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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. J<br />

BARYTON — (Sp.) Varitono. (Gr.) fiapiig = heavy. tovoq = tone.<br />

16 ft. j 8 ft.<br />

A reed stop <strong>of</strong> metallic tone, somewhat akin to the Cor Anglais. Very<br />

rare. Albert Hall, London (Willis, 1871; ; Seville Cathedral (reconstructed<br />

with electric action by Aquilino Amezua, 1903). The instrument <strong>of</strong> the<br />

name (obsolete) possessed six or seven catgut strings played with a bow.<br />

Under the fingerboard were metal strings, varying in number from nine to<br />

twenty-four, pinched with the thumb <strong>of</strong> the left hand, and serving as<br />

sympathetic resonators. It was known also as Viola di Bardone or<br />

Bordone (cf. Bourdon). Leopold Mozart, in his " Violin School," contends<br />

that the tone <strong>of</strong> the sympathetic strings was suggestive <strong>of</strong> the hum <strong>of</strong> bees.<br />

(See Grove's " Dictionary <strong>of</strong> Music and Musicians ").<br />

Bass Flute— 8 ft.<br />

The name is altogether illogical since (1) the orchestral Flute extends<br />

to fiddle G only, (2) the Pedal <strong>organ</strong> Flute forming a bass to the manual<br />

is <strong>of</strong> 16 ft. pitch. Flute 8 ft.— plain and simple—would be free from<br />

objection. The pipes <strong>of</strong> this stop are sometimes open, and, when indeed<br />

such pipes can be afforded, preferably so. But generally the pedal Flute<br />

is economically derived by extension and transmission from the Sub-bass<br />

16 ft. Pedal <strong>organ</strong> octave <strong>stops</strong> serve to impart definition and firmness to<br />

the 16 ft. tone. They would, nevertheless, seem quite unnecessary in very<br />

small <strong>organ</strong>s, the amount <strong>of</strong> money they cost, even though small, being<br />

open to more effective use in other directions.<br />

Bass Horn—8 ft.<br />

A Pedal <strong>organ</strong> reed, now obsolete. It was similar in construction and<br />

tone to the manual Horn. The orchestral instrument was <strong>of</strong> the Bugle<br />

family.<br />

Bassanelli — Werkmeister states that these were reeds. They were<br />

obsolete even in his time.<br />

Basset Horn—Corno Basso. (Low Lat.) Bassus = low. 8 ft.<br />

A stop unknown in this country and but rarely found abroad. It is a<br />

free reed stop with short wide tongues, and the tone is generally sweet<br />

and s<strong>of</strong>t. The Basset Horn is either entirely unprovided with tubes, or<br />

possessed <strong>of</strong> tubes <strong>of</strong> inverted conical shape, increasing rapidly in diameter.<br />

Riga Cathedral (Walcker, 1883); Ulm Miinster (Walcker, 1856). At<br />

Ulm the stop possesses no tubes. The orchestral instrument is a tenor<br />

Clarinet. The Corno di Bassetto, as an <strong>organ</strong> stop, is a full-toned<br />

Clarinet (q.v.).<br />

Basso Pr<strong>of</strong>undo— (Lat.) Pr<strong>of</strong>undus = deep. 16 ft.<br />

A deep-toned pedal stop equivalent to Major Bass. Milan Cathe-<br />

dral, 24 ft.

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