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A comprehensive dictionary of organ stops - Allen Organ Studio of ...

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DICTIONARY OF ORGAN STOPS. 129<br />

or a speck <strong>of</strong> dust lodge between the shallot and tongue the tone will be<br />

g|<br />

rendered harsh and blatant. It is on the precise stoichio-<br />

metrical curve <strong>of</strong> the tongue—the distribu-<br />

tion <strong>of</strong> elasticity—that the nature <strong>of</strong> the tone<br />

largely depends.<br />

This method <strong>of</strong> voicing was essentially<br />

French in origin. It was developed by<br />

Cavailld-Coll, whose work reached a zenith<br />

<strong>of</strong> perfection in the voicing <strong>of</strong> orchestral solo<br />

reeds. It was Willis, however, who on these<br />

foundations reared the vast edifice <strong>of</strong> modern<br />

chorus reed voicing. He was the first to<br />

systematically employ small weights screwed<br />

on to the end <strong>of</strong> the tongue.* By this process<br />

<strong>of</strong> " loading," as it is called, the tongues are<br />

rendered heavier and can therefore be reduced<br />

in length. The ill effects <strong>of</strong> internal and<br />

tortional vibration, inevitable in the case <strong>of</strong><br />

long tongues, Can thus be eluded. The best<br />

results are to be obtained only from tongues<br />

fashioned <strong>of</strong> thick hard brass or similar<br />

alloy. Tongues are occasionally curved or<br />

"burnished" by machinery, high efficiency<br />

and considerable economy <strong>of</strong> time being<br />

secured by this means. Reeds should never<br />

be blown with the mouth, as moisture con-<br />

denses on the tongues and eventually impairs<br />

their quality <strong>of</strong> tone by corrosion.f Nor, again,<br />

should the tongues ever be handled or twisted<br />

* They had previously been essayed in the case <strong>of</strong><br />

harmonium reeds, and German builders had occasion-<br />

ally run lumps <strong>of</strong> solder on to the end <strong>of</strong> large pedal<br />

reed tongues. But, as above stated, Willis was the<br />

first to systematize their use. Moreover, whilst these<br />

weights were originally employed for the purpose <strong>of</strong><br />

remedying the sluggishness <strong>of</strong> speech <strong>of</strong> large reeds,<br />

Willis sought by their use to secure, in addition,<br />

greater refinement <strong>of</strong> tone.<br />

t The writer once happened across the case <strong>of</strong> an<br />

<strong>organ</strong>, the reed tongues <strong>of</strong> which had corroded in a<br />

most mysterious manner. After much fruitless racking<br />

<strong>of</strong> brains it was discovered that the mischief was due<br />

to the fumes <strong>of</strong> a gas engine employed to operate<br />

the blowing apparatus. Engines <strong>of</strong> this sort should<br />

always be isolated from the bellows.

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