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CAUCASIAN HISTORY AND TKAVEL 75<br />
the castles and campaniles, that crown their brows ? How many<br />
of the lower valleys of the Northern Alps owe half their attractive-<br />
ness to the brown huts and quaint steeples that dot their slopes ?<br />
Again, how large a part is played by literary and historical<br />
associations for some, personal associations for all, in tlie pleasure<br />
we derive from distant !<br />
pi'ospects What a ditlerent sensation it is<br />
to look up at a line of nameless snows, and to hail the Jungfrau<br />
or Monte Rosa ; how much greater is the difterence when we<br />
know the meaning of every line and scar on the distant peak,<br />
when each recalls to us some incident in a hard-won victory ?<br />
I never felt this more forcibly than when, on my third visit to the<br />
Caucasus, I looked up from the Black Sea to a splendid spire,<br />
and recognised the peak I had twenty jes.YS before compared to<br />
the Grivola and the peak I had two years before planted my ice-<br />
axe on— Tetnidd— as one and the same.<br />
The Caucasus not only wants lakes ; it has very few mountain<br />
tarns, and a waterfall worth going out of the way to look at has<br />
still to be found. On the north' side there is a zone, between<br />
the glaciers and the forests of the limestone belt, which is curiously<br />
hideous, and it is this district that is traversed by the ordinary<br />
horse-tracks.<br />
For these reasons, I fancy that new-comers to the Caucasus are<br />
likel}' to take some time before they fully recognise<br />
its fascination.<br />
They Avill miss at fii-st adjuncts to scenery, actual and mental,<br />
to which they are accustomed. Yet those who persevere will<br />
have their reward. They will learn for themselves within what<br />
limits there is truth in the contention put forward by very eminent<br />
writers, that traces of man's presence are ingredients essential to<br />
our pleasure in scenery. They will tind that, if human agency<br />
often makes, or adds to, the Picturesque in landscape —and particu-<br />
larly to what is picturesque in the technical sense of the word,<br />
reproducible in a picture — ^^there are aspects of nature which need<br />
no help from man. The Italian Valley, the Genoese Corniche,<br />
depend to a great<br />
extent on our additions for their effect. The<br />
frosty fastnesses of the Caucasus belong to a separate class of<br />
scenery, and excite a difierent order of emotions. The mountaineer