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60 DICTIONARY OF ORGAN STOPS. measures about 2 ft. There is a good example of a 32 ft. wood stojv of small scale at the Albert Hall, Sheffield (Cavaille'-Coll). The first metal stop of 32 ft. pitch in England was inserted at York Minster (1832) by Hill. It is still in use. The CCCC pipe measures 20 in. in diameter. Metal 32 ft. pipes vary in diameter from about 14 in. to as much as 24 in. The greater number in this country have been made by Kitsell of London, the celebrated zinc worker—that metal being undoubtedly the best material for such large pipes. At St. George's Hall, Liverpool, Willis experimented with cast iron pipes fitted with wood mouths ; but they were never satisfactory, and a new stop of zinc was substituted during the recent rebuild. The 32 ft. stop at the Albert Hall (Willis) is of " pure tin " (i.e., 90 per cent.) burnished. The lowest four pipes are reputed to have cost altogether ^800—the price of a moderate-sized organ in itself. At Ulm Miinster (Walcker, 1856), may be seen cylindrical 32 ft. pipes of wood. Formerly they stood in the case "in prospect." The open 32 ft. stop is a very great luxury, any organ possessing it being at once raised to the dignity of a cathedral instrument. A popular tonal effect at the present day is that of 32 ft. pedal alone, with distinctive manual stops such as the Celeste. Double English Horn-16 ft. Invented by Mr. Hope-Jones. The pipes of the Double English Horn, which are of thick heavy metal, are of inverted conical shape and are surmounted by large bells. They are of full Oboe scale. The tongues are weighted and kept as fiat and close to the reed as possible. The shallots are " open " (i.e., made with parallel apertures). The result is a very fiery " free " tone, of great brilliancy and richness. Possessing as it does but little body, the tone quality may be described as a thin blare (in a musical sense). The Double English Horn is particularly remarkable for the richness it imparts in combination. It is a most effective Swell double reed. At the same time its " freedom " of tone renders it scarcely well suited to form the position (which it has sometimes occupied) of the only double stop in a Swell, a flue double being necessary The stop does not resemble the Cor Anglais, and differs much in tone from the ordinary double reeds. There are good specimens at the Collegiate Church Warwick ; St. Michael, Chester Square, W. ; and Worcester Cathedral (Hope-Jones). Double Flute—See Doppelflote. DOUBLE-MOUTHED PIPES—See Doppelflote. DOUBLE OBOE-HORN— See Oboe-Horn. Double Stopped Bass—32 ft. See Sub-Bourdon. ;
DOUBLE - TONGUEO REED —Double-tongued organ reeds appear to have been first experimentally tried by Herr Giesecke, of Gottingen. Subsequently, however, they were practically applied by Mr. Hope- Jones for the first time at Worcester Cathedral (1896) and later at the McEwan Hall, Edinburgh. The large Tubas in these two instruments are furn- ished with wooden shallots (see Reed), each with two tongues fixed opposite to one another. They are voiced on 20 in. pressure. The Worcester example is of prodigious power, and very smooth, though not so refined in tone as a Willis Tuba, or as the Tuba Sonora in the same instrument. It is open to question whether the results accruing from the use of double-tongued reeds are at all commensurate with the trouble entailed in their con- struction and upkeep. It is, of course, true that the pro- vision of a second vibrator does materially amplify the volume of tone. * But it * But, for scientific reasons which cannot be entered into here, not to an extent at all pro- portionate to the intrinsic capacity of the second vibrator. In other words, a double-tongued reed is by no means twice as powerful as a single-tongued pipe. DICTIONARY OF ORGAN Sl'OPS. 6l Double-tongued Reed.
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. 3 artist
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DICTIONARY OF ORGAN STOPS. 5 are st
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DICTIONARY OF ORGAN STOPS. J BARYTO
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Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
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Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
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Oboe. DICTIONARY OF ORGAN STOPS. Il
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DICTIONARY OF ORGAN STOPS. 113 Orch
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DICTIONARY OF ORGAN STOP? 115 OfTen
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DICTIONARY OF ORGAN STOPS. 117 reso
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DICTIONARY OF ORGAN STOPS. Prinzipa
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DICTIONARY OF ORGAN STOPS. 121 The
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DICTIONARY OF ORGAN STOPS. 123 its
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DICTIONARY OF ORGAN STOPS. "5 R. Ra
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DICTIONARY OF ORGAN STOPS. 1 35 Mes
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DICTIONARY OF ORGAN STOPS. '37 chim
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Salicional .(rollered), with double
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DICTIONARY OF ORGAN STOPS. 141 empl
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DICTIONARY OF ORGAN STOPS. 1 43 Sha
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DICTIONARY OF ORGAN STOPS. 145 8 ft
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Subbass—See Bourdon. DICTIONARY O
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DICTIONARY OF ORGAN STOPS. 149 prop
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DICTIONARY OF ORGAN STOPS. 151 and
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154 Metal Tibia Minor
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156 DICTIONARY OF ORGAN STOPS. U P
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i6o DICTIONARY OF ORGAN STOPS. Trom
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172 DICTIONARY OF ORGAN STOPS. due
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174 DICTIONARY OF ORGAN STOPS. Pari
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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