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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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24 DICTIONARY OF ORGAN STOPS.<br />

Free-reed Clarinet (Stahlhuth).<br />

with conical bodies at Aix-la-<br />

Chapelle Kurhaus (Stahlhuth).<br />

It was a good representation <strong>of</strong><br />

the orchestral instrument—not<br />

necessarily therefore all that<br />

could be desired in an <strong>organ</strong><br />

stop, for the latter is more<br />

consistent and regular in tone<br />

throughout the compass than<br />

the former. The author has<br />

in his possession a replica <strong>of</strong><br />

one <strong>of</strong> these pipes kindly made<br />

for him by Herr Stahlhuth.<br />

The Clarinet is a stop <strong>of</strong><br />

"short length." By means <strong>of</strong><br />

a long tongue it is caused to<br />

speak at unison pitch, though<br />

the length <strong>of</strong> the pipe is only<br />

a little more than that <strong>of</strong> those<br />

<strong>of</strong> a 4 ft. stop. (See remarks<br />

under Reed). Its peculiar<br />

hollow tone is due to the<br />

fact that reed tubes <strong>of</strong> cylin-<br />

drical form have the property<br />

<strong>of</strong> strongly reinforcing the<br />

odd-numbered partials, those<br />

yielded by a stopped pipe<br />

As a matter <strong>of</strong> fact the evennumbered<br />

partials are not<br />

usually entirely eliminated<br />

from a Clarinet, especially<br />

from the lower notes. In the<br />

case <strong>of</strong> the Vox Humana the<br />

pipes, though generally cylin-<br />

drical, are not ordinarily <strong>of</strong><br />

sufficient length to exert much<br />

influence on the tone, to which<br />

fact, and to the subdued char-<br />

acter <strong>of</strong> the said tone, is at-<br />

tributable the incompatibility<br />

<strong>of</strong> this stop to the rule above<br />

enunciated. Similarly the short<br />

pipes <strong>of</strong> the Physharmonika

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