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70 DICTIONARY OF ORGAN STOPS. Flauto Dolce— Dolcan, Flute Douce. (Fr.) Douce = sweet. The correct name for what is known in this country and by many modern German builders as Dolce (f.v.). Flauto Douce—Flauto Doris. 8 ft. ; 4 ft. ; (Fr.) Douce = sweet. According to Seidel, a Flute with pipes tapering slightly (Gemshom shape). Flauto Douce is also synonymous with Flauto Dolce. Flauto Dulcio — Flauto Dulcis, Dulzflote. (Lat.) Dulcis = sweet. 8 ft. ; 4 ft. According to Seidel, an open wood Flute register, of small scale, with a sweet pleasant tone. Schlimbach states that it is practically a small- scaled Offenflote. Flauto Dulcio is also a synonym for Flauto Dolce. Flauto Grave—Grave Flute. 8 ft. A fancy name for an ordinary full-toned Flute, used by Buckow (e.g., Sohra, Silesia). Flauto Italico—According to Schlimbach this is an ordinary Flute of 8 ft. pitch. The name occurs in some ancient specifications. FLAUTO MAJOR—Major Flute; Tibia Major. 8 ft; sometimes 16 ft. An ordinary combinational Flute of full tone. Sometimes applied in this country to Tibia Plena, and to a variety of Hohlflote (Abbott & Smith). Flauto Minor— 8 ft.; 4 ft. ; Correctly speaking an octave Flauto Major ; but occasionally, and perhaps more sensibly, applied to a stop similar to the Flauto Major, but less powerful. Flauto Piccolo—See Piccolo. Flauto Staccato—4 ft. A wood Flute, presumably mainly intended for use in staccato passages. Erlangen (17 71). Flauto Tedesco—Italian for Flute. 8 ft. ; 4 ft. Italian was suggested by Dr. Audsley as the standard language for organ stop nomenclature, all other musical terms being couched in that tongue. As Mr. Robertson justly observes, the choice is particularly unfortunate, for Italian organs are of no particular excellence, and Germany has been our chief teacher in organ building. Moreover, it would appear that the use of Italian musical terms is becoming less general. Not, of course, that German terminology, with its difficulties of pronunciation, is here suggested as at all suitable, any more than Italian.
DICTIONARY OF ORGAN STOPS. T Flauto Traverso-Flute Allemande, Flute Traversiere, German Flute, Piffaro, Querflote, Quer- pfeife, Traversfiote, Vienna Flute, Wienerflote, etc. (Fr.) Allemande = German. (Lat.) Transversus or Traver- sus = across. (Ger.) Quer = across. Piffaro is onomatopoeic, being derived from the "piff" or the lip tone accompanying the speech of the pipe. Vienna (Wien) Flute is an appellation lacking any historical foundation. 4 ft. . sometimes 8 ft.; rarely 2 ft. The Flauto Traverso is intended to represent the orchestral Flute player. By means of the slight lip tone above mentioned, the stop can be made perhaps one of the closest orchestral imitations on the organ. (See Flute Octaviante). This type of tone does not exercise a beneficial effect in combination, and is therefore not encouraged now-a-days. The name Flauto Traverso has been applied to many varieties of Flute it is now usually attached to a soft-toned and small-scaled Harmonic Flute suitable for the Choir organ. It is now, with but rare exceptions, made of metal, since wooden Harmonic Flutes are more troublesome to make and voice. Nevertheless, some good specimens have been made of the latter material by Mr. Compton of Nottingham. In many ancient Continental organs there are still to be seen Flutes of peculiar form and structure. Sometimes they are conical, sometimes cylindrical and bored out of solid wood, occasionally triangular or widen- ing like the Portunal. They are usually fashioned of pear-tree or maple wood, sometimes of box or cypress. Frequently they are elaborately carved, even though the pipes be not exposed to view (e.g., Haarlem, Weingarten), a fact only in keeping with the wonderfully conscientious and artistic nature of the work of the organ builders living in an age when remorseless competition had not yet arisen. Some of these stops are "naturally" harmonic, i.e., caused to overblow by means ot a narrow low mouth and copious winding. The cylindrical harmonic Flauto Traverso (e.g., by Schulze at Doncaster, Tyne Dock, etc.) bored out of solid wood, is now no longer made. The mouth consisted of a slit cut in the pipe, and, on account of the difficulty of regulating the exact height, often covered with a strip of parchment to serve as the upper lip. The block was merely a cork bung. The author once saw such a stop, burnt out of solid mahogany, in an organ built by an Indian officer, and has in his possession similar pipes of bamboo. Miiller of Breslau, again, introduced a variety of Flute in which the ; W Fig. A- Flauio Traverso (wood), showing inverted mouth.
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. 3 artist
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DICTIONARY OF ORGAN STOPS. 5 are st
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DICTIONARY OF ORGAN STOPS. J BARYTO
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DICTIONARY OF ORGAN STOPS. Beard—
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DICTIONARY OF ORGAN STOPS. B©11—
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DICTIONARY OF ORGAN STOPS. 13 the e
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DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
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DICTIONARY OF ORGAN STOPS. 1 would
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Page 75 and 76: above stops are all of the bivalvul
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Page 81 and 82: DICTIONARY OF ORGAN STOPS. 57 made
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Page 85 and 86: DOUBLE - TONGUEO REED —Double-ton
Page 87 and 88: DICTIONARY OF ORGAN STOPS. 63 Dulci
Page 89 and 90: DICTIONARY OF ORGAN STOPS. 65 Echo
Page 91 and 92: DICTIONARY OF ORGAN STOPa. 67 Examp
Page 93: DICTIONARY OF ORGAN STOPS. 69 Flaut
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Page 111 and 112: DICTIONARY OF ORGAN STOPS. 87 Harmo
Page 113 and 114: DICTIONARY OF OKQAN STOPS. -89 stan
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Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
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Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
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DICTIONARY OF ORGAN STOPS. 121 The
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DICTIONARY OF ORGAN STOPS. 123 its
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DICTIONARY OF ORGAN STOPS. "5 R. Ra
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DICTIONARY OF ORGAN STOPS. 129 or a
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DICTIONARY OF ORGAN STOPS. 13I orga
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DICTIONARY OF ORGAN STOPS. 133 Rega
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DICTIONARY OF ORGAN STOPS. 1 35 Mes
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DICTIONARY OF ORGAN STOPS. '37 chim
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Salicional .(rollered), with double
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DICTIONARY OF ORGAN STOPS. 141 empl
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DICTIONARY OF ORGAN STOPS. 1 43 Sha
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DICTIONARY OF ORGAN STOPS. 145 8 ft
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Subbass—See Bourdon. DICTIONARY O
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DICTIONARY OF ORGAN STOPS. 149 prop
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DICTIONARY OF ORGAN STOPS. 151 and
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154 Metal Tibia Minor
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156 DICTIONARY OF ORGAN STOPS. U P
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158 DICTIONARY OF ORGAN STOPS. of a
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i6o DICTIONARY OF ORGAN STOPS. Trom
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1 62 DICTIONARY OF ORGAN STOPS. Tro
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164 DICTIONARY OF ORGAN STOPS. util
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1 66 DICTIONARY OF ORGAN STOPS. 1 2
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1 68 DICTIONARY OF ORGAN STOPS. Tus
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170 DICTIONARY OF ORGAN STOPS. "Vio
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172 DICTIONARY OF ORGAN STOPS. due
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174 DICTIONARY OF ORGAN STOPS. Pari
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176 DICTIONARY OF ORGAN STOPS. them
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i 7 8 DICTIONARY OF ORGAN STOPS. me
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180 DICTIONARY OF ORGAN STOPS. rate
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 84 DICTIONARY OF ORGAN STOPS. it
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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