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SLTANETIA 211<br />

off by au iconostasis or screen ; it varies in external form and<br />

decoration. At Lenjer the apse is hexagonal ; in one of the chapels<br />

at Lata! semicircular and decorated with a colonnade in low-<br />

relief The interior, and sometimes the exterior, are frescoed in a<br />

style varying from pure Byzantine to what in Italy might be called<br />

Giottesque. The roof is often decoi'ated with representations of the<br />

heavenly bodies, on a blue gi'ound. A large wooden cross, covered<br />

with silver repousse plates, is sometimes found in front of the<br />

iconostasis. There are few Georgian features in the architec-<br />

ture, and it appears at least probable that the builders were rather<br />

under direct Byzantine influence.<br />

In these chm-ches are preserved, under the jealous guard of the<br />

village elders, a number of very interesting objects, including<br />

manuscripts of great antiquity. Many of them have been described<br />

in detail and depicted in the work of M. de Bernoville, already<br />

referred ti:i. Among the treasures he was allowed to inspect were<br />

the following.<br />

At Ushkul, smaE bronzes, apparently Roman, Per-<br />

sian money, Persian silk embroidered with six figures of the sun,<br />

ancient arrows and weapons. At the deserted monastery of St.<br />

Quiricus, near Kalde, he found arrows, figures in silver or silver-gilt,<br />

a magnificent Greek manuscript, attributed by M. de Bernoville to<br />

the sixth or seventh century (its stibject is not stated), a silver box<br />

in the form of a book, used for the preservation of the sacred<br />

elements, having on one side the Crucifixion, with the Virgin and<br />

St. John and two angels, represented in cloisonne enamel on a<br />

silver ground. The workmanship is said to be of the highest<br />

order. The border is set with uncut precious stones ; on the<br />

reverse side is a scene which seems to be the descent of Christ<br />

into Hades. M. de Bernoville, who has figured this case in his<br />

volume, describes it, however, as the Resurrection of Lazarus. I<br />

am inclined to believe that this may be the object, the removal of<br />

which by a Rtissian oflicial became known throughout Suanetia,<br />

and led to almost insuperable difiiculties being placed in the way<br />

of later travellers desirous of investigating any church treasures.<br />

At Mestia we read of two j^rocessional crosses, a number of<br />

very beautiful old repousse silver pictures with Georgian inscrip-

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