A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
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48<br />
DICTIONARY OF ORGAN STOPS.<br />
circumference <strong>of</strong> the pipe. Mr. T. C. Lewis* furnishes the following<br />
measurements as those <strong>of</strong> his ideal standard Diapason pipe : Mid. G<br />
3j^- in. diameter; Mouth, ^ circumference, cut up "§ and -g^" (i.e.><br />
sf in.) ; Bore "•§ and ^t " (i.e. ^ in.) ; Wind pressure, 3^ in. ; Pitch, 267I<br />
vibrations at 6o° Fahr. The pipes, from tenor C upwards, <strong>of</strong> a Diapason<br />
<strong>of</strong> ordinary substance, weigh about 80 or 90 lbs. ; those <strong>of</strong> a German<br />
Diapason (a stop which is almost invariably made <strong>of</strong> tin), about 66 lbs.<br />
whereas those <strong>of</strong> the modern leathered Diapason, made <strong>of</strong> the heavy<br />
"special" metal, which is now being used by several builders when great<br />
depth and volume <strong>of</strong> tone is desired, weigh actually 130-150 lbs. It is<br />
not possible to obtain the true massive Diapason roll from pipes <strong>of</strong> any<br />
less weight. If an ordinary pipe be gripped round the middle whilst<br />
speaking, a strong tremor will be perceptible to the hand. A great<br />
deal <strong>of</strong> energy is being wasted by transmission through the "walls" or<br />
body <strong>of</strong> the pipe. It is only by making the pipes sufficiently stout to<br />
withstand this vibration that the requisite plenitude <strong>of</strong> tone can be secured<br />
in large Diapasons. Diapasons <strong>of</strong> this type are, <strong>of</strong> course, costly ; but their<br />
effect is fully commensurate with their cost. ,<br />
It is not sufficiently realised<br />
that the increased wind pressures, which have come into use during the<br />
past few years, demand corresponding increase in the thickness <strong>of</strong> pipes.<br />
Diapason Phonon-8 ft. ; also 16 ft.<br />
The name originally applied by Mr. Hope-Jones to the leathered<br />
Diapason (see Diapason, sections 6 and 7). The name might well be<br />
retained for this stop when in the Swell <strong>organ</strong>, constituting, as it does,<br />
such a wide departure from the ordinary Swell Diapason. The Diapason<br />
Phonon on the Great <strong>organ</strong> at Colston Hall, Bristol (Norman & Beard),<br />
is a large Diapason treated with resonators, in the form <strong>of</strong> sleeves at<br />
the top <strong>of</strong> the pipes. The stop speaks on a 10 in. wind. In U.S.A.,<br />
St. Luke, Montclair, N.J., by Hope-Jones & Harrison ; Park Church,<br />
Elmira, N.Y. ; First Presbyterian Church, Montclair, N.J. ; Lutheran<br />
Church, Lebanon, Pa. ; Roman Catholic Church, Providence, R.I., by<br />
Austin <strong>Organ</strong> Co., and Hope-Jones. For illustration, see Diapason.<br />
Diaocton— (Gr.) lia = through. 6kto> = eight.<br />
(1) The name given to the octave coupler by Holditch, who appears<br />
independently to have invented it, though long, <strong>of</strong> course, after its first<br />
employment in Italy, and subsequent to its introduction at St. James,<br />
Bristol, (Smith, 1819). (2) A 16 ft. pedal stop (Washington Temple,<br />
U.S.A.).<br />
= Major Bass.<br />
Diapason, Stopped—See Gedeck r.<br />
Diapente— -(Gr.) Sia. = through, irivre = five. = Quint.<br />
* "A Protest," etc., p. 5.<br />
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