A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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170 DICTIONARY OF ORGAN STOPS. "Viol— (Fr. and Ger.) Viole; (Low Lat.) Vitula, Vidula; (Provencal) Viula; (It.) Vioia; from the same source as (Old High German) Fidula ; (Ger.) Fiedel ; (Dutch) Vedele = (Eng.) Fiddle. Vitula is by some derived from (Lat.) Vitulari = to leap like a calf, whence, per synecdoch., to be merry, cf. the expression "the merry fiddler." A generic name for Gambas of very small scale and keen tone. See Gamba, Viole d' Orchestre, Viole Sourdine. Viola—For description see Viola da Gamba. For Viola and Contra Viola, see Gamba. Viola da Gamba-For derivation of Viola, see Viol. 8 ft. (Low Lat. and It.) Gamba = a leg, cf. gambado, a case of leather formerly employed to guard the leg of those on horseback. The correct name for Gamba. The latter word merely means a leg, Viola da Gamba being the fiddle held between the legs. Our system of stop terminology is so inextricable a conglomeration that, for the present, -we are compelled to sanction even so great an anomaly as String Gamba = string leg ! See Gamba. Viole Celeste—See Voix Celeste. VIOLE D' AMOUR—(Lat.) Amor = love. 8 ft. ; 4 ft. Practically identical with Echo Gamba, but sometimes a slightly sharp-toned Dulciana. Viole
DICTIONARY OF ORGAN STOPS. I7I " dodge " is to adjust the pipe to speak the octave fairly clearly, before inserting the roller. The ground tone will then be found to be tolerably well regulated. The process of cutting away the ears of Viols, using them solely as a support for the roller, was devised by Mr. J. W. Whiteley. Voicers who devote much attention to the production of these delicate stringy tones fre- quently appear in some peculiar manner to contract a tendency towards imparting a suspicion of this quality of tone into all their other flue work, whether Flutes or Diapasons. This perpetual reminiscence of Viol tone constitutes one of the few failings of Mr. Thynne's flue-voicing ; it asserts itself even in the Zauberflote. Notwithstanding the fact that the Viols of Mr. Thynne were in their day opined to be of abnormally diminutive scale, results of a yet more aethereal and animated character were attained by Mr. Hope-Jones through a still further reduction of scale. The first instance of the newer pattern of stop was incorporated in his organ at Worcester Cathedral (1897), the CC pipe measuring no more than i T \- in. in diameter. The pipes of this stop, which was voiced by Mr. J. W. Whiteley, were encased in wood for the purpose of increasing their stability, a precaution found in subsequent instances to be supererogatory. These delicate string stops became at once the furore, and since their introduction into the Hope-Jones organs practically all English organ builders have reduced their Gamba scales. The Viole d'Orchestre is almost invariably enclosed in a swell box, not only for the sake of ex- pressive use, but also for the purpose of excluding dust from pipes of such delicate adjustment. An unenclosed specimen, of the narrowest scale, may, however, be heard at the Collegiate Church, Warwick (Hope-Jones). The Viole d'Orchestre displays an orchestral quality of tone, the bass, in particular, yielding a remarkably " biting " 'cello effect. In voicing the Viol class of stop, the main obstacle to be surmounted is the tendency to loss of power or of keenness of tone in the treble. For the satisfactory solution of this difficulty, due regard being at the same time evinced for the efficiency of the other portions of the compass, a wind pressure of at least 4 in. is advisable. Increased wind pressure is desirable for this class of tone solely for the purpose of securing proportionate balance of power. Indeed insubordination of keen string tone to the Flutes and Diapasons, ruins the general tone of the organ. So assertive and cutting is overblown string tone, that even heavy pressure d'Orchestre. reeds do not suffice to cloke its pernicious effect. But, granted
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DICTIONARY OF ORGAN STOPS JJ.WEDGWO
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Cornell University Library The orig
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THIRD EDITION. TO T. TERTIUS NOBLE,
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A WORK FOREWORD. of this kind will
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PREFACE. V frame a few constructive
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PREFACE. Vll from the facts that a
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PREFACE TO THE SECOND EDITION. THE
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PREFACE TO THE SECOND EDITION. XI c
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XIV BIBLIOGRAPHY. 1833 he went to P
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XVI TABLE OF HARMONIC SERIES. TABLE
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DICTIONARY OF ORGAN STOPS. A. Acous
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DICTIONARY OF ORGAN STOPS. 3 artist
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DICTIONARY OF ORGAN STOPS. 5 are st
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DICTIONARY OF ORGAN STOPS. J BARYTO
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DICTIONARY OF ORGAN STOPS. Beard—
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DICTIONARY OF ORGAN STOPS. B©11—
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DICTIONARY OF ORGAN STOPS. 13 the e
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DICTIONARY OF ORGAN STOPS. 1 Dr. Ha
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DICTIONARY OF ORGAN STOPS. 1 would
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DICTIONARY OF ORGAN STOPS. 1 IV ran
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DICTIONARY OF ORGAN STOPS. 21 is ra
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DICTIONARY OF ORGAN STOPS. 23 Clari
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DICTIONARY OF ORGAN STOPS. 25 are n
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DICTIONARY OF ORGAN STOPS. 27 CLEAR
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DICTIONARY OF ORGAN STOPS. 2 9 Cont
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DICTIONARY OF ORGAN STOPS. 3 (2) In
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DICTIONARY OF ORGAN STOPS. 33 beaut
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DICTIONARY OF ORGAN STOPS. Courtel
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DICTIONARY OF ORGAN STOPS. 37 judgm
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DICTIONARY OF ORGAN STOPS. 39 (3) I
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DICTIONARY OF ORGAN STOPS. 41 seeme
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DICTIONARY OF ORGAN STOPS. 43 mouth
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DICTIONARY OF ORGAN STOPS. 45 domai
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DICTIONARY OF ORGAN STOPS. 47 legit
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DICTIONARY OF ORGAN STOPS. 49 Dia.p
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above stops are all of the bivalvul
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DICTIONARY OF ORGAN STOPS. S3 is no
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DICTIONARY OF ORGAN STOPS. 55 ^SSSN
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DICTIONARY OF ORGAN STOPS. 57 made
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DICTIONARY OF ORGAN STOPS. 59 was n
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DOUBLE - TONGUEO REED —Double-ton
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DICTIONARY OF ORGAN STOPS. 63 Dulci
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DICTIONARY OF ORGAN STOPS. 65 Echo
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DICTIONARY OF ORGAN STOPa. 67 Examp
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DICTIONARY OF ORGAN STOPS. 69 Flaut
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DICTIONARY OF ORGAN STOPS. T Flauto
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DICTIONARY OF ORGAN STOPS. 73 Flote
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DICTIONARY OF ORGAN STOPS. 75 lips
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DICTIONARY OF ORGAN STOPS. 77 to am
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DICTIONARY OF ORGAN STOPS. 7
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DICTIONARY OF ORGAN STOPS. 8r high.
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DICTIONARY OF ORGAN STOPS. 83 Germa
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DICTIONARY OF ORGAN STOPS. 85 H, Ha
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DICTIONARY OF ORGAN STOPS. 87 Harmo
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DICTIONARY OF OKQAN STOPS. -89 stan
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DICTIONARY OF ORGAN STOPS. 91 Hohlf
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HORN GAMBA—See Fugara. DICTIONARY
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DICTIONARY OF ORGAN STOPS. 95 pecul
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RRUMMHORN—See Clarinet. DICTIONAR
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DICTIONARY OF ORGAN STOPS. 99 Litic
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DICTIONARY OF ORGAN STOPS. 1 01 Hou
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DICTIONARY OF ORGAN STOPS. 103 test
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DICTIONARY OF ORGAN STOPS. 105 word
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DICTIONARY OF ORGAN STOPS. 10J ad a
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DICTIONARY OF ORGAN STOPS. 109 Anot
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Oboe. DICTIONARY OF ORGAN STOPS. Il
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DICTIONARY OF ORGAN STOPS. 113 Orch
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DICTIONARY OF ORGAN STOP? 115 OfTen
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DICTIONARY OF ORGAN STOPS. 117 reso
Page 143 and 144: DICTIONARY OF ORGAN STOPS. Prinzipa
Page 145 and 146: DICTIONARY OF ORGAN STOPS. 121 The
Page 147 and 148: DICTIONARY OF ORGAN STOPS. 123 its
Page 149 and 150: DICTIONARY OF ORGAN STOPS. "5 R. Ra
Page 151 and 152: DICTIONARY OF ORGAN STOPS. 127 much
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Page 155 and 156: DICTIONARY OF ORGAN STOPS. 13I orga
Page 157 and 158: DICTIONARY OF ORGAN STOPS. 133 Rega
Page 159 and 160: DICTIONARY OF ORGAN STOPS. 1 35 Mes
Page 161 and 162: DICTIONARY OF ORGAN STOPS. '37 chim
Page 163 and 164: Salicional .(rollered), with double
Page 165 and 166: DICTIONARY OF ORGAN STOPS. 141 empl
Page 167 and 168: DICTIONARY OF ORGAN STOPS. 1 43 Sha
Page 169 and 170: DICTIONARY OF ORGAN STOPS. 145 8 ft
Page 171 and 172: Subbass—See Bourdon. DICTIONARY O
Page 173 and 174: DICTIONARY OF ORGAN STOPS. 149 prop
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Page 178 and 179: 154 Metal Tibia Minor
Page 180 and 181: 156 DICTIONARY OF ORGAN STOPS. U P
Page 182 and 183: 158 DICTIONARY OF ORGAN STOPS. of a
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Page 188 and 189: 164 DICTIONARY OF ORGAN STOPS. util
Page 190 and 191: 1 66 DICTIONARY OF ORGAN STOPS. 1 2
Page 192 and 193: 1 68 DICTIONARY OF ORGAN STOPS. Tus
Page 196 and 197: 172 DICTIONARY OF ORGAN STOPS. due
Page 198 and 199: 174 DICTIONARY OF ORGAN STOPS. Pari
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Page 204 and 205: 180 DICTIONARY OF ORGAN STOPS. rate
Page 206 and 207: 182 DICTIONARY OF ORGAN STOPS. Vox
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Page 212 and 213: i88 PHONETIC PRONOUNCING VOCABULARY
Page 214 and 215: 190 LIST OF SUBSCRIBERS. LIST OF SU
Page 216 and 217: 192 LIST OF SUBSCRIBERS. Gordon & G
Page 218 and 219: 194 LIST OF SUBSCRIBERS. Rollo, D.,
Page 220 and 221: THE SHEFFIELD DAILY TELEGRAPH. " Mr
Page 222 and 223: Works by the same Author. A HISTORY
Page 224 and 225: MUSICAL WORKS COMPOSED OR EDITED BY
Page 226 and 227: — MUSICAL WORKS BY FRANCIS BURGES
Page 228 and 229: The "JOHN HOLT" "PIONEER" PEDAL REE
Page 230 and 231: — — " Artis est Celare Artem" A
Page 232 and 233: ESTABLISHED 1869. TELEPHONE 673. Ab
Page 234 and 235: J. J. BINNS, BRAMLEY ORGAN WORKS, l
Page 236 and 237: ROBERT SPURDEN #rgan BSutltrer, RUT
Page 238 and 239: ESTABLISHED 1886. TUNINGS, &c, by Y
Page 240 and 241: Ssta.1blish.ecl 1888. High Class Ch
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