A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
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DICTIONARY OF ORGAN STOPS. T<br />
Flauto Traverso-Flute Allemande, Flute<br />
Traversiere, German Flute, Piffaro, Querflote, Quer-<br />
pfeife, Traversfiote, Vienna Flute, Wienerflote, etc. (Fr.)<br />
Allemande = German. (Lat.) Transversus or Traver-<br />
sus = across. (Ger.) Quer = across. Piffaro is<br />
onomatopoeic, being derived from the "piff" or the<br />
lip tone accompanying the speech <strong>of</strong> the pipe. Vienna<br />
(Wien) Flute is an appellation lacking any historical<br />
foundation. 4 ft. . sometimes 8 ft.; rarely 2 ft.<br />
The Flauto Traverso is intended to represent the orchestral<br />
Flute player. By means <strong>of</strong> the slight lip tone above mentioned,<br />
the stop can be made perhaps one <strong>of</strong> the closest orchestral<br />
imitations on the <strong>organ</strong>. (See Flute Octaviante). This<br />
type <strong>of</strong> tone does not exercise a beneficial effect in combination,<br />
and is therefore not encouraged now-a-days. The name<br />
Flauto Traverso has been applied to many varieties <strong>of</strong> Flute<br />
it is now usually attached to a s<strong>of</strong>t-toned and small-scaled<br />
Harmonic Flute suitable for the Choir <strong>organ</strong>. It is now, with<br />
but rare exceptions, made <strong>of</strong> metal, since wooden Harmonic<br />
Flutes are more troublesome to make and voice. Nevertheless,<br />
some good specimens have been made <strong>of</strong> the latter material<br />
by Mr. Compton <strong>of</strong> Nottingham. In many ancient Continental<br />
<strong>organ</strong>s there are still to be seen Flutes <strong>of</strong> peculiar form and<br />
structure. Sometimes they are conical, sometimes cylindrical<br />
and bored out <strong>of</strong> solid wood, occasionally triangular or widen-<br />
ing like the Portunal. They are usually fashioned <strong>of</strong> pear-tree<br />
or maple wood, sometimes <strong>of</strong> box or cypress. Frequently they<br />
are elaborately carved, even though the pipes be not exposed<br />
to view (e.g., Haarlem, Weingarten), a fact only in keeping<br />
with the wonderfully conscientious and artistic nature <strong>of</strong> the<br />
work <strong>of</strong> the <strong>organ</strong> builders living in an age when remorseless<br />
competition had not yet arisen. Some <strong>of</strong> these <strong>stops</strong> are<br />
"naturally" harmonic, i.e., caused to overblow by means ot<br />
a narrow low mouth and copious winding. The cylindrical<br />
harmonic Flauto Traverso (e.g., by Schulze at Doncaster, Tyne<br />
Dock, etc.) bored out <strong>of</strong> solid wood, is now no longer made.<br />
The mouth consisted <strong>of</strong> a slit cut in the pipe, and, on account<br />
<strong>of</strong> the difficulty <strong>of</strong> regulating the exact height, <strong>of</strong>ten covered<br />
with a strip <strong>of</strong> parchment to serve as the upper lip. The<br />
block was merely a cork bung. The author once saw such a<br />
stop, burnt out <strong>of</strong> solid mahogany, in an <strong>organ</strong> built by an Indian <strong>of</strong>ficer,<br />
and has in his possession similar pipes <strong>of</strong> bamboo.<br />
Miiller <strong>of</strong> Breslau, again, introduced a variety <strong>of</strong> Flute in which the<br />
;<br />
W<br />
Fig. A-<br />
Flauio<br />
Traverso<br />
(wood),<br />
showing<br />
inverted<br />
mouth.