A comprehensive dictionary of organ stops - Allen Organ Studio of ...

Recommendations

Info

28 DICTIONARY OF ORGAN STOPS. CONE GAMBA—Generally known in this country as Spitzfiote. The Cone Gamba is shaped like a Gemshorn, tapering as the pipe ascends. Though of larger scale it retains the characteristic sweet and bright quality of that stop. It is, in fact, midway in tone between a Diapason and a Gemshorn. Radcliffe, Manchester (formerly the Nave Organ, York Minster, by Hill). The stop known as Cone Diapason is practically a distinction without a difference. Its tone, if anything, inclines rather more to that of a reedy Diapason. Cone Gamba must not be confounded with Bell Gamba, or with the Hill Viola da Gamba (see Bell Gamba). Cone Gedackt—8 ft. tone. Invented by Mr. Hope-Jones. The only example of the Cone Gedackt occurs in the Choir organ at Worcester Cathedral. Tenor C, 3 in. ; Mid. C, i-rl in. ; Treble C, iyj- in. in diameter. The bass is of ordinary Gedeckt pipes with solid stoppers, but from fiddle G upwards a tube of inverted conical shape is fitted into the stopper. In this case the tube is tuned to resound to a note one octave higher than that of the pipe. The octave, a partial absent from stopped pipes (see note under Bourdon) is thus introduced, consequently the tone resembles to some extent that of an open Flute. Following in the wake of Professor Helmholtz. Mr. Lewis and Mr. Hope-Jones have obtained some very peculiar and not altogether displeasing effects from Gedeckts by the employment of chimneys of unusual lengths. It is obvious that various upper partials, harmonic and inharmonic, can thus be accentuated or introduced. The chimney may also be extended inside of the pipe—with mixed results. In some of Willis' Lieblich Gedeckts the stoppers at tenor C measure as much as 8 in. or 10 in. long. Coni—See Conus. Conoclyte— (Gr.) kHvoq = a cone; Aiu = I hear; k\vt6c = audible (?). At Beauvais Cathedral (1827-1829) were introduced the first examples of the modern type of organ free reed, viz., Conoclyte, Terpomele and Euphone. The two last are rendered expressive by a device for varying the wind pressure. The Conoclyte, which speaks on a fixed pressure, is composed of tin pipes of Gemshorn (tapering) shape. In tone it is a sort of combination of Bassoon and Clarinet. Contra— (Lat.) Contra = against. A prefix synonymous with double, indicating sub-octave pitch an octave below the unison. For Contra Bourdon, Fagotto, Gamba, Trombone, etc., see respective headings. Contra Bass—Kontra Bass. 16 ft. A stop imitative of the double bass of the orchestra. See Violon, Major Bass. — 8 ft. i.e.,
DICTIONARY OF ORGAN STOPS. 2 9 Contras Profundas—The name applied to the 32 ft. pedal stop at Seville Cathedral (Aquilino Ame"zua, 1903). Con us—Coni. (Lat.) Conus = cone. So named from the shape of the pipe. A Spitzflote. Coppel—Copula, Coupling Flute, Koppel. 16 ft. ; 8 ft. ; 4 ft. A term applied to the Gedackt on account of its supposed use to bind together or mollify stops of extreme tone. The idea still survives in the traditional use of the Gedackt with the Clarinet. The probability is that the early Clarinets were so thin and rough that they scarcely admitted of independent solo usage. The Coppel was also employed in the case of slow-speaking stops—such as Gambas (see German Gamba, Helper), Sometimes the Coppel was composed of open pipes. The name was also occasionally applied to the Gemshorn (why, is a mystery), and to mutation ranks either separately or collectively as a III rank Mixture (e.g., St, Dominico, Prague). Minorite Church and St. Stephen, Vienna (latter by Walcker, 1886); Monastic Church, Weingarten (Gabler, 1750). Coppeldone—4 ft. Perhaps a variation of Coppeltone = coupling tone. Octave. St. Johannis, Liineburg. Coppendoff— 2 ft. ; 2f ft. Konigsberg. Perhaps Coppell Doff. Copula—See Coppel. COR— (Fr.) = Horn. Cor Anglais — Corno Inglese, English Horn. (Fr.) = English Horn. 16 ft. ; 8 ft. ; rarely 4 ft. Formerly a large-scaled free reed, now a small-scaled reed, imitative of the orchestral instrument. The stop was specia- lized in France as a free reed, and at one time it was cus- tomary to import Cor Anglais stops of French manufacture and voicing into England (e.g., St. Peter, Manchester). As recent examples of such imported stops may be cited those in the organs at Castle House, Calne; Derby Road Chapel, Nottingham (both by Conacher). There is also a very fine 16 ft. specimen at Oulton Rocks, Stone (Binns), and another (tongues from Cavaille"-Coll) at Trinity College, Cambridge (Hill). Cavaille'-Coll, however, abandoned the use of free reeds circa i860. Equally satisfactory tone can be obtained from skilfully voiced beating reeds; and these, moreover, have the advantage of being free from that very unfortunate An
Page 1 and 2: DICTIONARY OF ORGAN STOPS JJ.WEDGWO
Page 3: Cornell University Library The orig
Page 7 and 8: THIRD EDITION. TO T. TERTIUS NOBLE,
Page 9 and 10: A WORK FOREWORD. of this kind will
Page 11 and 12: PREFACE. V frame a few constructive
Page 13 and 14: PREFACE. Vll from the facts that a
Page 15 and 16: PREFACE TO THE SECOND EDITION. THE
Page 17: PREFACE TO THE SECOND EDITION. XI c
Page 20 and 21: XIV BIBLIOGRAPHY. 1833 he went to P
Page 22 and 23: XVI TABLE OF HARMONIC SERIES. TABLE
Page 25 and 26: DICTIONARY OF ORGAN STOPS. A. Acous
Page 27 and 28: DICTIONARY OF ORGAN STOPS. 3 artist
Page 29 and 30: DICTIONARY OF ORGAN STOPS. 5 are st
Page 31 and 32: DICTIONARY OF ORGAN STOPS. J BARYTO
Page 33 and 34: DICTIONARY OF ORGAN STOPS. Beard—
Page 35 and 36: DICTIONARY OF ORGAN STOPS. B©11—
Page 37 and 38: DICTIONARY OF ORGAN STOPS. 13 the e
Page 39 and 40: DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
Page 41 and 42: DICTIONARY OF ORGAN STOPS. 1 would
Page 43 and 44: DICTIONARY OF ORGAN STOPS. 1 IV ran
Page 45 and 46: DICTIONARY OF ORGAN STOPS. 21 is ra
Page 47 and 48: DICTIONARY OF ORGAN STOPS. 23 Clari
Page 49 and 50: DICTIONARY OF ORGAN STOPS. 25 are n
Page 51: DICTIONARY OF ORGAN STOPS. 27 CLEAR
Page 55 and 56: DICTIONARY OF ORGAN STOPS. 3 (2) In
Page 57 and 58: DICTIONARY OF ORGAN STOPS. 33 beaut
Page 59 and 60: DICTIONARY OF ORGAN STOPS. Courtel
Page 61 and 62: DICTIONARY OF ORGAN STOPS. 37 judgm
Page 63 and 64: DICTIONARY OF ORGAN STOPS. 39 (3) I
Page 65 and 66: DICTIONARY OF ORGAN STOPS. 41 seeme
Page 67 and 68: DICTIONARY OF ORGAN STOPS. 43 mouth
Page 69 and 70: DICTIONARY OF ORGAN STOPS. 45 domai
Page 71 and 72: DICTIONARY OF ORGAN STOPS. 47 legit
Page 73 and 74: DICTIONARY OF ORGAN STOPS. 49 Dia.p
Page 75 and 76: above stops are all of the bivalvul
Page 77 and 78: DICTIONARY OF ORGAN STOPS. S3 is no
Page 79 and 80: DICTIONARY OF ORGAN STOPS. 55 ^SSSN
Page 81 and 82: DICTIONARY OF ORGAN STOPS. 57 made
Page 83 and 84: DICTIONARY OF ORGAN STOPS. 59 was n
Page 85 and 86: DOUBLE - TONGUEO REED —Double-ton
Page 87 and 88: DICTIONARY OF ORGAN STOPS. 63 Dulci
Page 89 and 90: DICTIONARY OF ORGAN STOPS. 65 Echo
Page 91 and 92: DICTIONARY OF ORGAN STOPa. 67 Examp
Page 93 and 94: DICTIONARY OF ORGAN STOPS. 69 Flaut
Page 95 and 96: DICTIONARY OF ORGAN STOPS. T Flauto
Page 97 and 98: DICTIONARY OF ORGAN STOPS. 73 Flote
Page 99 and 100: DICTIONARY OF ORGAN STOPS. 75 lips
Page 101 and 102: DICTIONARY OF ORGAN STOPS. 77 to am
Page 103 and 104:
DICTIONARY OF ORGAN STOPS. 7
Page 105 and 106:
DICTIONARY OF ORGAN STOPS. 8r high.
Page 107 and 108:
DICTIONARY OF ORGAN STOPS. 83 Germa
Page 109 and 110:
DICTIONARY OF ORGAN STOPS. 85 H, Ha
Page 111 and 112:
DICTIONARY OF ORGAN STOPS. 87 Harmo
Page 113 and 114:
DICTIONARY OF OKQAN STOPS. -89 stan
Page 115 and 116:
DICTIONARY OF ORGAN STOPS. 91 Hohlf
Page 117 and 118:
HORN GAMBA—See Fugara. DICTIONARY
Page 119 and 120:
DICTIONARY OF ORGAN STOPS. 95 pecul
Page 121 and 122:
RRUMMHORN—See Clarinet. DICTIONAR
Page 123 and 124:
DICTIONARY OF ORGAN STOPS. 99 Litic
Page 125 and 126:
DICTIONARY OF ORGAN STOPS. 1 01 Hou
Page 127 and 128:
DICTIONARY OF ORGAN STOPS. 103 test
Page 129 and 130:
DICTIONARY OF ORGAN STOPS. 105 word
Page 131 and 132:
DICTIONARY OF ORGAN STOPS. 10J ad a
Page 133 and 134:
DICTIONARY OF ORGAN STOPS. 109 Anot
Page 135 and 136:
Oboe. DICTIONARY OF ORGAN STOPS. Il
Page 137 and 138:
DICTIONARY OF ORGAN STOPS. 113 Orch
Page 139 and 140:
DICTIONARY OF ORGAN STOP? 115 OfTen
Page 141 and 142:
DICTIONARY OF ORGAN STOPS. 117 reso
Page 143 and 144:
DICTIONARY OF ORGAN STOPS. Prinzipa
Page 145 and 146:
DICTIONARY OF ORGAN STOPS. 121 The
Page 147 and 148:
DICTIONARY OF ORGAN STOPS. 123 its
Page 149 and 150:
DICTIONARY OF ORGAN STOPS. "5 R. Ra
Page 151 and 152:
DICTIONARY OF ORGAN STOPS. 127 much
Page 153 and 154:
DICTIONARY OF ORGAN STOPS. 129 or a
Page 155 and 156:
DICTIONARY OF ORGAN STOPS. 13I orga
Page 157 and 158:
DICTIONARY OF ORGAN STOPS. 133 Rega
Page 159 and 160:
DICTIONARY OF ORGAN STOPS. 1 35 Mes
Page 161 and 162:
DICTIONARY OF ORGAN STOPS. '37 chim
Page 163 and 164:
Salicional .(rollered), with double
Page 165 and 166:
DICTIONARY OF ORGAN STOPS. 141 empl
Page 167 and 168:
DICTIONARY OF ORGAN STOPS. 1 43 Sha
Page 169 and 170:
DICTIONARY OF ORGAN STOPS. 145 8 ft
Page 171 and 172:
Subbass—See Bourdon. DICTIONARY O
Page 173 and 174:
DICTIONARY OF ORGAN STOPS. 149 prop
Page 175:
DICTIONARY OF ORGAN STOPS. 151 and
Page 178 and 179:
154 Metal Tibia Minor
Page 180 and 181:
156 DICTIONARY OF ORGAN STOPS. U P
Page 182 and 183:
158 DICTIONARY OF ORGAN STOPS. of a
Page 184 and 185:
i6o DICTIONARY OF ORGAN STOPS. Trom
Page 186 and 187:
1 62 DICTIONARY OF ORGAN STOPS. Tro
Page 188 and 189:
164 DICTIONARY OF ORGAN STOPS. util
Page 190 and 191:
1 66 DICTIONARY OF ORGAN STOPS. 1 2
Page 192 and 193:
1 68 DICTIONARY OF ORGAN STOPS. Tus
Page 194 and 195:
170 DICTIONARY OF ORGAN STOPS. "Vio
Page 196 and 197:
172 DICTIONARY OF ORGAN STOPS. due
Page 198 and 199:
174 DICTIONARY OF ORGAN STOPS. Pari
Page 200 and 201:
176 DICTIONARY OF ORGAN STOPS. them
Page 202 and 203:
i 7 8 DICTIONARY OF ORGAN STOPS. me
Page 204 and 205:
180 DICTIONARY OF ORGAN STOPS. rate
Page 206 and 207:
182 DICTIONARY OF ORGAN STOPS. Vox
Page 208 and 209:
1 84 DICTIONARY OF ORGAN STOPS. it
Page 210 and 211:
1 86 DICTIONARY OF ORGAN STOPS. z\
Page 212 and 213:
i88 PHONETIC PRONOUNCING VOCABULARY
Page 214 and 215:
190 LIST OF SUBSCRIBERS. LIST OF SU
Page 216 and 217:
192 LIST OF SUBSCRIBERS. Gordon & G
Page 218 and 219:
194 LIST OF SUBSCRIBERS. Rollo, D.,
Page 220 and 221:
THE SHEFFIELD DAILY TELEGRAPH. " Mr
Page 222 and 223:
Works by the same Author. A HISTORY
Page 224 and 225:
MUSICAL WORKS COMPOSED OR EDITED BY
Page 226 and 227:
— MUSICAL WORKS BY FRANCIS BURGES
Page 228 and 229:
The "JOHN HOLT" "PIONEER" PEDAL REE
Page 230 and 231:
— — " Artis est Celare Artem" A
Page 232 and 233:
ESTABLISHED 1869. TELEPHONE 673. Ab
Page 234 and 235:
J. J. BINNS, BRAMLEY ORGAN WORKS, l
Page 236 and 237:
ROBERT SPURDEN #rgan BSutltrer, RUT
Page 238 and 239:
ESTABLISHED 1886. TUNINGS, &c, by Y
Page 240 and 241:
Ssta.1blish.ecl 1888. High Class Ch
Page 248:
, • «?;:: :
show all

A comprehensive dictionary of organ stops - Allen Organ Studio of ...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?