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DICTIONARY OF ORGAN STOPS. B. Bajete—(Sp.) = Bassette. A 4 ft. pedal flue stop (at Seville Cathedral). Bajo—(Sp.) = Bass. BAJONGILLO (Baxoncillo) — (Sp.) = Bassoon. 16 ft. ; 8 ft.; rarely 4 ft. "The stop is known to be equivalent to Open Diapason '' (Hamilton's "Catechism of the Organ"). However this may have been, the Spanish equivalent of Diapason, at the present day, is Flautado Principal, and Bajoncillo, or Baxoncillo, is restricted to Bassoon. Seville Cathedral. (Aquilino Am6zua, 1903). BAR—See Beard. Barduen—A corruption of Bourdon. Barem— 16 ft.; 8 ft. A quiet-toned Gedackt (= Musicirgedackt). Some- times equivalent to Barpfeife. Stadtorgel, Jena, 8 ft. ; Hoforgel, Eisenbach, 16 ft. Barpfeife— (Dutch) Baar-pyp. (Ger.) Bar = bear. Pfeife = pipe. 16 ft. ; 8 ft. A reed stop of smothered growling tone, introduced into the organ in the XVIth Century, in imitation of the growl of the bear. The pipes were made in various forms, but always with the object of smothering the tone. The pattern which seems to have been most used is shown in the figure. Sometimes, however, it was further surmounted by other cylindrical and conical tubes. It was also occasionally made as a cylindrical covered pipe with a small chimney rising from the lid. Commenting on the lack of appropriateness of some of the ancient registers, Schlimbach remarks that perhaps the growling of the bear was as pro- pitious to the Deity as the Vox Angelica. Werkmeister Barpfeife. records that the Barpfeife was sometimes dubbed Vox Humana— truly a questionable enough compliment to the human voice. Hamburg— St. Nicholas, St. Jacobi, St. Catherine, St. Peter, St. Thomas and Cathedral; Lubeck—Marienkirche (former organ, 1513) and St. Peter ; Luneberg— St. Johannis and St. Lambert. BARYPHON—(Gr.) fiapve = heavy. ^wW; = voice. 16 ft. A free reed stop with Trumpet bodies, used occasionally in Swiss organs and frequently in Orchestrions (e.g., by Welte, of Freiburg, in Saxony).
DICTIONARY OF ORGAN STOPS. J BARYTON — (Sp.) Varitono. (Gr.) fiapiig = heavy. tovoq = tone. 16 ft. j 8 ft. A reed stop of metallic tone, somewhat akin to the Cor Anglais. Very rare. Albert Hall, London (Willis, 1871; ; Seville Cathedral (reconstructed with electric action by Aquilino Amezua, 1903). The instrument of the name (obsolete) possessed six or seven catgut strings played with a bow. Under the fingerboard were metal strings, varying in number from nine to twenty-four, pinched with the thumb of the left hand, and serving as sympathetic resonators. It was known also as Viola di Bardone or Bordone (cf. Bourdon). Leopold Mozart, in his " Violin School," contends that the tone of the sympathetic strings was suggestive of the hum of bees. (See Grove's " Dictionary of Music and Musicians "). Bass Flute— 8 ft. The name is altogether illogical since (1) the orchestral Flute extends to fiddle G only, (2) the Pedal organ Flute forming a bass to the manual is of 16 ft. pitch. Flute 8 ft.— plain and simple—would be free from objection. The pipes of this stop are sometimes open, and, when indeed such pipes can be afforded, preferably so. But generally the pedal Flute is economically derived by extension and transmission from the Sub-bass 16 ft. Pedal organ octave stops serve to impart definition and firmness to the 16 ft. tone. They would, nevertheless, seem quite unnecessary in very small organs, the amount of money they cost, even though small, being open to more effective use in other directions. Bass Horn—8 ft. A Pedal organ reed, now obsolete. It was similar in construction and tone to the manual Horn. The orchestral instrument was of the Bugle family. Bassanelli — Werkmeister states that these were reeds. They were obsolete even in his time. Basset Horn—Corno Basso. (Low Lat.) Bassus = low. 8 ft. A stop unknown in this country and but rarely found abroad. It is a free reed stop with short wide tongues, and the tone is generally sweet and soft. The Basset Horn is either entirely unprovided with tubes, or possessed of tubes of inverted conical shape, increasing rapidly in diameter. Riga Cathedral (Walcker, 1883); Ulm Miinster (Walcker, 1856). At Ulm the stop possesses no tubes. The orchestral instrument is a tenor Clarinet. The Corno di Bassetto, as an organ stop, is a full-toned Clarinet (q.v.). Basso Profundo— (Lat.) Profundus = deep. 16 ft. A deep-toned pedal stop equivalent to Major Bass. Milan Cathe- dral, 24 ft.
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DICTIONARY OF ORGAN STOPS. 57 made
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DICTIONARY OF ORGAN STOPS. 59 was n
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DOUBLE - TONGUEO REED —Double-ton
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DICTIONARY OF ORGAN STOPS. 63 Dulci
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DICTIONARY OF ORGAN STOPS. 65 Echo
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DICTIONARY OF ORGAN STOPa. 67 Examp
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DICTIONARY OF ORGAN STOPS. 69 Flaut
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DICTIONARY OF ORGAN STOPS. T Flauto
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DICTIONARY OF ORGAN STOPS. 73 Flote
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DICTIONARY OF ORGAN STOPS. 75 lips
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DICTIONARY OF ORGAN STOPS. 77 to am
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DICTIONARY OF ORGAN STOPS. 7
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DICTIONARY OF ORGAN STOPS. 8r high.
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DICTIONARY OF ORGAN STOPS. 83 Germa
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DICTIONARY OF ORGAN STOPS. 85 H, Ha
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DICTIONARY OF ORGAN STOPS. 87 Harmo
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DICTIONARY OF OKQAN STOPS. -89 stan
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DICTIONARY OF ORGAN STOPS. 91 Hohlf
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HORN GAMBA—See Fugara. DICTIONARY
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DICTIONARY OF ORGAN STOPS. 95 pecul
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RRUMMHORN—See Clarinet. DICTIONAR
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DICTIONARY OF ORGAN STOPS. 99 Litic
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DICTIONARY OF ORGAN STOPS. 1 01 Hou
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DICTIONARY OF ORGAN STOPS. 103 test
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DICTIONARY OF ORGAN STOPS. 105 word
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DICTIONARY OF ORGAN STOPS. 10J ad a
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DICTIONARY OF ORGAN STOPS. 109 Anot
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Oboe. DICTIONARY OF ORGAN STOPS. Il
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DICTIONARY OF ORGAN STOPS. 113 Orch
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DICTIONARY OF ORGAN STOP? 115 OfTen
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DICTIONARY OF ORGAN STOPS. 117 reso
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DICTIONARY OF ORGAN STOPS. Prinzipa
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DICTIONARY OF ORGAN STOPS. 121 The
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DICTIONARY OF ORGAN STOPS. 123 its
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DICTIONARY OF ORGAN STOPS. "5 R. Ra
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DICTIONARY OF ORGAN STOPS. 127 much
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DICTIONARY OF ORGAN STOPS. 129 or a
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DICTIONARY OF ORGAN STOPS. 13I orga
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DICTIONARY OF ORGAN STOPS. 133 Rega
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DICTIONARY OF ORGAN STOPS. 1 35 Mes
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DICTIONARY OF ORGAN STOPS. '37 chim
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Salicional .(rollered), with double
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DICTIONARY OF ORGAN STOPS. 141 empl
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DICTIONARY OF ORGAN STOPS. 1 43 Sha
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DICTIONARY OF ORGAN STOPS. 145 8 ft
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Subbass—See Bourdon. DICTIONARY O
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DICTIONARY OF ORGAN STOPS. 149 prop
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DICTIONARY OF ORGAN STOPS. 151 and
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154 Metal Tibia Minor
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156 DICTIONARY OF ORGAN STOPS. U P
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158 DICTIONARY OF ORGAN STOPS. of a
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i6o DICTIONARY OF ORGAN STOPS. Trom
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1 62 DICTIONARY OF ORGAN STOPS. Tro
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164 DICTIONARY OF ORGAN STOPS. util
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1 66 DICTIONARY OF ORGAN STOPS. 1 2
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1 68 DICTIONARY OF ORGAN STOPS. Tus
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170 DICTIONARY OF ORGAN STOPS. "Vio
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172 DICTIONARY OF ORGAN STOPS. due
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174 DICTIONARY OF ORGAN STOPS. Pari
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176 DICTIONARY OF ORGAN STOPS. them
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180 DICTIONARY OF ORGAN STOPS. rate
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182 DICTIONARY OF ORGAN STOPS. Vox
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1 84 DICTIONARY OF ORGAN STOPS. it
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1 86 DICTIONARY OF ORGAN STOPS. z\
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i88 PHONETIC PRONOUNCING VOCABULARY
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190 LIST OF SUBSCRIBERS. LIST OF SU
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192 LIST OF SUBSCRIBERS. Gordon & G
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194 LIST OF SUBSCRIBERS. Rollo, D.,
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THE SHEFFIELD DAILY TELEGRAPH. " Mr
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Works by the same Author. A HISTORY
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MUSICAL WORKS COMPOSED OR EDITED BY
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— MUSICAL WORKS BY FRANCIS BURGES
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The "JOHN HOLT" "PIONEER" PEDAL REE
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— — " Artis est Celare Artem" A
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ESTABLISHED 1869. TELEPHONE 673. Ab
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J. J. BINNS, BRAMLEY ORGAN WORKS, l
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ROBERT SPURDEN #rgan BSutltrer, RUT
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ESTABLISHED 1886. TUNINGS, &c, by Y
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Ssta.1blish.ecl 1888. High Class Ch
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