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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. 27<br />

CLEAR FLUTE—4 ft.<br />

Invented by Messrs. Kirtland & Jardine, <strong>of</strong> Manchester. The pipes,<br />

which are <strong>of</strong> wood and nearly square in shape, are open and voiced with<br />

an inverted mouth on the narrow side. Sometimes they are not nicked<br />

at all. The block is <strong>of</strong> the German pattern i.e., as in the Gedeckt<br />

wedge-shaped, owing to which device the wind is supposed to undergo<br />

compression as it reaches the mouth. The stop is copiously winded ; the<br />

tone is clear, dour and hooting, <strong>of</strong> a type which scarcely blends well, and<br />

which does not generally appeal to the listener as particularly musical.<br />

Beeston Parish Church, Notts. ; St. Peter, Manchester. Scale : CC 4 ft.,<br />

3! in. x 24 in.<br />

Clochettes—(Fr.) = Bells. See Carillons.<br />

Communicanten-Glocke—A bell employed as a signal to intending<br />

communicants to approach the altar, just as the Sacring bell is<br />

now so employed. At Walschleben, near Erfurt, it was sounded<br />

in the <strong>organ</strong>.<br />

Compensation Mixture — Compensating Mixture, Corroborating<br />

Mixture.<br />

(1) Invented by Herr Musik-direktor Wilke <strong>of</strong> Neu Ruppin, and first<br />

introduced at St. Catherine, Salzwedel, by T. Turley, in 1838, as a<br />

repeating pedal Mixture <strong>of</strong> V ranks (3^ ft. ; 2§- ft. ; 2 ft; i£ ft.; and 1 ft,).<br />

The stop was intended to lend a decisive intonation to pedal notes in<br />

rapid passages. Of recent years the difficulty <strong>of</strong> securing promptitude ot<br />

speech in pedal pipes has been solved by the use <strong>of</strong> beards for flue<br />

pipes and <strong>of</strong> pneumatic starters for large reed pipes. (2) A s<strong>of</strong>t Mixture<br />

intended to represent the natural harmonics in which the <strong>organ</strong>, in<br />

comparison to orchestral instruments, is deficient. This type <strong>of</strong> Mixture<br />

is sometimes named Corroborating Mixture. A Compensating Mixture <strong>of</strong><br />

VI ranks occurs on the Pedal <strong>organ</strong>, and a Corroborating Mixture <strong>of</strong> V<br />

ranks (string-toned) on the second subdivision <strong>of</strong> the Swell <strong>organ</strong> in the<br />

<strong>organ</strong> designed by Dr. Audsley for the St. Louis Exposition <strong>of</strong> 1904 (Art<br />

<strong>Organ</strong> Co., Los Angelos).<br />

Concert Flute—Orchestral Flute.<br />

sometimes 8 ft.<br />

(Ger.) Konzerflote. 4 ft.<br />

Generally on the Solo <strong>organ</strong>. An instance occurs on the Great at St.<br />

—<br />

— ;<br />

Margaret, Westminster (Walker). Though originally identical with the<br />

German Vienna Flute, there is now no special signification attached to the<br />

name. It might be (1) Flauto Traverso {q.v.); (2) Harmonic Flute<br />

(powerful) ; (3) Large open wood stop <strong>of</strong> the Tibia Major type ; (4) A<br />

clear-toned Flute <strong>of</strong> the Waldflote type.<br />

CONE DIAPASON—See Cone Gamba.

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