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,<br />

,<br />

NOTE III. GREAT STYLISTS , ,<br />

note which he has been g*ood enough tx? send me, proves that'the name<br />

Tamgh&j was applied by early Muhammadan writers to a defiryte and<br />

,real city, identified by him on the strongest evidence witn Khan Baligh f<br />

("Cambaluc") or Pekin, also called jJ&. ("the Middle Capital,")<br />

and jjub ("the Great Capital").<br />

See also F. W. K.<br />

Millar's Uigurica I (Berlin, 1908), p. 13, n. i adcalc.<br />

'<br />

III. Writers adduced as models of style.<br />

(Text, p. 13; Persian notes, pp. 95-101.)<br />

'The Sahib Abu'l-Qasim Isma'il ibn 'Abbad at-Talaqani<br />

died in 385/995-6. Yaqvit, who consecrates a long notice to him in his<br />

Irs/iddu'l-AriJi, or " PictionaYy<br />

.<br />

of Learned Men 1<br />

,'' says<br />

that there are<br />

two places called Talaqan, one in Khurasan, and the other, from which<br />

the Sahib came, between Qaewin and Abhar. Mirza Muhammad,<br />

however-, in a long manuscript note on this passage, proves conclusively<br />

that he was a native of Isfahan.<br />

' Shamsu'l-Ma'ali Qabus ibn Washmgir ibn Ziyar, Prince<br />

of Tabaristan, was put to death by his son Miniichihr and nobles in<br />

403/1012-3. Of him also Yaqiit gives a fairly lengthy notice 2 . He<br />

corresponded with the Sahib above mentioned, and was very celebrated<br />

for his skill in this form of composition. Many of his letters were<br />

collected by Abu'l-Hasan 'Ah' ibn Muhammad al-Yazdadi, and extracts<br />

are given by Muhammad ibn Isfandiyar in his History of Tabaristan as<br />

well jas by Yaqut. I have recently acquired a MS. of Yazdadi's com-<br />

pilation entitled Kamdlu'l-Baldgha (the " Perfection of Eloquence ").<br />

Abu'l-Faraj Qudama ibn Ja'far ibn Qudama ibn Ziyad<br />

al-Baghdadi was born and brought up a Christian, but was converted<br />

to Islam by the Caliph al-Muktafi, and died in 337/948-9. A short<br />

notice of him also occurs in Yaqiit's Irshdd?, where some dozen of 4iis<br />

works are enumerated, of which three, the Kitdbrfl-Khardj, the Naqdu<br />

'n-Nathr and the Kitdbrfsh-Sh?r are noticed by Brockelmann (vol. i,<br />

p. 228). HarM mentions him in his Maqdmdt as a model of eloquence.<br />

"The Maqamatji-Hamidf were composed in 551/1156-7 by the<br />

Qadi Abii Bakr 'Utnar ibn Mahmiid, entitled Hamidu'd-Din al-Mahmudi<br />

al-Balkhi, who died in 559/1163-4. This work has been lithographed<br />

at Kanpiir (Cawnpore) in 1 and at Tihran in<br />

268/18^1-2, 1290/1873-4.<br />

There is sr very fine MS. of the i3th century of the Christian era in the<br />

British Museum (Add. 7620).<br />

The mention of thej Maqdmdt of Hami'di in this place is of great<br />

importance in fixing the date of composition of the Chahdr Maqdla as<br />

post^ntJr to 551/1156-7, for since Sultan Sanjar, who is repeatedly (e.g.<br />

pp. 40 and 87 of the text) referred to as still<br />

living, died in 552/1157-8,<br />

it is evidenj; that this date lies between these two limits (A.H. 551-552;<br />

A.D. 1156-1157).<br />

1<br />

,Vol. ii, pp. 273-343 of Prof. D. S. Margoliouth's edition in the " E. J. W. Gibb<br />

Memorial" Series (vi, i, London, Luzac and Co., 1909).<br />

2 3<br />

Ibid., vol. vi, pp. 143-152.<br />

Ibid., vol. vi, pp. 203-205.

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