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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. T<br />

Flauto Traverso-Flute Allemande, Flute<br />

Traversiere, German Flute, Piffaro, Querflote, Quer-<br />

pfeife, Traversfiote, Vienna Flute, Wienerflote, etc. (Fr.)<br />

Allemande = German. (Lat.) Transversus or Traver-<br />

sus = across. (Ger.) Quer = across. Piffaro is<br />

onomatopoeic, being derived from the "piff" or the<br />

lip tone accompanying the speech <strong>of</strong> the pipe. Vienna<br />

(Wien) Flute is an appellation lacking any historical<br />

foundation. 4 ft. . sometimes 8 ft.; rarely 2 ft.<br />

The Flauto Traverso is intended to represent the orchestral<br />

Flute player. By means <strong>of</strong> the slight lip tone above mentioned,<br />

the stop can be made perhaps one <strong>of</strong> the closest orchestral<br />

imitations on the <strong>organ</strong>. (See Flute Octaviante). This<br />

type <strong>of</strong> tone does not exercise a beneficial effect in combination,<br />

and is therefore not encouraged now-a-days. The name<br />

Flauto Traverso has been applied to many varieties <strong>of</strong> Flute<br />

it is now usually attached to a s<strong>of</strong>t-toned and small-scaled<br />

Harmonic Flute suitable for the Choir <strong>organ</strong>. It is now, with<br />

but rare exceptions, made <strong>of</strong> metal, since wooden Harmonic<br />

Flutes are more troublesome to make and voice. Nevertheless,<br />

some good specimens have been made <strong>of</strong> the latter material<br />

by Mr. Compton <strong>of</strong> Nottingham. In many ancient Continental<br />

<strong>organ</strong>s there are still to be seen Flutes <strong>of</strong> peculiar form and<br />

structure. Sometimes they are conical, sometimes cylindrical<br />

and bored out <strong>of</strong> solid wood, occasionally triangular or widen-<br />

ing like the Portunal. They are usually fashioned <strong>of</strong> pear-tree<br />

or maple wood, sometimes <strong>of</strong> box or cypress. Frequently they<br />

are elaborately carved, even though the pipes be not exposed<br />

to view (e.g., Haarlem, Weingarten), a fact only in keeping<br />

with the wonderfully conscientious and artistic nature <strong>of</strong> the<br />

work <strong>of</strong> the <strong>organ</strong> builders living in an age when remorseless<br />

competition had not yet arisen. Some <strong>of</strong> these <strong>stops</strong> are<br />

"naturally" harmonic, i.e., caused to overblow by means ot<br />

a narrow low mouth and copious winding. The cylindrical<br />

harmonic Flauto Traverso (e.g., by Schulze at Doncaster, Tyne<br />

Dock, etc.) bored out <strong>of</strong> solid wood, is now no longer made.<br />

The mouth consisted <strong>of</strong> a slit cut in the pipe, and, on account<br />

<strong>of</strong> the difficulty <strong>of</strong> regulating the exact height, <strong>of</strong>ten covered<br />

with a strip <strong>of</strong> parchment to serve as the upper lip. The<br />

block was merely a cork bung. The author once saw such a<br />

stop, burnt out <strong>of</strong> solid mahogany, in an <strong>organ</strong> built by an Indian <strong>of</strong>ficer,<br />

and has in his possession similar pipes <strong>of</strong> bamboo.<br />

Miiller <strong>of</strong> Breslau, again, introduced a variety <strong>of</strong> Flute in which the<br />

;<br />

W<br />

Fig. A-<br />

Flauio<br />

Traverso<br />

(wood),<br />

showing<br />

inverted<br />

mouth.

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