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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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60 DICTIONARY OF ORGAN STOPS.<br />

measures about 2 ft. There is a good example <strong>of</strong> a 32 ft. wood stojv<br />

<strong>of</strong> small scale at the Albert Hall, Sheffield (Cavaille'-Coll). The first<br />

metal stop <strong>of</strong> 32 ft. pitch in England was inserted at York Minster<br />

(1832) by Hill. It is still in use. The CCCC pipe measures 20 in.<br />

in diameter. Metal 32 ft. pipes vary in diameter from about 14 in.<br />

to as much as 24 in. The greater number in this country have been<br />

made by Kitsell <strong>of</strong> London, the celebrated zinc worker—that metal<br />

being undoubtedly the best material for such large pipes. At St. George's<br />

Hall, Liverpool, Willis experimented with cast iron pipes fitted with<br />

wood mouths ; but they were never satisfactory, and a new stop <strong>of</strong> zinc<br />

was substituted during the recent rebuild. The 32 ft. stop at the Albert<br />

Hall (Willis) is <strong>of</strong> " pure tin " (i.e., 90 per cent.) burnished. The lowest<br />

four pipes are reputed to have cost altogether ^800—the price <strong>of</strong> a<br />

moderate-sized <strong>organ</strong> in itself. At Ulm Miinster (Walcker, 1856), may be<br />

seen cylindrical 32 ft. pipes <strong>of</strong> wood. Formerly they stood in the case "in<br />

prospect." The open 32 ft. stop is a very great luxury, any <strong>organ</strong><br />

possessing it being at once raised to the dignity <strong>of</strong> a cathedral instrument.<br />

A popular tonal effect at the present day is that <strong>of</strong> 32 ft. pedal alone, with<br />

distinctive manual <strong>stops</strong> such as the Celeste.<br />

Double English Horn-16 ft.<br />

Invented by Mr. Hope-Jones. The pipes <strong>of</strong> the Double English<br />

Horn, which are <strong>of</strong> thick heavy metal, are <strong>of</strong> inverted conical shape and<br />

are surmounted by large bells. They are <strong>of</strong> full Oboe scale. The tongues<br />

are weighted and kept as fiat and close to the reed as possible. The<br />

shallots are " open " (i.e., made with parallel apertures). The result is a<br />

very fiery " free " tone, <strong>of</strong> great brilliancy and richness. Possessing as it<br />

does but little body, the tone quality may be described as a thin blare (in a<br />

musical sense). The Double English Horn is particularly remarkable for<br />

the richness it imparts in combination. It is a most effective Swell double<br />

reed. At the same time its " freedom " <strong>of</strong> tone renders it scarcely well<br />

suited to form the position (which it has sometimes occupied) <strong>of</strong> the only<br />

double stop in a Swell, a flue double being necessary The stop does not<br />

resemble the Cor Anglais, and differs much in tone from the ordinary<br />

double reeds. There are good specimens at the Collegiate Church<br />

Warwick ; St. Michael, Chester Square, W. ; and Worcester Cathedral<br />

(Hope-Jones).<br />

Double Flute—See Doppelflote.<br />

DOUBLE-MOUTHED PIPES—See Doppelflote.<br />

DOUBLE OBOE-HORN— See Oboe-Horn.<br />

Double Stopped Bass—32 ft. See Sub-Bourdon.<br />

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