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74 DICTIONARY OF ORGAN STOPS. In the fine instrument at All Souls' Church, Radford, Nottingham (Musson & Compton, 1903) the Swell Viole d'Orchestre 8 ft. and Hohlflote 8 ft., and the Contra Viola 16 ft. and Hohlflote 8 ft. were advisedly designed to produce similar effects. (See also Cor Anglais). The idea underlying the experimental use of these " flue reed stops " is the investiga- tion into the possibility of dispensing with reed stops—with their attendant disadvantages in the matter of constant attention and tuning required in village churches and other buildings remote from the care of a tuner. JPlllte—32 ft. ; 16 ft. ; 8 ft. ; 4 ft. j 2 ft. ; 1 ft. ; and Mutation. A generic term for a quality of tone, comparatively dull and cloying, with but small development of upper partials. According to the ancient system of classification the term Flute comprised all stopped pipes, and •even such open pipes as Gemshorn. The latter register may be said to be •comprised under the heading of either Diapason, or string tone. At any rate it is far from being a Flute. Employed alone as a stop name, the precise signification of the term Flute is indefinite. See Flauto Traverso, and the various types of Flute detailed below. Flute-k-becq— See Flaut-A-becq. Flute-k-Bouche-Ronde— (Fr.) = Flute with a round mouth. Equivalent to Vienna Flute. Wigan (Conacher). See Flauto Traverso. Wesleyan Church, FLUTE-A-CHEMINEE— (Fr.) ROHRFLOTE. Cheminee = chimney. See FLUTE-A-PAVILLON—(Fr.) Pavilion = bell. See Bell Diapason. FLUTE ALLEMANDE—(Fr.) Allemande = German. See Flauto Traverso. Flute Bass—See Bass Flute. Fl Cite Bouchee— (Fr.) = Stopped Flute. Freiburg Cathedral, Switzerland. Flute Champ— See Feldflotc FLUTE CONIQUE—(Fr.) Conique = conical. 16 ft.; 8 ft. A metal Flute of inverted conical shape. It yields a very hard and -powerful tone, suitable as a double on organs of considerable magnitude. Albert Hall, London (Willis, 187 1); St. Sulpice, Paris (Cavailld-Coll). FLUTE COUVERTE—8 ft. A special stop invented by Messrs. Conacher, of Huddersfield. It resembles the French Flute-a-Cheminee, but is of larger scale—about 4 in. .at the CC pipe (4 ft. actual length). The tone is extremely liquid and rbrilliant, and of some power. In addition to being of value as a combinational stop, the Flute Couverte forms a most effective solo stop. The pipes are of pure tin, with chimneys from tenor C upwards, and with :sliding (" canister ") tops (for illustration of these see Rohrflote). The —
DICTIONARY OF ORGAN STOPS. 75 lips are arched. It is to be regretted that one rarely finds a specimen of this class of stop in England. The French builders of repute use the Flute-a-Cheminee extensively. First introduced at Derby Road Chapel, Nottingham (Conacher, 1894). FLUTE D' AMOUR—See Flauto Amabile. FLUTE DOUCE—See Flauto Dolce. FLUTE FONDAMENTALE—(Fr.) Fondamentale = fundamental, i.e., foundation-supplying. 8 ft. A variety of Hohlflote used by Messrs. Brindley & Foster, of Sheffield. Flute Harmonique-See Harmonic Flute. Flute Magique—4 ft. An ordinary Flute, named after the Zauberflote. Strassburg Cathedral (formerly). FLUTE OCTAVIANTE—(Fr.) Octaviante = speaking the octave. 8 ft. ; 4 ft. A variety of Harmonic Flute. The true Octaviante, very seldom met with, is said first to touch the ground tone and then leap into the octave. An example is said to exist at Washington Temple, U.S.A (Kimball Co.). But ordinarily, Flute Octaviante is merely an alternative name for Flute Harmonique. Flute Ouverte—(Fr.) Ouverte = open. 16 ft.; 8 ft. Merely a pedal open wood bass (Notre Dame, Paris) or the ordinary combinational Flute. FLUTE-PRINCIPAL—4 ft. ; also 8 ft A bright hard toned Flute, voiced usually, when ot 4 ft. pitch, to form a compromise between a Flute and a Principal when both cannot be provided (see also Solo). Flute-Traversiere-See Flauto Traverso. Fluttuan—16 ft. See Cor de Nuit. Neu Ruppin. Foundation Stops—Also Foundation Tone. Foundation is a term employed in contra-distinction to Mutation. Properly speaking, it includes all those stops the pipes of which speak a note corresponding to the key depressed, or one of its octaves. This will comprise double, unison, octave, super-octave stops, the Twenty- second, etc. Sometimes all stops speaking above unison pitch are inaccurately classified as Mutation stops. The term "Octave Foundation" would serve to draw a necessary distinction. The Foundation Tone of the organ practically comprises pedal Flues, manual Doubles, Diapasons (8 ft.) and Hahlfldte or Tibia— in fact the most dignified tone of the organ. Foundation tone in Diapasons refers more especially to the development of dignity and weight, as opposed to keen, stringy, or horny qualities.
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. J BARYTO
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DICTIONARY OF ORGAN STOPS. Beard—
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DICTIONARY OF ORGAN STOPS. B©11—
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DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
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Page 75 and 76: above stops are all of the bivalvul
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Page 85 and 86: DOUBLE - TONGUEO REED —Double-ton
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Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
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Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
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DICTIONARY OF ORGAN STOPS. 133 Rega
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DICTIONARY OF ORGAN STOPS. 1 35 Mes
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DICTIONARY OF ORGAN STOPS. '37 chim
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Salicional .(rollered), with double
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DICTIONARY OF ORGAN STOPS. 141 empl
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DICTIONARY OF ORGAN STOPS. 1 43 Sha
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DICTIONARY OF ORGAN STOPS. 145 8 ft
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Subbass—See Bourdon. DICTIONARY O
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DICTIONARY OF ORGAN STOPS. 149 prop
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DICTIONARY OF ORGAN STOPS. 151 and
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154 Metal Tibia Minor
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156 DICTIONARY OF ORGAN STOPS. U P
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174 DICTIONARY OF ORGAN STOPS. Pari
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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