A comprehensive dictionary of organ stops - Allen Organ Studio of ...

Recommendations

Info

56 DICTIONARY OF ORGAN STOPS. with some others, passed into the hands of Messrs. Norman & Beard, of Norwich. Since that time another form of Diaphone has been patented by Mr. Hope-Jones. It possesses no pipes, and consists of a piston ( working in a cylinder rapidly opening and closing a series of port-holes. As may be surmised, a heavy pressure of wind is essential. In U.S.A. there are Diaphones at Shamut Church, Boston, Mass. (Austin Organ Co., Hope-Jones) St. Patrick's Cathedral, New York City (Hope-Jones & Harrison). Diezmonovena— (Sp.) = Larigot. Ditonus—(Gr.) Si = two, tovoq = tone. An ancient name for the Tierce. In Greek music, the interval formed by adding together two major tones, a Pytha- gorean major third having the ratio 81 : 64, which is a comma greater than a true major third. Divinare— "A stopped pipe with a beautiful (divine) tone " ! !—Seidel. Docena—(Sp.) = Twelfth. DbflF— (Ger.) An ancient name for the Principal. DOLCAN—Dulcan. 8 ft. ; 4 ft. See Dolce. Dolce— (It.) Dolce = Sweet. 8 ft. ; also 16 ft. ; 4ft. (1) Formerly, in Germany, Dolce, and Flauto Dolce or Dolcan, were distinct stops. The former was a string- toned stop with a slightly thick or fiutey quality, the latter a Flute stop with a suspicion of stringiness. Examples of the former are still occasionally to be found in Germany, made of wood, and sometimes with a double mouth. (2) Now, both in England and Germany, the name Dolce is employed to designate the Dolcan or Flauto Dolce. The Dolce pipes are of metal, widening in diameter as they ascend. The tone is extremely beautiful, being soft and velvety, with a touch of French Horn quality in the tenor octave. The Dolce is invaluable as an accompani- mental stop on the Great or Choir organ, and might with advantage be more extensively employed in this country. One reason, perhaps, for its scarcity in English organs consists in the fact that the pipes, increasing, as above Dolce. stated, in diameter at the top, occupy much sound- reblePipe.) board S p ace . Albeit, Dolces of exquisite quality are ;
DICTIONARY OF ORGAN STOPS. 57 made (e.g., by Corapton, Binns), tapering but little. Messrs. Norman & Beard's Corno Flute furnishes likewise a good illustration of this class of tone produced from cylindrical pipes. It is generally believed that the Flauto Dolce was introduced into this country by Schulze. Mr. Smith, of the well-known firm of Messrs. Abbott & Smith, of Leeds, once informed the author that a Dolce with inverted conical pipes was introduced at Chesterfield Parish Church by Snetzler. The Dolce forms an excellent 8 ft. pedal Flute in small organs, superior in effect to the ordinary Bourdon extension. As a pedal Flute it may be heard at Holy Trinity, Upper Tooting ; Battersea Polytechnic (Beale & Thynne, voiced by Whiteley). At St. Katherine's Convent, Queen's Square, W., the late Mr. Thynne inserted a 16 ft. Dolce of exquisite tone. On account of limitation of space the lowest few pipes are stopped. . The manner in which the " meet," or transition from open, to stopped work, is manipulated, is marvellous ; very gradually, as they descend in pitch, the pipes begin to lose their " bloom." Indeed some difficulty is experienced in determining the exact location of the break. Doncaster Parish Church (Schulze) ; St. Stephen, Wandsworth (White- ley). Chamber Organ, Oulton Rocks, Staffs, (and several other organsby Binns); Hucknall Torkard Parish Church, Notts. (Musson & Compton) ; Mr. Armitage's Chamber Organ, Nottingham ; Cantley Church, Doncaster ; Emmanuel Church, Leicester ; St. Mary, Westwood. (with Frein Harmonique), (Compton). Scales:—A Dolce by Binns,. measured at T.C, 3 in. in diameter at the top of the pipe, 2 in. at the mouth. Below this note the stop is frequently carried down in. closed pipes. An example at Emmanuel Church, Leicester, by Comp- ton, made throughout of open pipes, measured at CC 4 in. at the top,. 3 in. at the mouth; at T.C, 2% in. at the top, if in. at the mouth. (3) The name Dolce is sometimes employed to designate a Swell Bourdon borrowed as a pedal stop. It has also been applied by Messrs. Brindley & Foster to the Swell Rohrflote, borrowed according; to that firm's "metechotic" system, as a Great organ stop (Wesleyan. Church, West Leigh). Dolciano— 8 ft. Either (1) Dolce; (2) Clarabella; (3) Dulciaa (reed). DOLCISSIMO—Dulcissima. (It.) Dolcissimo ; (Lat.) Dulcissima = very sweet. 16 ft.; 8 ft. (1) Echo Dulciana (Brooklyn Tabernacle, U.S.A.); or (2) Swell Bourdon, 16 ft., borrowed as a pedal stop (e.g., by Binns). Dolzflote—See Dulzflote.
Page 1 and 2:
DICTIONARY OF ORGAN STOPS JJ.WEDGWO
Page 3:
Cornell University Library The orig
Page 7 and 8:
THIRD EDITION. TO T. TERTIUS NOBLE,
Page 9 and 10:
A WORK FOREWORD. of this kind will
Page 11 and 12:
PREFACE. V frame a few constructive
Page 13 and 14:
PREFACE. Vll from the facts that a
Page 15 and 16:
PREFACE TO THE SECOND EDITION. THE
Page 17:
PREFACE TO THE SECOND EDITION. XI c
Page 20 and 21:
XIV BIBLIOGRAPHY. 1833 he went to P
Page 22 and 23:
XVI TABLE OF HARMONIC SERIES. TABLE
Page 25 and 26:
DICTIONARY OF ORGAN STOPS. A. Acous
Page 27 and 28:
DICTIONARY OF ORGAN STOPS. 3 artist
Page 29 and 30: DICTIONARY OF ORGAN STOPS. 5 are st
Page 31 and 32: DICTIONARY OF ORGAN STOPS. J BARYTO
Page 33 and 34: DICTIONARY OF ORGAN STOPS. Beard—
Page 35 and 36: DICTIONARY OF ORGAN STOPS. B©11—
Page 37 and 38: DICTIONARY OF ORGAN STOPS. 13 the e
Page 39 and 40: DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
Page 41 and 42: DICTIONARY OF ORGAN STOPS. 1 would
Page 43 and 44: DICTIONARY OF ORGAN STOPS. 1 IV ran
Page 45 and 46: DICTIONARY OF ORGAN STOPS. 21 is ra
Page 47 and 48: DICTIONARY OF ORGAN STOPS. 23 Clari
Page 49 and 50: DICTIONARY OF ORGAN STOPS. 25 are n
Page 51 and 52: DICTIONARY OF ORGAN STOPS. 27 CLEAR
Page 53 and 54: DICTIONARY OF ORGAN STOPS. 2 9 Cont
Page 55 and 56: DICTIONARY OF ORGAN STOPS. 3 (2) In
Page 57 and 58: DICTIONARY OF ORGAN STOPS. 33 beaut
Page 59 and 60: DICTIONARY OF ORGAN STOPS. Courtel
Page 61 and 62: DICTIONARY OF ORGAN STOPS. 37 judgm
Page 63 and 64: DICTIONARY OF ORGAN STOPS. 39 (3) I
Page 65 and 66: DICTIONARY OF ORGAN STOPS. 41 seeme
Page 67 and 68: DICTIONARY OF ORGAN STOPS. 43 mouth
Page 69 and 70: DICTIONARY OF ORGAN STOPS. 45 domai
Page 71 and 72: DICTIONARY OF ORGAN STOPS. 47 legit
Page 73 and 74: DICTIONARY OF ORGAN STOPS. 49 Dia.p
Page 75 and 76: above stops are all of the bivalvul
Page 77 and 78: DICTIONARY OF ORGAN STOPS. S3 is no
Page 79: DICTIONARY OF ORGAN STOPS. 55 ^SSSN
Page 83 and 84: DICTIONARY OF ORGAN STOPS. 59 was n
Page 85 and 86: DOUBLE - TONGUEO REED —Double-ton
Page 87 and 88: DICTIONARY OF ORGAN STOPS. 63 Dulci
Page 89 and 90: DICTIONARY OF ORGAN STOPS. 65 Echo
Page 91 and 92: DICTIONARY OF ORGAN STOPa. 67 Examp
Page 93 and 94: DICTIONARY OF ORGAN STOPS. 69 Flaut
Page 95 and 96: DICTIONARY OF ORGAN STOPS. T Flauto
Page 97 and 98: DICTIONARY OF ORGAN STOPS. 73 Flote
Page 99 and 100: DICTIONARY OF ORGAN STOPS. 75 lips
Page 101 and 102: DICTIONARY OF ORGAN STOPS. 77 to am
Page 103 and 104: DICTIONARY OF ORGAN STOPS. 7
Page 105 and 106: DICTIONARY OF ORGAN STOPS. 8r high.
Page 107 and 108: DICTIONARY OF ORGAN STOPS. 83 Germa
Page 109 and 110: DICTIONARY OF ORGAN STOPS. 85 H, Ha
Page 111 and 112: DICTIONARY OF ORGAN STOPS. 87 Harmo
Page 113 and 114: DICTIONARY OF OKQAN STOPS. -89 stan
Page 115 and 116: DICTIONARY OF ORGAN STOPS. 91 Hohlf
Page 117 and 118: HORN GAMBA—See Fugara. DICTIONARY
Page 119 and 120: DICTIONARY OF ORGAN STOPS. 95 pecul
Page 121 and 122: RRUMMHORN—See Clarinet. DICTIONAR
Page 123 and 124: DICTIONARY OF ORGAN STOPS. 99 Litic
Page 125 and 126: DICTIONARY OF ORGAN STOPS. 1 01 Hou
Page 127 and 128: DICTIONARY OF ORGAN STOPS. 103 test
Page 129 and 130: DICTIONARY OF ORGAN STOPS. 105 word
Page 131 and 132:
DICTIONARY OF ORGAN STOPS. 10J ad a
Page 133 and 134:
DICTIONARY OF ORGAN STOPS. 109 Anot
Page 135 and 136:
Oboe. DICTIONARY OF ORGAN STOPS. Il
Page 137 and 138:
DICTIONARY OF ORGAN STOPS. 113 Orch
Page 139 and 140:
DICTIONARY OF ORGAN STOP? 115 OfTen
Page 141 and 142:
DICTIONARY OF ORGAN STOPS. 117 reso
Page 143 and 144:
DICTIONARY OF ORGAN STOPS. Prinzipa
Page 145 and 146:
DICTIONARY OF ORGAN STOPS. 121 The
Page 147 and 148:
DICTIONARY OF ORGAN STOPS. 123 its
Page 149 and 150:
DICTIONARY OF ORGAN STOPS. "5 R. Ra
Page 151 and 152:
DICTIONARY OF ORGAN STOPS. 127 much
Page 153 and 154:
DICTIONARY OF ORGAN STOPS. 129 or a
Page 155 and 156:
DICTIONARY OF ORGAN STOPS. 13I orga
Page 157 and 158:
DICTIONARY OF ORGAN STOPS. 133 Rega
Page 159 and 160:
DICTIONARY OF ORGAN STOPS. 1 35 Mes
Page 161 and 162:
DICTIONARY OF ORGAN STOPS. '37 chim
Page 163 and 164:
Salicional .(rollered), with double
Page 165 and 166:
DICTIONARY OF ORGAN STOPS. 141 empl
Page 167 and 168:
DICTIONARY OF ORGAN STOPS. 1 43 Sha
Page 169 and 170:
DICTIONARY OF ORGAN STOPS. 145 8 ft
Page 171 and 172:
Subbass—See Bourdon. DICTIONARY O
Page 173 and 174:
DICTIONARY OF ORGAN STOPS. 149 prop
Page 175:
DICTIONARY OF ORGAN STOPS. 151 and
Page 178 and 179:
154 Metal Tibia Minor
Page 180 and 181:
156 DICTIONARY OF ORGAN STOPS. U P
Page 182 and 183:
158 DICTIONARY OF ORGAN STOPS. of a
Page 184 and 185:
i6o DICTIONARY OF ORGAN STOPS. Trom
Page 186 and 187:
1 62 DICTIONARY OF ORGAN STOPS. Tro
Page 188 and 189:
164 DICTIONARY OF ORGAN STOPS. util
Page 190 and 191:
1 66 DICTIONARY OF ORGAN STOPS. 1 2
Page 192 and 193:
1 68 DICTIONARY OF ORGAN STOPS. Tus
Page 194 and 195:
170 DICTIONARY OF ORGAN STOPS. "Vio
Page 196 and 197:
172 DICTIONARY OF ORGAN STOPS. due
Page 198 and 199:
174 DICTIONARY OF ORGAN STOPS. Pari
Page 200 and 201:
176 DICTIONARY OF ORGAN STOPS. them
Page 202 and 203:
i 7 8 DICTIONARY OF ORGAN STOPS. me
Page 204 and 205:
180 DICTIONARY OF ORGAN STOPS. rate
Page 206 and 207:
182 DICTIONARY OF ORGAN STOPS. Vox
Page 208 and 209:
1 84 DICTIONARY OF ORGAN STOPS. it
Page 210 and 211:
1 86 DICTIONARY OF ORGAN STOPS. z\
Page 212 and 213:
i88 PHONETIC PRONOUNCING VOCABULARY
Page 214 and 215:
190 LIST OF SUBSCRIBERS. LIST OF SU
Page 216 and 217:
192 LIST OF SUBSCRIBERS. Gordon & G
Page 218 and 219:
194 LIST OF SUBSCRIBERS. Rollo, D.,
Page 220 and 221:
THE SHEFFIELD DAILY TELEGRAPH. " Mr
Page 222 and 223:
Works by the same Author. A HISTORY
Page 224 and 225:
MUSICAL WORKS COMPOSED OR EDITED BY
Page 226 and 227:
— MUSICAL WORKS BY FRANCIS BURGES
Page 228 and 229:
The "JOHN HOLT" "PIONEER" PEDAL REE
Page 230 and 231:
— — " Artis est Celare Artem" A
Page 232 and 233:
ESTABLISHED 1869. TELEPHONE 673. Ab
Page 234 and 235:
J. J. BINNS, BRAMLEY ORGAN WORKS, l
Page 236 and 237:
ROBERT SPURDEN #rgan BSutltrer, RUT
Page 238 and 239:
ESTABLISHED 1886. TUNINGS, &c, by Y
Page 240 and 241:
Ssta.1blish.ecl 1888. High Class Ch
Page 248:
, • «?;:: :
show all

A comprehensive dictionary of organ stops - Allen Organ Studio of ...

Create successful ePaper yourself

Delete template?

Save as template?