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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. 1<br />

IV ranks, Sydney Town Hall (Hill); Manchester Town Hall (Cavaille"-<br />

Coll). The pipes are <strong>of</strong> course very high pitched. At Manchester Town<br />

Hall the stop is always used with the Cor de Nuit. It is composed <strong>of</strong> one<br />

rank (Twelfth) to tenor F sharp, above that <strong>of</strong> three ranks 12, 17, 22.<br />

From the said note it actually runs up to top C 4 (in altissimo) without a<br />

break. The pipes, with the exception <strong>of</strong> the top few, are all slotted for<br />

tuning purposes. The top pipe measures ^ in. long.<br />

It is questionable whether pipes <strong>of</strong> such microscopical dimensions are<br />

audible to the average human ear. Some persons <strong>of</strong> abnormal hearing,<br />

unable, however, to distinguish low bass notes, can detect the cries <strong>of</strong><br />

insects too shrill for the average person to notice, whilst others, perceiving<br />

low notes more easily, are frequently found to be positively unable to<br />

distinguish the top notes <strong>of</strong> a Fifteenth. At the same time these shrill<br />

pipes produce resultant tones <strong>of</strong> some power. The effect <strong>of</strong> the Glocken-<br />

spiel at Westminster Abbey, and Carillon at Manchester, seemed to the<br />

author excellent. Stops <strong>of</strong> this class, whilst useful as ordinary Mixtures,<br />

are particularly effective for use in such recital pieces as "Carillons de<br />

Dunkerque " (Carter), " Rondo di Campanelli " (Morandi), " Air composed<br />

for Holsworthy Church Bells " (Wesley). The difficulty, however, lies in<br />

their tuning, and the author has heard such excellent effects produced<br />

from a Quintaton, or Cor de Nuit, <strong>of</strong> modern voicing—a stop vastly more<br />

useful, and free from the disadvantages attendant on such small pipes—that<br />

the use for the Carillon <strong>of</strong> Mixture pipes would seem to him unnecessary.<br />

The late Mr. W. T. Best obtained peculiar effects <strong>of</strong> this type by the<br />

use <strong>of</strong> mutation work, and <strong>of</strong> such combinations as Double, Fifteenth and<br />

Vox Humana. The best recipe for the production <strong>of</strong> bell effects from<br />

<strong>organ</strong> <strong>stops</strong>, with which the author is acquainted, is that <strong>of</strong> Mr. T. Tertius<br />

Noble, the able <strong>organ</strong>ist <strong>of</strong> York Minster. It consists <strong>of</strong> Great <strong>organ</strong><br />

Waldfiote, or Gedackt 8 ft., or both, to which is coupled Solo <strong>organ</strong><br />

Harmonic Flute, 8 ft. (box closed) and Tremulant. Sometimes the Vox<br />

Humana, the String Gamba (box closed), or even the Cdleste is added as a<br />

slight colouring. The essence <strong>of</strong> the effect lies in the two Flute tones in<br />

which, by the action <strong>of</strong> the Tremulant, is induced a slight disparity <strong>of</strong> pitch.<br />

The discordant beating <strong>of</strong> the bell is thus simulated, the more faithfully<br />

if the Solo swell pedal be sparingly requisitioned for sforzando effects.<br />

Other examples <strong>of</strong> Glockenspiel occur at St. Michael, St. Catherine,<br />

St. Jacobi, St. Nicholas, Hamburg. According to Hamel, at St. Michael,<br />

Ohrdruff, it is <strong>of</strong> steel bars, and <strong>of</strong> complete manual compass.<br />

Cedirne—4 ft-<br />

A stop <strong>of</strong> metal, probably string-toned (Cithern), used by Renatus<br />

Harris at Magdalen College, Oxford, (1690).<br />

Celeste—See Voix Celeste.<br />

9

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