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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. S3<br />

by a stopped bass from mid. C, but as now made, practically only the lowest<br />

nine pipes are stopped. The Waldflote is constructed with an inverted<br />

mouth on the narrow side <strong>of</strong> the pipe. The tone <strong>of</strong> the Waldflote is fairly<br />

powerful, and is distinguished by a very sweet and cloying horny timbre.<br />

In its fullness <strong>of</strong> tone it resembles the Clarabella, in the slightly hard<br />

quality the English Hohlflute. The horny quality is probably due to the<br />

development <strong>of</strong> certain <strong>of</strong> the higher harmonics,<br />

notably the flat twenty-first. The stop is <strong>of</strong> ex- (O<br />

quisite quality, and is most useful, alike solo and in<br />

combination. In the tenor octave, particularly when<br />

combined with the Swell Oboe or Viol (box closed),<br />

chords on the Waldflote furnish an excellent repre-<br />

sentation <strong>of</strong> orchestral Horns. The Waldflote is also<br />

largely used by Messrs. Norman & Beard. It is open<br />

to discussion whether the Waldflote 8 ft. is the most<br />

suitable stop for use as the Great <strong>organ</strong> Flute, especi-<br />

ally in churches <strong>of</strong> but modest dimensions. It is an<br />

indisputable fact that the peculiar timbre <strong>of</strong> <strong>stops</strong><br />

with inverted mouth is apt rapidly to pall and become<br />

wearisome to the ear. The sweet " sugary "<br />

character <strong>of</strong> the Waldflote, whilst doubly enhancing<br />

the value <strong>of</strong> the stop for occasional combinational<br />

use and for solo purposes, would seem to render<br />

it rather inappropriate for the position <strong>of</strong> a stop so<br />

constantly in use as a Great <strong>organ</strong> unison Flute.<br />

On any other manual, or in octave pitch, this<br />

objection would not hold valid, but for the said<br />

position a stop <strong>of</strong> the Tibia class would certainly<br />

appear to be more suitably adapted, and might<br />

therefore pr<strong>of</strong>itably be substituted.<br />

The Waldflote is frequently employed by<br />

English builders as a 4<br />

ft. Choir stop. Some firms<br />

also use it in place <strong>of</strong> the more usual Harmonic<br />

Flute 4 ft. on the Great <strong>organ</strong>, holding its blending<br />

power to be superior. This is purely a matter <strong>of</strong><br />

taste, and, apart from this question, there is little<br />

to choose between the two <strong>stops</strong>. As used by<br />

Mr. Compton, the Waldflote has a sloping block<br />

and cap <strong>of</strong> peculiar shape. His pipes are also<br />

more sparsely nicked than is ordinarily the case,<br />

and the upper lip presents the unusual feature <strong>of</strong><br />

being rounded and polished. On the Continent<br />

the Waldflote lacks the horny character <strong>of</strong> tone<br />

;<br />

Section <strong>of</strong> Waldflote<br />

(Compton).

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