A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
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60 DICTIONARY OF ORGAN STOPS.<br />
measures about 2 ft. There is a good example <strong>of</strong> a 32 ft. wood stojv<br />
<strong>of</strong> small scale at the Albert Hall, Sheffield (Cavaille'-Coll). The first<br />
metal stop <strong>of</strong> 32 ft. pitch in England was inserted at York Minster<br />
(1832) by Hill. It is still in use. The CCCC pipe measures 20 in.<br />
in diameter. Metal 32 ft. pipes vary in diameter from about 14 in.<br />
to as much as 24 in. The greater number in this country have been<br />
made by Kitsell <strong>of</strong> London, the celebrated zinc worker—that metal<br />
being undoubtedly the best material for such large pipes. At St. George's<br />
Hall, Liverpool, Willis experimented with cast iron pipes fitted with<br />
wood mouths ; but they were never satisfactory, and a new stop <strong>of</strong> zinc<br />
was substituted during the recent rebuild. The 32 ft. stop at the Albert<br />
Hall (Willis) is <strong>of</strong> " pure tin " (i.e., 90 per cent.) burnished. The lowest<br />
four pipes are reputed to have cost altogether ^800—the price <strong>of</strong> a<br />
moderate-sized <strong>organ</strong> in itself. At Ulm Miinster (Walcker, 1856), may be<br />
seen cylindrical 32 ft. pipes <strong>of</strong> wood. Formerly they stood in the case "in<br />
prospect." The open 32 ft. stop is a very great luxury, any <strong>organ</strong><br />
possessing it being at once raised to the dignity <strong>of</strong> a cathedral instrument.<br />
A popular tonal effect at the present day is that <strong>of</strong> 32 ft. pedal alone, with<br />
distinctive manual <strong>stops</strong> such as the Celeste.<br />
Double English Horn-16 ft.<br />
Invented by Mr. Hope-Jones. The pipes <strong>of</strong> the Double English<br />
Horn, which are <strong>of</strong> thick heavy metal, are <strong>of</strong> inverted conical shape and<br />
are surmounted by large bells. They are <strong>of</strong> full Oboe scale. The tongues<br />
are weighted and kept as fiat and close to the reed as possible. The<br />
shallots are " open " (i.e., made with parallel apertures). The result is a<br />
very fiery " free " tone, <strong>of</strong> great brilliancy and richness. Possessing as it<br />
does but little body, the tone quality may be described as a thin blare (in a<br />
musical sense). The Double English Horn is particularly remarkable for<br />
the richness it imparts in combination. It is a most effective Swell double<br />
reed. At the same time its " freedom " <strong>of</strong> tone renders it scarcely well<br />
suited to form the position (which it has sometimes occupied) <strong>of</strong> the only<br />
double stop in a Swell, a flue double being necessary The stop does not<br />
resemble the Cor Anglais, and differs much in tone from the ordinary<br />
double reeds. There are good specimens at the Collegiate Church<br />
Warwick ; St. Michael, Chester Square, W. ; and Worcester Cathedral<br />
(Hope-Jones).<br />
Double Flute—See Doppelflote.<br />
DOUBLE-MOUTHED PIPES—See Doppelflote.<br />
DOUBLE OBOE-HORN— See Oboe-Horn.<br />
Double Stopped Bass—32 ft. See Sub-Bourdon.<br />
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