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SLTANETIA 211<br />
off by au iconostasis or screen ; it varies in external form and<br />
decoration. At Lenjer the apse is hexagonal ; in one of the chapels<br />
at Lata! semicircular and decorated with a colonnade in low-<br />
relief The interior, and sometimes the exterior, are frescoed in a<br />
style varying from pure Byzantine to what in Italy might be called<br />
Giottesque. The roof is often decoi'ated with representations of the<br />
heavenly bodies, on a blue gi'ound. A large wooden cross, covered<br />
with silver repousse plates, is sometimes found in front of the<br />
iconostasis. There are few Georgian features in the architec-<br />
ture, and it appears at least probable that the builders were rather<br />
under direct Byzantine influence.<br />
In these chm-ches are preserved, under the jealous guard of the<br />
village elders, a number of very interesting objects, including<br />
manuscripts of great antiquity. Many of them have been described<br />
in detail and depicted in the work of M. de Bernoville, already<br />
referred ti:i. Among the treasures he was allowed to inspect were<br />
the following.<br />
At Ushkul, smaE bronzes, apparently Roman, Per-<br />
sian money, Persian silk embroidered with six figures of the sun,<br />
ancient arrows and weapons. At the deserted monastery of St.<br />
Quiricus, near Kalde, he found arrows, figures in silver or silver-gilt,<br />
a magnificent Greek manuscript, attributed by M. de Bernoville to<br />
the sixth or seventh century (its stibject is not stated), a silver box<br />
in the form of a book, used for the preservation of the sacred<br />
elements, having on one side the Crucifixion, with the Virgin and<br />
St. John and two angels, represented in cloisonne enamel on a<br />
silver ground. The workmanship is said to be of the highest<br />
order. The border is set with uncut precious stones ; on the<br />
reverse side is a scene which seems to be the descent of Christ<br />
into Hades. M. de Bernoville, who has figured this case in his<br />
volume, describes it, however, as the Resurrection of Lazarus. I<br />
am inclined to believe that this may be the object, the removal of<br />
which by a Rtissian oflicial became known throughout Suanetia,<br />
and led to almost insuperable difiiculties being placed in the way<br />
of later travellers desirous of investigating any church treasures.<br />
At Mestia we read of two j^rocessional crosses, a number of<br />
very beautiful old repousse silver pictures with Georgian inscrip-