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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. 33<br />

beautiful and mellow in quality. In the tenor it affords a good represent-<br />

ation <strong>of</strong> the Orchestral Horn. The languid is inverted, being flat at the<br />

top and bevelled away underneath (see Inverted Languid, Stops with).<br />

The upper lip is arched, left slightly rounded (i.e., not definitely flattened<br />

into a bay-leaf), and not bevelled. A specimen in the author's possession<br />

measures, at Mid. C, i-§- in., cut up £% in., on 4 in. wind. The Corno<br />

Flute is usually made <strong>of</strong> spotted metal. It forms an ideal Great <strong>organ</strong><br />

accompanimental stop. All Saints, Notting Hill, W.<br />

CORNO INGLESE— (It.) = Cor Anglais.<br />

Cornopean—Corno = Horn. Pean, or Paean = Hymn <strong>of</strong><br />

Praise. 8 ft.<br />

(1) A reed stop invented by Mr. William Hill. Of smaller scale and<br />

somewhat smoother tone than the Horn, it is s<strong>of</strong>ter and rounder than the<br />

Trumpet. The pipes are <strong>of</strong> inverted corneal shape, and the tongues thick.<br />

Like all chorus reeds the Cornopean is all the better for a fairly heavy<br />

wind pressure. This class <strong>of</strong> stop was practically perfected by Willis,<br />

whose work exhibits as great an improvement on that earlier in vogue, as<br />

did the latter on that <strong>of</strong> the old English builders. A harmonic treble is<br />

absolutely essential for the best results. A smooth-toned reed <strong>of</strong> this<br />

description is more effective in the Swell than a Trumpet. (2) Formerly<br />

in Germany the name Cornopean was sometimes given to a large-scaled<br />

flue stop <strong>of</strong> horn-like tone, a variety <strong>of</strong> Cor de Nuit.<br />

Corroborating Mixture—See Compensation Mixture.<br />

Coupler—(1) A mechanical device for uniting various departments<br />

or keys <strong>of</strong> the <strong>organ</strong> together.<br />

Couplers are comprised under the following headings :<br />

—<br />

(a) Uniting<br />

two departments—Swell to Great, Swell to Pedal, etc. (b) Octave and Sub-<br />

octave Couplers, depressing the notes at intervals <strong>of</strong> an octave respectively<br />

above or below the chord held. Thus, if the chord C E G be held<br />

on the Swell <strong>organ</strong>, and the Swell Octave Coupler be drawn, the said<br />

C E G will be duplicated an octave higher. This type <strong>of</strong> coupler may<br />

further be divided into two Classes :— (i) Those couplers acting on one<br />

manual only, or on the pedal, as described above, (ii) Those acting on<br />

separate manuals—Swell to Great Sub-octave, Swell to Great Octave. *<br />

The Octave Coupler is sometimes named Super-octave Coupler in<br />

contradistinction to the Sub-octave Coupler. Strictly speaking this is a<br />

•The above is the terminology usually employed. The author must, nevertheless,<br />

express his strong preference for the style : Swell Sub-octave to Great, Swell Octave to<br />

Great—as being more lucid.

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