A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
A comprehensive dictionary of organ stops - Allen Organ Studio of ...
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14° DICTIONARY OF ORGAN STOPS.<br />
some interest infused into it. It is generally made <strong>of</strong> spotted metal.<br />
With regard to the question <strong>of</strong> slotting the Salicional, the custom <strong>of</strong><br />
English builders varies much. The majority slot the Salicional and not<br />
the Dulciana. But the Salicionals <strong>of</strong> Mr. Lewis, which may, perhaps, be<br />
said to represent the ideal type, are not usually slotted. At any rate the<br />
aim <strong>of</strong> the voicer should be to render the stop stringy, but neither keen<br />
nor horny. Some builders erroneously accord the name to what is vir-<br />
tually a s<strong>of</strong>t String Gamba. The Salicionals made within the past few<br />
years by Messrs. Conacher are virtually a very pleasant type <strong>of</strong> Viole<br />
Sourdine. Attention has recently been drawn to a variety <strong>of</strong> Salicional<br />
which was supposed to speak somewhat as a Quintaton, though composed<br />
<strong>of</strong> open pipes.<br />
— " though an<br />
The author was informed that an example <strong>of</strong> this variety<br />
imperfect specimen "—existed at the Lutheran Church,<br />
Leman Street, E. (Walcker). On visiting this instrument he found that,<br />
heard in the interior <strong>of</strong> the box, the Salicional spoke the octave very<br />
distinctly with the ground tone, but that the Twelfth was in no way prominently<br />
developed. The type <strong>of</strong> Salicional is neither known to German<br />
<strong>organ</strong> builders, nor mentioned in Allihn's work. If it existed at all, the<br />
octave was presumably likewise included, and the effect would possibly be<br />
not unlike that <strong>of</strong> a badly voiced or overblown Violone, which sometimes<br />
performs the same trick. But the said species <strong>of</strong> Salicional most probably<br />
owes its genesis to some rather vague and purposeless remarks <strong>of</strong> Hamel,<br />
who, whilst seemingly reviewing the classes <strong>of</strong> <strong>organ</strong> tone in the strictly<br />
orthodox and conventional manner, appears to group together the Quintaton<br />
and the Salicional under the same category. A double-mouthed Salicional<br />
occurs in the specification <strong>of</strong> the <strong>organ</strong> at Lund Cathedral, Sweden. The<br />
Contra Salicional forms an ideal Choir <strong>organ</strong> double. The 4 ft. Salicional,<br />
generally known as Salicet, is rare in the country. It is usually found on<br />
the Choir <strong>organ</strong> or in the Swell <strong>of</strong> small instruments. St. Katherine's<br />
Convent, Queen's Square, W. (Beale & Thynne). Scale.—A Lewis 8 ft.<br />
specimen measured at CC 3! in. in diameter, the mouth being \\ in. wide<br />
and cut up § in. It was provided with a bridge.<br />
SAN FT—(Ger.) = s<strong>of</strong>t.<br />
Sanftflote = Vienna Flute, Flauto Amabile, or Lieblich Flote.<br />
Sanftgedackt = Still Gedackt.<br />
SAXOPHONE— 16 ft.<br />
A stop imitative <strong>of</strong> the instrument named after Sax, its inventor. The<br />
quality <strong>of</strong> tone is difficult to define. It partakes <strong>of</strong> the Clarinet, Bassoon,,<br />
and 'Cello. The name, Saxophone, is applied by Mr. Casson to the 16 ft.<br />
Clarinets (tenor C compass) in his <strong>organ</strong>s. It is claimed that <strong>organ</strong>ists,<br />
unaccustomed to the Double Clarinet, are apt to take for granted that any<br />
stop bearing the familiar name Clarinet is <strong>of</strong> unison pitch. Chalumeau,