they fully recognise<br />

its fascination.<br />

They Avill miss at fii-st adjuncts to scenery, actual and mental,<br />

to which they are accustomed. Yet those who persevere will<br />

have their reward. They will learn for themselves within what<br />

limits there is truth in the contention put forward by very eminent<br />

writers, that traces of man's presence are ingredients essential to<br />

our pleasure in scenery. They will tind that, if human agency<br />

often makes, or adds to, the Picturesque in landscape —and particu-<br />

larly to what is picturesque in the technical sense of the word,<br />

reproducible in a picture — ^^there are aspects of nature which need<br />

no help from man. The Italian Valley, the Genoese Corniche,<br />

depend to a great<br />

extent on our additions for their effect. The<br />

frosty fastnesses of the Caucasus belong to a separate class of<br />

scenery, and excite a difierent order of emotions. The mountaineer

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