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32 DICTIONARY OF ORGAN STOPS. combinational stop, the Cornet is sometimes made to increase in the number of ranks in the treble. When so designed it serves to disguise the "breaks" in the other mutation work. This variety is often known as Progressio Harmonica, and sometimes as Compensation Mixture {q.v.). The name Cornet is now applied indiscriminately to any Mixture stop of a goodly number of ranks. (2) Occasionally the Cornet is found as a reed, usually on the Pedal organ, and of 4 ft. or 2 ft. pitch. In such cases the tone resembles that of the Zink (q.v.). Also named Cornetin, Cornetto, or Cornettino. Konigsberg Cathedral, 8 ft. ; St. Ulrich, Magdeburg. Echo Cornet—A Mixture stop usually enclosed in a swell box. Generally what is known as a Dulciana Mixture. There is an excellent example of an Echo Cornet of VI ranks in the Celestial organ at Norwich Cathedral (Norman & Beard), furnishing an excellent example of what a Mixture can be made when due care and interest is expended thereon. Cornet-a-Pavillon— (Fr.) Pavilion = bell. 8 ft. See Clarinet. Cornettino—See Cornet, Zink. The name Cornettino has also been applied to a reedy-toned Fifteenth. Cornetto—See Cornet, Zink. Cornetto di Caccia— See Waldhorn. CORNO— (It.) Corno = Horn. The name is occasionally used for the Horn stop. Covno di Bassetto—See Clarinet, Basset Horn (Corno Basso). Corno Dolce— 8 ft. ; occasionally 16 ft. The Corno Dolce may be said to be a louder form of Flauto Dolce. It is constructed of Dolce-shaped pipes, wider at the top than at the bottom. Free Trade Hall, Manchester (Jardine) ; Rugby School Speech Room (Bryceson). The stop is made by Messrs. Andrews of Bradford. Sometimes, however, the Corno Dolce is shaped like the Flute Conique, and occasionally even resembles the Waldnote. Corno Flute-8 ft. (1) A reed stop, invented by Mr. William Hill. It possessed wooden tubes, and was of a quiet tone, resembling, somewhat, that of a modern Orchestral Oboe. An example still exists at St. Olave, Southwark. The stop being a reed, the selection of the name was scarcely happy. (2) A flue stop invented by Mr. Herbert Norman (Messrs. Norman & Beard). The tone, which resembles that of a Dolce or Flute d' Amour, is extremely
DICTIONARY OF ORGAN STOPS. 33 beautiful and mellow in quality. In the tenor it affords a good represent- ation of the Orchestral Horn. The languid is inverted, being flat at the top and bevelled away underneath (see Inverted Languid, Stops with). The upper lip is arched, left slightly rounded (i.e., not definitely flattened into a bay-leaf), and not bevelled. A specimen in the author's possession measures, at Mid. C, i-§- in., cut up £% in., on 4 in. wind. The Corno Flute is usually made of spotted metal. It forms an ideal Great organ accompanimental stop. All Saints, Notting Hill, W. CORNO INGLESE— (It.) = Cor Anglais. Cornopean—Corno = Horn. Pean, or Paean = Hymn of Praise. 8 ft. (1) A reed stop invented by Mr. William Hill. Of smaller scale and somewhat smoother tone than the Horn, it is softer and rounder than the Trumpet. The pipes are of inverted corneal shape, and the tongues thick. Like all chorus reeds the Cornopean is all the better for a fairly heavy wind pressure. This class of stop was practically perfected by Willis, whose work exhibits as great an improvement on that earlier in vogue, as did the latter on that of the old English builders. A harmonic treble is absolutely essential for the best results. A smooth-toned reed of this description is more effective in the Swell than a Trumpet. (2) Formerly in Germany the name Cornopean was sometimes given to a large-scaled flue stop of horn-like tone, a variety of Cor de Nuit. Corroborating Mixture—See Compensation Mixture. Coupler—(1) A mechanical device for uniting various departments or keys of the organ together. Couplers are comprised under the following headings : — (a) Uniting two departments—Swell to Great, Swell to Pedal, etc. (b) Octave and Sub- octave Couplers, depressing the notes at intervals of an octave respectively above or below the chord held. Thus, if the chord C E G be held on the Swell organ, and the Swell Octave Coupler be drawn, the said C E G will be duplicated an octave higher. This type of coupler may further be divided into two Classes :— (i) Those couplers acting on one manual only, or on the pedal, as described above, (ii) Those acting on separate manuals—Swell to Great Sub-octave, Swell to Great Octave. * The Octave Coupler is sometimes named Super-octave Coupler in contradistinction to the Sub-octave Coupler. Strictly speaking this is a •The above is the terminology usually employed. The author must, nevertheless, express his strong preference for the style : Swell Sub-octave to Great, Swell Octave to Great—as being more lucid.
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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Page 11 and 12: PREFACE. V frame a few constructive
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Page 85 and 86: DOUBLE - TONGUEO REED —Double-ton
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DICTIONARY OF ORGAN STOPS. 83 Germa
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DICTIONARY OF ORGAN STOPS. 85 H, Ha
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DICTIONARY OF ORGAN STOPS. 87 Harmo
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DICTIONARY OF OKQAN STOPS. -89 stan
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DICTIONARY OF ORGAN STOPS. 91 Hohlf
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HORN GAMBA—See Fugara. DICTIONARY
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DICTIONARY OF ORGAN STOPS. 95 pecul
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RRUMMHORN—See Clarinet. DICTIONAR
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DICTIONARY OF ORGAN STOPS. 99 Litic
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DICTIONARY OF ORGAN STOPS. 1 01 Hou
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DICTIONARY OF ORGAN STOPS. 103 test
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DICTIONARY OF ORGAN STOPS. 105 word
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DICTIONARY OF ORGAN STOPS. 10J ad a
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DICTIONARY OF ORGAN STOPS. 109 Anot
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Oboe. DICTIONARY OF ORGAN STOPS. Il
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DICTIONARY OF ORGAN STOPS. 113 Orch
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DICTIONARY OF ORGAN STOP? 115 OfTen
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DICTIONARY OF ORGAN STOPS. 117 reso
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DICTIONARY OF ORGAN STOPS. Prinzipa
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DICTIONARY OF ORGAN STOPS. 121 The
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DICTIONARY OF ORGAN STOPS. "5 R. Ra
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DICTIONARY OF ORGAN STOPS. 13I orga
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DICTIONARY OF ORGAN STOPS. 133 Rega
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DICTIONARY OF ORGAN STOPS. 1 35 Mes
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DICTIONARY OF ORGAN STOPS. '37 chim
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Salicional .(rollered), with double
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DICTIONARY OF ORGAN STOPS. 141 empl
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DICTIONARY OF ORGAN STOPS. 1 43 Sha
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DICTIONARY OF ORGAN STOPS. 145 8 ft
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Subbass—See Bourdon. DICTIONARY O
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DICTIONARY OF ORGAN STOPS. 149 prop
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DICTIONARY OF ORGAN STOPS. 151 and
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154 Metal Tibia Minor
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156 DICTIONARY OF ORGAN STOPS. U P
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i6o DICTIONARY OF ORGAN STOPS. Trom
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164 DICTIONARY OF ORGAN STOPS. util
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1 66 DICTIONARY OF ORGAN STOPS. 1 2
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1 68 DICTIONARY OF ORGAN STOPS. Tus
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170 DICTIONARY OF ORGAN STOPS. "Vio
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172 DICTIONARY OF ORGAN STOPS. due
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174 DICTIONARY OF ORGAN STOPS. Pari
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176 DICTIONARY OF ORGAN STOPS. them
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180 DICTIONARY OF ORGAN STOPS. rate
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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