A comprehensive dictionary of organ stops - Allen Organ Studio of ...

A comprehensive dictionary of organ stops - Allen Organ Studio of ... A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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72 DICTIONARY OF ORGAN STOPS. wind was carried by a channel or long cap (as in the French Flute Traversiere) to a mouth cut half way up the pipe. The author once saw an old stop of this form at Mr. Binns' factory. The mouths of these ancient examples of the Flauto Traverso were generally inverted, often consisting of a round orifice into which the wind was thrown by a sloping cap, fixed sometimes half-way over, sometimes just under. This type of Flute, generally known as Vienna Flute, and, of course, not harmonic; is still occasionally employed by English builders— usually on the Choir organ for the sake of variety (e.g., by Conacher at Castlerock, Ireland). It exactly describes many of Bishop's " German Flutes," though other examples of Fig. B— Flute with Fig. C—Flute with Fig. D—Flute Fig. E— Flute with ordinary mouth. inverted mouth wlth semicircular semicircular in- (Waldflote, Suabe inverted mouth verted mouth and Flute, etc.). (Vienna Flule, wedge-shaped or Harmonika, etc.). slanting cap (Flauto Traverso, Orchestral Flute, etc.). the latter were fashioned like Flutes with parabola-shaped heads (see also Metallic Flute). The Vienna Flute is of hypothetical value. It is troublesome to make and voice, and the tone is by no means remarkable, but apt, rather, to be very "fluffy," and devoid of character. There are enough varieties of Flute tone, well differentiated and variegated, and more easily obtainable, to satisfy the most exacting of tastes ; moreover, it is quite a mistaken notion to suppose that all Harmonic Flutes are exactly similar in quality apart from distinction of power. Scales—A Mid. C Vienna Flute in the author's possession, made in Germany, measures if in. x iA in, The mouth, which is semicircular, is cut up a bare \ in. Flauto Unisone—8 ft. Unison combinational Flute. Flautonne— (Sp.) = Gedackt. 16 ft.; 8 ft. sometimes, with Flauto Dulcio 16 ft. — 4 ft. (2.) Synonymous,

DICTIONARY OF ORGAN STOPS. 73 Flote -(Ger.) = Flute. Flue — Fluework, or sometime Flutework. (Ger.) Labialstimmen (= lip-stops). A collective name for those pipes possessed of a flue or wind-way and mouth, differing from those in which tone is produced by a vibrating tongue of metal (reed pipes). The term Flutework is not happy, as Gambas and stops other than those of Flute tone are included under the heading. In flue pipes, as demonstrated by Cavaille'-Coll in 1840 (Etudes Experimentales), and independently by Mr. Hermann Smith in 1865, and Herr Sonreck of Cologne in 1876, the tone is produced by a free reed of air, or "seroplastic reed," rapidly vibrating at the mouth and setting the column of air in the pipe into motion. This, of course, is opposed to the conventional theory of the splitting into two of the current of wind by the lip, whether sharp or thick. Flue Clarinet, Flue Cor Anglais, Flue Euphone, Flue Oboe (Ger.) Labial-Klarinette, etc. The author once saw what is termed by its maker (a German builder) a flue Clarinet. It was an open wooden pipe, with a very low and sharp-cut inverted lip. In tone it could hardly be said to imitate a Clarinet any more than an Oboe, what it most resembled was "a bee-in-a-bottle." Its adjustment was such as to render it liable to be thrown off its speech by a very slight accumulation of dust. Various tones, however, can be built up, for solo purposes, compositely. As an experiment, let the reader sound middle C of the Great organ Hohlfiote 8 ft., together with middle C of the Choir organ Harmonic Flute 4 ft. In some organs a Gamba tone will be distinctly audible. One of the most valuable of timt>re-creaxing stops is the Quintaton. In the remarkable organ built by the Austin Organ Co., of U.S.A., for the Angelus Co. (Mr. J. Herbert Marshall) at Regent House, Regent Street, W., may be heard a Flue Clarinet stop, built up of the Quintaton 8 ft.; and Viole d'Orchestre 8 ft. Herr Weigle, of Stuttgart,, has also used Quintaton and Viola to form a flue Oboe (Military Church, Strassburg), and Quintaton and Fugara to form a flue Cor Anglais (Y.M.C.A. Hall, Stuttgart). In the case of the Cor Anglnis the effect is remarkably good. The Quintaton is voiced stronger than the Fugara. Herr Laukhuff,. of Wiekersheim, Wiirttemburg (who holds Herr Weigle's English patent rights for the Stentorphon), has recently (March, 1905) taken up the manu- facture and voicing of these labial reed stops, viz. :— > Labial Clarinet—Viola and Quintaton. Labial Cor Anglais—Viola and Rohrflote. Labial Eyphone—Viola and (soft) Flute Labial Oboe—Violine and Quintaton.

72 DICTIONARY OF ORGAN STOPS.<br />

wind was carried by a channel or long cap (as in the French Flute<br />

Traversiere) to a mouth cut half way up the pipe. The author once saw<br />

an old stop <strong>of</strong> this form at Mr. Binns' factory. The mouths <strong>of</strong> these<br />

ancient examples <strong>of</strong> the Flauto Traverso were generally inverted, <strong>of</strong>ten<br />

consisting <strong>of</strong> a round orifice into which the wind was thrown by a sloping<br />

cap, fixed sometimes half-way over, sometimes just under. This type <strong>of</strong><br />

Flute, generally known as Vienna Flute, and, <strong>of</strong> course, not harmonic; is still<br />

occasionally employed by English builders— usually on the Choir <strong>organ</strong><br />

for the sake <strong>of</strong> variety (e.g., by Conacher at Castlerock, Ireland). It exactly<br />

describes many <strong>of</strong> Bishop's " German Flutes," though other examples <strong>of</strong><br />

Fig. B— Flute with Fig. C—Flute with Fig. D—Flute Fig. E— Flute with<br />

ordinary mouth. inverted mouth wlth semicircular semicircular in-<br />

(Waldflote, Suabe inverted mouth verted mouth and<br />

Flute, etc.). (Vienna Flule, wedge-shaped or<br />

Harmonika, etc.). slanting cap<br />

(Flauto Traverso,<br />

Orchestral Flute,<br />

etc.).<br />

the latter were fashioned like Flutes with parabola-shaped heads (see also<br />

Metallic Flute). The Vienna Flute is <strong>of</strong> hypothetical value. It is<br />

troublesome to make and voice, and the tone is by no means remarkable,<br />

but apt, rather, to be very "fluffy," and devoid <strong>of</strong> character. There are<br />

enough varieties <strong>of</strong> Flute tone, well differentiated and variegated, and more<br />

easily obtainable, to satisfy the most exacting <strong>of</strong> tastes ; moreover, it is quite<br />

a mistaken notion to suppose that all Harmonic Flutes are exactly similar<br />

in quality apart from distinction <strong>of</strong> power. Scales—A Mid. C Vienna Flute<br />

in the author's possession, made in Germany, measures if in. x iA in,<br />

The mouth, which is semicircular, is cut up a bare \ in.<br />

Flauto Unisone—8 ft. Unison combinational Flute.<br />

Flautonne— (Sp.) = Gedackt. 16 ft.; 8 ft.<br />

sometimes, with Flauto Dulcio 16 ft.<br />

—<br />

4 ft. (2.) Synonymous,

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